| “边缘”与“边缘”的对话—中西方女性主义电影批评研究比较 |
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| 引用本文： | 李晓虹.“边缘”与“边缘”的对话—中西方女性主义电影批评研究比较[J].西华大学学报(哲学社会科学版),2016,35(4):33-36, 107. |
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| 作者姓名： | 李晓虹 |
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| 作者单位： | 四川大学外国语学院 四川成都 610065 |
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| 摘 要： | 中西方女性主义电影批评都处在学界的边缘, 但是此“边缘”非彼“边缘”, 西方与中国的女性主义电影批评在各自产生的文化历史语境、关注的内容和使用的理论、所处的地位和产生的影响方面均有着极大的差别。本文通过对中西方女性主义电影研究的比较, 希望能够增进彼此的了解、交流, 尤其是希望借此研究能让中国女性主义电影研究者认识差异、从西方的理论中汲取自己需要的营养并结合自己的实际将我国的女性主义电影批评研究发展壮大, 走出一条既能展现真实的自我又能与国际接轨的道路。
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| 关 键 词： | 中国女性主义电影批评 西方女性主义电影批评 边缘 比较 |
| 收稿时间： | 2016-03-20 |
A Comparison between Chinese and Western Feminist Film Criticism |
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| LI Xiao-hong.A Comparison between Chinese and Western Feminist Film Criticism[J].Journal of Xihua University:Philosophy & Social Sciences,2016,35(4):33-36, 107. |
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| Authors: | LI Xiao-hong |
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| Affiliation: | College of Foreign Languages and Cultures, Sichuan University, Chengdu, Sichuan, 610065, China |
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| Abstract: | Though both Chinese feminist film criticism and western feminist film criticism have been marginalized in academia, there are some significant differences in between, manifest in their respective cultural and historical contexts, major concerns, theories, academic status and influence.By comparing and contrasting, this paper aims to help enhance the understanding and communication between the two, especially to help Chinese feminist film critics aware of the disparity, to learn from their counterparts, and eventually to have its own distinctive and unique voice heard internationally. |
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