| 《呼兰河传》与《城南旧事》在女童视角中的比较研究 |
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| 引用本文： | 严晓驰.《呼兰河传》与《城南旧事》在女童视角中的比较研究[J].宁波大学学报(人文科学版),2015,0(5):72-78. |
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| 作者姓名： | 严晓驰 |
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| 作者单位： | (北京师范大学 文学院,北京 100875) |
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| 摘 要： | 萧红的《呼兰河传》和林海音的《城南旧事》是两部采用女童视角的自传体小说。在女性视角和儿童视角的融合中，萧红更多地介入了成人化的思想，使得其视角缺少像《城南旧事》中的成长感，这也同时让《呼兰河传》的视角更为静态，更为客观。而同样是视角的变迁，萧红在作品中采用的是多视角合一的手法，林海音则选择了单一视角的视点转换来实现。通过女性话语、女性意识的融入，两位作家在作品中营造出了不同的“阴性”空间。
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| 关 键 词： | 呼兰河传 城南旧事 女童视角 |
A Comparative Study of the Girl Perspective inHulan River andMy Memories of Old Beijing |
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| YAN Xiao-chi.A Comparative Study of the Girl Perspective inHulan River andMy Memories of Old Beijing[J].Journal of Ningbo University(Liberal Arts Edition),2015,0(5):72-78. |
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| Authors: | YAN Xiao-chi |
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| Affiliation: | (School of Chinese Language and Literature, Beijing Normal University, Beijing 100875, China) |
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| Abstract: | The Story of Hulan River and My Memories of Old Beijing are both autobiographical novels from young girls’ perspectives. Among the perspectives of both grow-up women and young girls, Xiao Hong relies more on an adult perspectives, thus leading to a less obvious sense of growing-up. This demerit is, however, much easier to be found in My Memories of Old Beijing. It is this lack of growing-up sense that makes The Story of Hulan River a static and more objective work. Changes of perspectives are reflected in both novels. Xiao Hong has integrated multiple perspectives while Lin Haiyin shifted between limited viewpoints in a single perspective. With feminine languages and mindset instilled, both novels have created different “feminine spaces” |
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| Keywords: | The Story of Hulan River My Memories of Old Beijing Girl perspectives |
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