| 论蒋孔阳的音乐美学思想 |
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| 引用本文： | 陆,扬.论蒋孔阳的音乐美学思想[J].宁波大学学报(人文科学版),2021,0(1):11-19. |
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| 作者姓名： | 陆 扬 |
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| 作者单位： | (复旦大学 中文系,上海 200433 ) |
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| 摘 要： | 在蒋孔阳看来，音乐美学思想不是美学家给音乐规定的法则，先秦音乐美学思想不是先秦乐官的音乐理论，而是诸子百家关于音乐的看法和想法，是诸子百家政治和哲学思想的组成部分。蒋孔阳的《先秦音乐美学论稿》立足实证考究音乐的社会生成和社会功能，论述“省风”“宣气”，孔子“正乐”和墨子“非乐”，贯穿着一种虚怀若谷的人文意志。这是蒋孔阳音乐美学思想的一个重要标志，也是蒋孔阳美学思想体系的鲜明特点。
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| 关 键 词： | 蒋孔阳 先秦音乐美学 省风 正乐 非乐 |
LU Yang |
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| LU Yang.LU Yang[J].Journal of Ningbo University(Liberal Arts Edition),2021,0(1):11-19. |
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| Authors: | LU Yang |
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| Affiliation: | (Department of Chinese, Fudan University, Shanghai 200433, China) |
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| Abstract: | Jiang Kongyang has the idea that the thought of music aesthetics is not the basic principles imposed upon music by arrogant aestheticians. As far as the music aesthetics in pre-Qin period is concerned, it was not the music theories of pre-Qin officers, but the ideas of the different scholars and schools then. Jiang’s Treatises on Pre-Qin Music Aesthetics explores empirically the social generation and social function of music， and expounds the concepts as “folk exam” “catharsis” Confucius’ “musical justification” and Mozi’s “musical objection”. What runs through Jiang’s discussion on pre-Qin music aesthetics is a strong humanism which becomes an important symbol and distinction of his music aesthetics. |
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| Keywords: | Jiang Kongyang Pre-Qin music aesthetics folk exam musical justification musical objection |
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