| 书法文献与《全宋诗》重出误收关系发微 |
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| 引用本文： | 杨玉锋.书法文献与《全宋诗》重出误收关系发微[J].宁波大学学报(人文科学版),2018,0(3):36-40. |
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| 作者姓名： | 杨玉锋 |
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| 作者单位： | (陕西师范大学 文学院,陕西 西安 710119) |
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| 摘 要： | 宋代诗歌与书法关系密切，书法文献在记录宋诗上有着独特的价值，可用来辑佚诗、审字句、辨讹误，然而书法文献也有许多缺陷，例如后人作伪、误冠作者、串改原诗。《全宋诗》及其补遗文献中，存在误把前代诗歌当宋诗、同一首诗歌分属不同作者的情况，其中一个重要的原因就是没有正确区别书画作品中诗歌的书法题写者与诗歌真实作者的关系。在文本字句上，书法文献中的诗歌，还存在更改标题、串改字句、分割组诗、割断全诗的变异情况。
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| 关 键 词： | 书法作品 《全宋诗》 重出 误收 变异 |
A Scrutiny on the Poetry Repetition Between Calligraphy Literature and Whole Poem Collection of Song Dynasty |
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| YANG Yu-feng.A Scrutiny on the Poetry Repetition Between Calligraphy Literature and Whole Poem Collection of Song Dynasty[J].Journal of Ningbo University(Liberal Arts Edition),2018,0(3):36-40. |
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| Authors: | YANG Yu-feng |
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| Affiliation: | (College of Chinese Literature and Language, Shaanxi Normal University, Xian 710119, China) |
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| Abstract: | The poetry of Song Dynasty is closely related to calligraphy. Calligraphy literature has unique value in recording Song poetry. It can be used to collect lost poems, judge words and distinguish errors. However, calligraphy literature also has many defects, such as later generations making false works and mistaken authors. In Whole Poem Collection of Song Dynasty and its supplementary documents, the cases exist that the former poetry is mistaken as the Song poem, and the same poem belongs to different authors. One of the important reasons is that there is no correct distinction between the calligrapher and the real author of poetry in calligraphy and painting works. The poems in the calligraphy literature could be changed and repositioned |
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| Keywords: | calligraphy works Whole Poem Collection of Song Dynasty repetition misacceptance variation |
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