| 晚清女性“诗史”的纪实性叙事与战乱映像的构建 |
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| 引用本文： | 朱君毅.晚清女性“诗史”的纪实性叙事与战乱映像的构建[J].北京科技大学学报(社会科学版),2018,34(5):106-112. |
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| 作者姓名： | 朱君毅 |
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| 作者单位： | 兰州财经大学 商务传媒学院, 甘肃 兰州 730101 |
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| 基金项目： | 国家社科基金西部项目 (编号为09XZW002)的阶段性成果 |
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| 摘 要： | 鸦片战争将清帝国带入了战乱时期，改变了晚清女性诗人的人生轨迹，也为其诗歌创作带来了新的契机。她们继承以诗纪史的“诗史”传统，通过大量战乱诗歌记述了战火笼罩下的家国巨变以及个人遭际，体现出强烈的纪实性叙事倾向。她们在诗中大量运用题注、题序和诗中自注等手段，以细节化的再现手法与写意化的表现手法，着力于凸显人物形象，营造环境氛围和传达特定理念，试图构建一种细致入微、真实可感的战乱映像，实现了诗歌叙事功能的最大化。诗中对家族或个人遭际以及忧、悲、痛、恨等感情的书写，表现出强烈的个人化、性别化特点。
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| 关 键 词： | 晚清女性 “诗史” 纪实 叙事 |
| 收稿时间： | 2018-06-23 |
The Documentary Narrative of Women’s “Poetry History” in the Late Qing Dynasty and the Construction of War Image |
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| Affiliation: | College of Finance and Economics, Lanzhou University, Lanzhou 730020, China |
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| Abstract: | The Opium War which brought the Qing Empire into a period of wars,had totally changed the life trajectory of female poets’, and brought new opportunities for their poetry creation. They inherited the “poetry history” tradition in the history of poetry, recorded the great changes of the country and the individual’s sufferings through a large number of war-torn poems, which reflected a strong tendency of documentary narrative. In their poems, they used a large number of notes, prefaces, and self-notes, which focused on highlighting the characters, created an environment, conveyed specific ideas, tried to construct a kind of nuanced, real and sensible war images, then maximized the function of poetry narrative. In those poems, the writing of suffering of family and feelings of worries, sadness, pains, hates, etc., showed strong personal and gender characteristics. |
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