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1.
Burma faced independence in 1948 as a deeply divided country. The British had ruled the area, which now was declared the ‘Union of Burma’ under two entirely different administrative systems. ‘Burma Proper’ was basically populated by the ethnic Burmans, Arakanese, Mons and Delta Karens, whereas the ‘Frontier Areas’ were populated by the Shan people, Salween Karens, Kachins, Karennis, Chins and various subgroups of the aforementioned. The same year, as independence was granted, the Union of Burma plunged into a civil war, which still continues. This article discusses the ethnic categories created by the colonial authorities and looks into how these ethnic categories have been – and continue to be – imagined, invented, manipulated and politicised. The article looks into how the Burmese authorities dealt with the ethnic diversity in the first constitution of 1947 by dividing the country into ethnically based ‘states’ and ‘divisions’ and how the international community of today continues supporting these colonial categories.  相似文献   

2.
The internationally known and respected Cherokee Indian artist Jimmie Durham created the conceptual mixed-media installation The Caliban Codex in anticipation of the 1992 quincentennial Columbian celebrations that were held throughout the Americas. He used Shakespeare's The Tempest as a vehicle by which to critique colonialism's appropriation of language and its power to assert colonial authority. He also addressed physiognomy as it was employed during the nineteenth century in a pseudo-scientific endeavour to ‘prove’ the biological legitimacy of racism. In each case Durham employed the methods of mimicry and mockery to address the ambivalent relationship between the coloniser and the colonised as it continues to be experienced.  相似文献   

3.
Extant major approaches to states and revolutions privilege the role of state practices and the character of war‐making in shaping modern state‐making in the Third World. Bringing the role of ideology into this analytical landscape of state‐making, this paper advances an alternative claim that ideological practices shape modern state structures and practices as well as the dynamics of political contention between the state and the revolutions. First, I argue that that intra‐movement ideological dynamics within the nationalist movement can have a profound impact on the structure and practices of the state. Using the writings of the party leaders, memoirs and official publications of the Burmese communist party, I maintain that subtle and specific ideological differences amongst the Burmese leftist movements generated organizational splits and internecine conflicts in the nationalist struggle, which exerted profound influences on the structures and practices of the Burmese state Secondly, relative ideological positions of the state and the revolutionary movements play an important role in shaping the dynamics of contention between the state and revolution. For example, an intimate web of ideological affinity between the nascent Burmese state and the Burmese leftist movements shaped the context and content of political contention between the state and these movements in the post‐colonial Burma. To address these issues empirically, the first part of the paper examines the formation and cementation of organizational linkages amongst Burmese leftist nationalists during the anti‐colonial struggle. The second part of the paper addresses specific and subtle ways in which ideological character and practices of the Burmese state and the Burmese Communist party shaped state practices and state structures in modern Burma as well as the dynamics of political contention between the state and the revolutionary movements.  相似文献   

4.
‘The fantasy of the exception’ is a seductive trope. More penetrating than any explicit legal codes or political structures, the fantasy is embedded in a constellation of politics and psychology and is linked to both colonial and neocolonial logics. In her book Leo Strauss and the Politics of American Empire, Anne Norton presents the ‘fantasy of the exception’ as luring individuals to repress or magnify parts of their identities in exchange for increased access to political and economic privilege. This study argues that the fantasy of exception is intrinsically intertwined in constructs of ‘honorary whiteness’ as exemplified in the contemporary academy, as well as in colonial and neocolonial constructs of identity. Building on Norton's definition of this fantasy, I examine its colonial roots and contemporary manifestations in the broader neoliberal agenda. In doing so, I will show how the fantasy is exemplified by individuals' aspirations for ‘honorary white’ status, and how their drive to achieve power comes at the expense of the splitting of their selves. By examining the narratives of ‘non-white’ individuals and their struggle for power and identity in the face of colonial and neoliberal orders, the fantasy of exception is revealed as reinforcing inequality and oppression, and ultimately, sustains fabricated differences that fuel the legacy of colonial racism.  相似文献   

5.
Ria Kapoor's book, Making Refugees in India, explores the history of refugees in India, tracing the way the figure of ‘refugee’ makes its appearance in the subcontinent since colonial times. The motivation for the book stems from the Citizen Amendment Act passed in the Indian Parliament in 2019, and through the book, Kapoor explores the past histories and the struggles of refugees in independent India for last seventy-five years. Through the historicizing of the concept of refugee, Kapoor touches on various periods of history within the subcontinent.  相似文献   

6.
This study contests the distinction of LGBTQ (lesbian, gay, bisexual, transgender and queer) organizations suggested by earlier scholars as ‘respectable’ — i.e. normalizing, professionalizing and conforming to the dominant cultural and institutional patterns — and ‘queer’, meaning challenging the cultural and institutional forces that ‘normalize and commodify differences’. Using Bernstein's model of identity deployment, it is found problematic to distinguish LGBTQ organizations this way because when the actions of LGBTQ organizations are more complex to describe, it is not warranted to conflate identity goals with identity strategies — whether normalizing (respectable) or differentiating (queer). To examine these concerns, a qualitative inquiry was used to study five LGBTQ organizations in India where the intersections of post‐colonial ethnicity, gender, social class and sexuality offer an intriguing context through which to study queer activism. Based on the findings, it is argued from a post‐colonial perspective that when the socio‐cultural and historical existence of non‐homonormative queer communities and practices is strong, LGBTQ organizations challenge the heteronormative and/or other forms of domination to become ‘queer’. But they may simultaneously become ‘respectable′ by conforming to the diversity politics of non‐profit business, donors, and social movement organizations they seek support from, and turn out as ‘respectably queer’.  相似文献   

7.
Defining the relationship between displaced populations and the nation state is a fraught historical process. The Partition of India in 1947 provides a compelling example, yet markedly little attention has been paid to the refugee communities produced. Using the case of the displaced ‘Urdu-speaking minority’ in Bangladesh, this article considers what contemporary discourses of identity and integration reveal about the nature and boundaries of the nation state. It reveals that the language of ‘integration’ is embedded in colonial narratives of ‘population’ versus ‘people-nation’ which structure exclusion not only through language and ethnicity, but poverty and social space. It also shows how colonial and postcolonial registers transect and overlap as colonial constructions of ‘modernity’ and ‘progress’ fold into religious discourses of ‘pollution’ and ‘purity’. The voices of minorities navigating claims to belonging through these discourses shed light on a ‘nation-in-formation’: the shifting landscape of national belonging and the complicated accommodations required.  相似文献   

8.
‘What do we see when we look at ourselves?’ asked South African visual activist/artist Zanele Muholi in her 2006 photographic collection Only Half the Picture. The question, a deeply challenging introspection, required black women in particular to reflect on the ways in which history has made us not look at ourselves, but be looked at. The images Muholi presented were viewed as both troubling and liberating. This article, using a queer framework, is concerned with recoding the ways in which black women's bodies and female sexuality have been represented in post-colonial contexts. Using Zanele Muholi's photography, the article opens possibilities for claiming an erotic position for the black female's ‘queer’ body. This is further complicated by racial dynamics. The article argues that such representations work against painful colonial histories of black female torture while also desexualizing the black female.  相似文献   

9.
ABSTRACT

This article takes up Agozino's call for love. Yet this call is not a straightforward one. In response, I press for an appreciation of love which avoids collapsing love into 'protection', engaging instead with the Aboriginal World View described by Kombumerri and Wakka Wakka woman and scholar, Mary Graham, as a form of conduct, reflection and a practice in listening. Through two quite distinct stories offered by young people in their encounters with Australia's criminal justice system, I explore the ethics of listening and respectful relations in social and institutional settings. While the first story reveals the denial of colonial violence accompanying protectionist policies for the ‘care' of Indigenous communities, the second story shows how such patterns of denial underpin western ‘justice' systems, including for settler peoples. Responding to Agozino’s call requires that we examine the ethical act of listening and reflect on the repercussions of the failure to listen.  相似文献   

10.
This article explores the extension of political “liberty” and franchise – as well as the eventual extension of citizenship rights – to Indians during the decades of France's Third Republic (1870s–80s) in French colonial India. Not only does this example stand in stark contrast to the civil position of Indians in British India at the time, but it was also something of a unique situation in the French colonial world. How did the French attempt to apply a colonial policy of liberalism to Indian communities in Pondicherry, India, whose social world was constructed upon caste‐based rituals and rules? I argue that liberal policies that could violate caste rules concerning purity and lead to the loss of communal rights cannot be assessed without understanding how they were received and instrumentalized by the Indian population. Overall, the difficulty of transplanting liberalism in Pondicherry was not due just to the opposition of colonial society, but also due to the resistance of local Indians. Rejections of a more emancipatory agenda meant that the republican “civility” of liberty, equality and fraternity was compromised, and this illustrates one of the fundamental tensions in imperial/liberal discourse at the time.  相似文献   

11.
This article looks at the history of British anti-slavery thought and public policy in colonial Burma from the 1820s until the abolition of slavery in Burma’s highland regions in the 1920s. It argues that abolition in Burma during the 1920s can only be understood by examining the ways in which British definitions of indigenous slavery and colonial territoriality evolved over the nineteenth and early twentieth centuries. The article demonstrates that while anti-slavery thought and imperial expansion were entangled during the modern period, questions about security and territory were also critical to how British officials considered and enacted abolition.  相似文献   

12.
Abstract

Processes of creolisation, some of which went by the name of ‘miscegenation’ in older colonial studies, have a much broader area of distribution than the colonial and postcolonial spaces wherein they are traditionally studied. In fact, they originate in a very large area of the Indian Ocean and the Mediterranean Sea, and are ultimately not colonial in origin. Moreover, these processes involved social technologies that were gendered and deeply affected knowledge networks and movement of people and goods in the Indian Ocean and beyond. Processes of creolisation in the Americas can also be traced back to these ancient Indian Ocean patterns. Those processes have been somewhat overlooked by traditional nation-centred historiographies. They have, however, noticeably inflected colonial and postcolonial imaginaries through a variety of local languages, such as, for instance, from west to east: Brazilian Portuguese, Afrikaans, Netherlands Indies Dutch or Malay-Indonesian. They also find expression in various kinds of narratives, including historiographical works. Only a connected history, linked to a translinguistic approach, will be able to retrieve more fully the complexities and nuances of those ancient networks of people and knowledge transfer.  相似文献   

13.
Building on empirical research into translocal connections among world port cities in addressing shared challenges of climate risk mitigation and adaptation, in this article I review two widespread tendencies in urban studies – methodological city‐ism and methodological globalism respectively – as a springboard for articulating a methodologically cosmopolitan alternative. This alternative, I argue, involves epistemological issues of how to interrogate ‘the urban’ as assemblages that constitutively draw together the near and the faraway, as well as more practical issues of mobile, multisited, and comparative urban research methods. Empirically, I compare the ways in which urban actors stage global climate risks on the waterfronts of four world cities – Hong Kong, Rotterdam, Yokohama and Copenhagen – to argue that such a comparative tactic of variable ‘riskscapes’ helps situate Ulrich Beck's notion of urban cosmopolitan risk communities more thoroughly into urban studies. In such ways, I suggest, Beck's methodological cosmopolitanism is germane to studying ongoing and far ranging transformation in world political geography, in which transurban networks, communities, and governance arrangements come to complement nation‐state centred institutions. Such conclusions must be tempered, however, by the deployment of Beck's equally strong impetus towards comparative attention to the varieties of second modernity; and doing so, I conclude, aligns well with ongoing transformations in urban studies itself.  相似文献   

14.
This study examines Gogol'’s complex self-fashioning during the time of the creation and reception of his Ukrainian tales Vechera na khutore bliz Dikan'ki [Evenings on a Farm near Dikan'ka] (1831–1832) in light of the postcolonial concept of mimicry. Gogol'’s self-fashioning is studied through his submission to the symbolic power responsible for branding him as the Other in imperial Russian culture, as well as through his deliberate strategy of mimicry. Not only did Gogol'’s marginal social status and his Ukrainian ethnicity create a social hierarchy responsible for fashioning him as “an outsider within” imperial culture, Gogol' himself engaged in the colonial mimicry, trying to reverse the colonial gaze that imagined him as a “sly” Ukrainian. Challenging the accepted view of Gogol' as one who internalized the colonial stereotype of a “sly” Ukrainian, this study treats Gogol'’s identity as strategic, positional, and ambivalent. The first part of the study focuses on the manipulation of stereotypes of the Other within the Russian nationalist imagination in the early 1830s; the second part examines Gogol'’s ambivalent visual self-representation and social performance that simultaneously mimicked and menaced the colonial authority.  相似文献   

15.
Siu Leung Li 《Cultural Studies》2013,27(3-4):515-542
‘Kung fu’, as a cultural imaginary consecrated in Hong Kong cinema since the 1970s, was constituted in a flux of nationalism. This paper argues that the kung fu imaginary found in Hong Kong kung fu cinema is imbued with an underlying self-dismantling operation that denies its own effectiveness in modern life, and betrays an ‘originary’ moment of heterogeneity, an origin of itself as already ‘impurely Chinese’. Having been British-colonized, westernized, capitalist-polluted and culturally hybrid, Hong Kong's relation with ‘Chineseness’ is at best an ambivalent one. This ambivalence embodies a critical significance of Hong Kong as a defusing hybrid other within a dominant centralizing Chinese ideology, which is itself showing signs of falling apart through complex changes imposed by global capital. Hong Kong's kung fu imaginary, which operates in a self-negating mode, is instructive when read as a tactic of intervention at the historical turn from colonial modernity to the city's reluctant return to the fatherland. The kung fu imaginary enacts a continuous unveiling of its own incoherence, and registers Hong Kong's anxious process of self-invention. If Hong Kong's colonial history makes the city a troublesome supplement, then the ‘Hong Kong cultural imaginary’ will always be latently subversive, taking to task delusive forms of ‘unitary national imagination’.  相似文献   

16.
Abstract Why did Fiji Indian political rhetoric shift, at Fiji's independence, from Gandhian political grievance to nation, development and harmony? The Indians were brought to Fiji as plantation labor in order to protect the indigenous Fijians from wage labor. A romantic vision of the indigenes guided colonial policy, and became law at Fiji's independence, in a constitution giving indigenous Fijians and their chiefs special privileges. Despite the appeasing rhetoric, an electoral defeat of the indigenous chiefs was followed by military coups, for protection of indigenes against Indians and consolidation of chiefly power. Fiji has proved difficult to ‘imagine’ as a nation.  相似文献   

17.
In this article, I explore the spatial politics of the Royal Indian Navy mutiny of 1946 and call for a more maritime sense of ‘the political’. The RIN only existed from 1934 to 1950; it became the Indian Navy after independence. Its mutiny in 1946, which was caused by a number of grievances from anticolonial nationalism to more mundane challenges about the standard of food, continues to be the dominant event in this history. Leela Gandhi (2014) used the RIN mutiny to challenge the binary distinction between elite and subaltern in much Indian historiography by depicting it as an ‘anti‐colonial counterpublic’, or space in which discourses other than the dominant nationalist framings of independence were mobilized. She also regards the mutiny as a potential example of inconsequential ethics in which, instead of worrying about its causes, the mutiny can be read as an experimental space in which democratic politics occurred, rather than one in which people were striving for a ‘successful’ outcome. I argue that, while there is much to be admired in Gandhi's reading of these events, she discounts the maritime nature of the RIN mutiny. In other words, she fails to acknowledge that travelling to different international locations allowed the sailors to learn about democracy and other ideas, which in turn influenced their beliefs about what the future of India, and the RIN, should look like. As a result, I argue for the need to explore in greater depth the important connections that exist between anti‐colonialism, democratic politics and the naval/maritime experience.  相似文献   

18.
In the context of sustained interest in the mobilization of diasporic identities, I consider how and why diasporic identities might be demobilized over time. I use the case of an Indian Pakistani community in the UK and the USA (sometimes referred to as ‘Bihari’) to examine how historical memories of conflict are narrated in diaspora and the impact this has on the presence or absence of ‘diasporic consciousness'. The significance of memory in diasporic and transnational communities has been neglected, especially where the narration of historical events is concerned. The impact of forgetting has received particularly scant attention. I argue that, in the absence of this story, important lessons about the role of history in the formation of community are obscured. In this example, the ‘latent’ identities created on diaspora's demobilization help us to unpick the dyadic relations of ‘home’ and ‘away’ at the heart of essentialist conceptualizations of the concept.  相似文献   

19.
This article sets up a conversation with Frantz Fanon about his stretching of dialectics. Against a backdrop where multiple dominant epistemologies of political theory and international relations presume and are shaped by a segregation of the world into anarchy and the desire for an ordered global, Fanon's reading of imperialism's effects in the Wretched of the Earth is of utmost relevance. First, Fanon's work allows us to think dialectics along with ‘globality’ and to confronting dominant presumptions about a Manichean world: anarchy, order, and ‘bodies.’ He focuses on colonization and the White–Black relation and the radical dehumanization of the Other (Black, colonial slave, non-European, etc.). Second, his engagement of colonial violence pushes him to stretch dialectics, reactivating the ‘partially neutralized antagonisms.’ In addition, Fanon wants to think revolutionary practice as a kind of internationalism which will reunite into its own humanness in an open-ended-way—a world where no human being will be subject to dehumanization. I conclude with some ideas on what a revolutionary thinking about a revolutionary subjectivity, movement and thought entails for revolutionary struggles and dialectics today.  相似文献   

20.
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