| 从“画”到“诗”:论音乐剧本土化的创制实践 |
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| 引用本文： | 梁,卿.从“画”到“诗”:论音乐剧本土化的创制实践[J].宁波大学学报(人文科学版),2018,0(6):122-128. |
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| 作者姓名： | 梁 卿 |
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| 作者单位： | (宁波大学 音乐学院,浙江 宁波 315211) |
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| 摘 要： | 运用《拉奥孔》中“画”与“诗”的经典观点，对音乐剧艺术形式的本土化创作进行阐释，以一部具有浓郁本土色彩的音乐剧《牵手》为例，分析如何通过“时空转换”，把一张在网络媒体上传播的牵手新闻照片，融入地方民俗，创制为本土音乐剧，完成从“画”到“诗”的转换过程，探究音乐剧本土化创制的一般性规律。
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| 关 键 词： | 音乐剧创作 本土化 莱辛 《拉奥孔》 地方民俗 |
From Picture to Poetry: the Localized Creation of Music Drama |
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| LIANG Qing.From Picture to Poetry: the Localized Creation of Music Drama[J].Journal of Ningbo University(Liberal Arts Edition),2018,0(6):122-128. |
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| Authors: | LIANG Qing |
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| Affiliation: | (Faculty of Music, Ningbo University, Ningbo 315211, China) |
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| Abstract: | Using the classic perspective of “paintings” and “poetries” in Laocoon, this paper illustrates the localized recreation of music dramas, a musical form imported from the west. Taking an originally created drama Immortal Beloved for example, this paper also gives an analysis of the methods and approaches to transform a wide spread picture ‘qianshou’ on the internet into a local music drama. It shows the process of converting a picture into a poetry, and explores the general law of the localized music creation |
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| Keywords: | musical creation localization Gotthold Ephraim Lessing Laocoon folk customs |
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