| 自我标出与他者收编:异项艺术美感的符号学考察 |
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| 引用本文： | 田野.自我标出与他者收编:异项艺术美感的符号学考察[J].西华大学学报(哲学社会科学版),2018,37(2):6-11. |
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| 作者姓名： | 田野 |
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| 作者单位： | 四川大学文学与新闻学院 四川成都 610064 |
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| 摘 要： | 异项艺术的美感在于陌生化的呈现与区隔操作，前者吸引大众的关注，后者让大众暂时撇开现实因素，专注审美体验。此外，异项艺术的美感成为自我标出与他者收编运动的基础:为保持异项美感，异项艺术通过自我标出走上一条无止境的“先锋”之路，这一点在网络时代尤为明显；同时，异项艺术面临着商业与意识形态收编的双重压力，在被收编的过程中，异项艺术的内涵被剔除，并在新的语境下被赋予新的含义。
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| 关 键 词： | 文化标出性 收编 陌生化 区隔 |
| 收稿时间： | 2017-10-23 |
Self-markedness and Incorporation: A Semiotic Study on Aesthetic Beauty of Alien Arts |
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| TIAN Ye.Self-markedness and Incorporation: A Semiotic Study on Aesthetic Beauty of Alien Arts[J].Journal of Xihua University:Philosophy & Social Sciences,2018,37(2):6-11. |
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| Authors: | TIAN Ye |
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| Affiliation: | School of Literature and Journalism, Sichuan University, Chengdu, Sichuan, 610064, China |
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| Abstract: | The aesthetic beauty of alien arts depends on defamiliarization and segregation. The former attracts the attention of the public, while the latter leads the public to put aside the reality factors for a while and focus on the aesthetic experience. The aesthetic of alien arts is the basic of self-markedness and incorporation. In order to keep its aesthetic beauty, alien arts have to be "pioneer" constantly, which is especially obvious in the Internet age. Alien arts face the pressure that includes incorporation of business and ideology, and in the process of being incorporated, the new connotation will replace the original one. |
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