| 皖南皮影戏造型艺术考 |
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| 引用本文： | 宋蔚.皖南皮影戏造型艺术考[J].西华大学学报(哲学社会科学版),2017,36(5):1-5, 21. |
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| 作者姓名： | 宋蔚 |
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| 作者单位： | 安徽大学艺术与传媒学院 安徽合肥 230011 |
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| 摘 要： | 皖南皮影戏始于明末清初，通过吸收皖南小调、花鼓戏、绘画、雕刻、剪纸等多种民间艺术形式发展起来，被当地百姓誉为“太平戏”。历经了数百年来的传承与腾挪变化，皖南皮影戏在沿袭了“正貌和丑形”传统造型理念的基础上，融合了民间艺人的审美理想和民间美术等诸多元素，逐渐形成了独具皖南地缘谱式的造型艺术程式。这种程式绝非某代或某个艺人的独创，而是历经了多代艺人的学习、交流、积累和创造而逐渐完善定型的脸谱化艺术程式，在外彰显出写意写实为一体的艺术美感，在内蕴积着朴素功利的审美理想，质朴生动地记录着皖南皮影戏数百年来的兴衰更替以及发展历程。
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| 关 键 词： | 皖南皮影戏 正貌与丑形 造型程式 审美情感 非物质文化遗产 |
| 收稿时间： | 2017-04-12 |
A Research on the Formative Arts of the Shadow Play in Southern Anhui Province |
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| SONG Wei.A Research on the Formative Arts of the Shadow Play in Southern Anhui Province[J].Journal of Xihua University:Philosophy & Social Sciences,2017,36(5):1-5, 21. |
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| Authors: | SONG Wei |
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| Affiliation: | Arts and Communications College, Anhui University, Hefei, Anhui, 230011, China |
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| Abstract: | The Shadow Play in southern Anhui Province began between the late Ming and early Qing Dynasty. It had its heyday after developing and spreading through absorbing various forms of folk arts, such as Nan Xiao Diao(literally the southern minor), Flower-Drum Song, painting, carving and Paper-cutting. Based on the traditional modeling idea of positive and ugly shape, the Shadow Play in southern Anhui Province fuses aesthetic ideals and folk art many other elements, gradually forming a unique southern style of the spectrum of the plastic arts after development for thousands of years. This kind of spectrum is not a personal original creation. It is the outcome of three generations' of learning, accumulating and recreating. It highlights the artistic beauty and realism, accumulating simple utilitarian aesthetic ideal, mapping out the development for thousands of years. |
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