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关于意境的观象本源——王国维观象意境说简释
引用本文:张俊,欧阳旻,徐文锐.关于意境的观象本源——王国维观象意境说简释[J].北京科技大学学报(社会科学版),2016,32(1):113-117.
作者姓名:张俊  欧阳旻  徐文锐
作者单位:中南大学建筑艺术学院,长沙,410083;中南大学建筑艺术学院,长沙,410083;中南大学建筑艺术学院,长沙,410083
摘    要:在中国传统美学研究和艺术创作中,关于审美意境的本体根源即“意境本源”一直是重大的理论问题和实践问题,主要存在“意象本源论”、“乐象本源论”和“观象本源论”等说法,其理论源头都可追溯到“易象本源论”。这一重大问题随着艺术实践的发展,常说常新,近代国学大师王国维的“能观—观象本源论”具有深远的艺术哲学启蒙意义,但长期以来未受到重视,有继续探讨的必要。 

关 键 词:意境  观象  乐象  意象
收稿时间:2016-01-10

On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept
ZHANG Jun,OUYANG Min,XU Wen-rui.On the Origin of Artistic Conception—Wang Guowei's Interprtation of the Concept[J].Journal of University of Science and Technology Beijing(Social Sciences Edition),2016,32(1):113-117.
Authors:ZHANG Jun  OUYANG Min  XU Wen-rui
Affiliation:School of Architecture and Art, Central Sounth University, Changsha 410083, China
Abstract:In Chinese traditional aesthetic research and artistic creation, the origin of aesthetic mood has been a major theoretical and practical issue, and “image origin ”, “ music like origin ”, “ view source ”, etc. are the main statements on it. Its theory source can be traced back to the “ Yixiang origin ” theory. Modern Chinese master Wang Guowei’s interpretation about it has a far-reaching enlightment significance of artistic philosophy, but it has been overlooked for a long time. So it is necessary to be explored. 
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