From Commonwealth to Ukraine: The Reconceptualization of “Fatherland” in Cossack Political Culture (1660s–1680s)

This article shows how the Cossacks developed the concept of a united Cossack Ukraine on both banks of the Dnipro as their “fatherland” and began viewing this “fatherland” as an object of common identity, loyalty, and reverence. It demonstrates that in a period of two decades the Cossack elite underwent a major shift in group identity from considering as its fatherland the Polish-Lithuanian Commonwealth in favour of a Cossack Ukrainian/Little Russian polity. It further indicates that all major political actors in Cossack Ukraine accepted and adopted this concept and that by the late 1680s the idea of a Ukrainian/Little Russian fatherland had become entrenched in early modern Ukrainian political culture. Finally, it points to the long-term consequences of this identity shift on relations with the Polish-Lithuanian Commonwealth, Muscovy/Russia, and the emergence of a modern Ukrainian identity.     

Nikolai Gogol'’s Self-Fashioning in the 1830s: The Postcolonial Perspective

This study examines Gogol'’s complex self-fashioning during the time of the creation and reception of his Ukrainian tales Vechera na khutore bliz Dikan'ki [Evenings on a Farm near Dikan'ka] (1831–1832) in light of the postcolonial concept of mimicry. Gogol'’s self-fashioning is studied through his submission to the symbolic power responsible for branding him as the Other in imperial Russian culture, as well as through his deliberate strategy of mimicry. Not only did Gogol'’s marginal social status and his Ukrainian ethnicity create a social hierarchy responsible for fashioning him as “an outsider within” imperial culture, Gogol' himself engaged in the colonial mimicry, trying to reverse the colonial gaze that imagined him as a “sly” Ukrainian. Challenging the accepted view of Gogol' as one who internalized the colonial stereotype of a “sly” Ukrainian, this study treats Gogol'’s identity as strategic, positional, and ambivalent. The first part of the study focuses on the manipulation of stereotypes of the Other within the Russian nationalist imagination in the early 1830s; the second part examines Gogol'’s ambivalent visual self-representation and social performance that simultaneously mimicked and menaced the colonial authority.     

The Language of the Presidential Election Campaign in Ukraine

The objective of the article is to trace and analyze Ukrainian language use in the recent presidential election campaign, paying particular attention to lexical innovations, neologisms, and satirical allusions. These changes are presented as the continuation of a steady process of democratization or liberalization of the Ukrainian language, a phenomenon some researchers previously attributed only to Russian. The language practices of the "Kuchma-Yanukovych regime" is presented and analyzed. The view of Yushchenko by his supporters as the narodnyi kandydat/prezydent (the people’s candidate/President) finds its antipode in political neologisms coined by Yanukovych’s camp (e.g., nashysty/nashysts’kyi), which were designed to attribute fascist tendencies to Yushchenko’s bloc, Nasha Ukraina ’Our Ukraine’. The egg farce during the campaign showed the vulnerability of Yanukovych’s camp to satire.     

“Judging a book by its cover”: meditation,memory, and invention in seventeenth-century Ukrainian title pages

This article concerns the use of visual paratexts in seventeenth-century Ukraine, and of illustrated title pages in particular. The books under analysis represent three crucial monuments of seventeenth-century Ukrainian sacred oratory. These are: Lazar Baranovych’s Truby sloves propovidnykh na narochityia dni prazdnikov (Kyiv, 1674), and Antonii Radyvylovs'kyi’s Ohorodok Marii Bohorodytsy (Kyiv, 1676) and his Vinets Khrystov z propovidii nedelnykh (Kyiv, 1688). The author concentrates on the “cognitive” aspect of their titular pages, dealing with them as a rhetorical process that emphasizes meditation, invention, and memory. More specifically, she investigates the correlation between the visual and the written as a specific literary-figurative “mode of thought” that stands in a long Christian tradition of expounding images as meditational tools. She shows how Baranovych and Radyvylovs'kyi interact with this tradition, arguing that their title pages provide readers-viewers with both a machina meditativa, a meditative apparatus for reflecting upon the mystery of the Incarnation, and a machina rhetorica, a repertory of images that the users of the books, often themselves preachers, could use to compose new texts.     

Framing and counter-framing a Peace March in Russia: the use of Twitter during a hybrid war

ABSTRACT

Framing is vital to the capacity of social movements to enlist popular support and sustain contentious collective action. Using the case of a Peace March held in Moscow on 21 September 2014, the article examines how antiwar activists and their opponents framed a protest against Russia’s intervention in Ukraine. The study argues that different interpretations of patriotism underpinned divergent evaluations of the conflict and the construction of opposing identities. An analysis of Twitter posts on the eve of the march shows that peace activists positioned themselves as citizens with high moral standards and a healthy dose of patriotism, criticized the Russian government for military intervention in Ukraine, and called for a peaceful conflict resolution. In turn, opponents of the march considered themselves as real patriots and their adversaries as national traitors, denied Russia’s military presence in Ukraine, and fomented an attack on critics of Russian foreign policy. The study contributes to social movement literature by analyzing the framing of antiwar activism on a social media platform in the midst of a hybrid war, marked by a great deal of ambiguity and deception about causes, dynamics, and consequences of military operations by state and non-state actors.     

Doing Fatherhood Online: Men's Parental Identities,Experiences, and Ideologies on Social Media

Online discourse about parenting has grown with the expansion of social media technologies. With a community of “dad bloggers” developing in North America, further investigation into how men write about fatherhood on the Internet is needed. In this article, I present a qualitative analysis of 201 blog posts written by 40 dad bloggers. Adopting a social psychological perspective, I examine how fatherhood is constructed across lines of identity, experience, and ideology. My findings illustrate how dad bloggers reinforce and reshape family discourses in their writing about parental role models, becoming a father, work–family balance, generativity, and “good” and “bad” dads. Social media use is discussed as a part of fathering in everyday life and as a tool to display, promote, and normalize involved fatherhood.     

Heretical Social Movement Organizations and Their Framing Strategies*

This article is an exploratory study of heretical social movement organizations (HSMOs) and the challenges that they face in framing their issue positions. It examines how identity communities’ core issue positions serve to demarcate the boundaries of authentic group membership, making “heretics” out of community organizations that have contrary positions. It also analyzes how these organizations finesse their heretical status by utilizing specific framing strategies. It illustrates these processes using data on two social movement organizations involved in the American abortion controversy, Catholics for a Free Choice, a Catholic pro‐choice organization, and Feminists for Life of America, a feminist pro‐life organization, during the period between 1972 and 2000. I begin by demonstrating the Catholic and feminist communities’ use of an abortion litmus test to maintain community boundaries. I, then, describe the two organizations’ use of value amplification and boundary framing to frame their “heretical” issue positions both within and against their identity communities, respectively. I conclude by discussing the trend toward orthodoxy in many identity communities and the role of heretical social movement organizations in challenging this trend.     

Dovzhenko Studio in the 1960s: Between the Politics of the Auteur and the Politics of Nationality

Abstract

This article examines the aesthetics and politics of filmmaking in Soviet Ukraine in the 1960s as a lens through which to view the mechanisms of defining and representing national difference in Thaw-era Soviet culture. Management at Dovzhenko Studio in Kyiv during this time gave a green light to young filmmakers to explore a modernist and ethnographic poetic by reasoning that such a style was rooted in the traditions of Ukrainian national cinema, the founder of which was the studio’s namesake, Oleksandr Dovzhenko. While always controversial, director-auteurs such as Sergei Paradzhanov, Iurii Illienko, and Leonid Osyka consistently justified their works of “poetic cinema” on the basis of fulfilling the studio’s explicit goal to represent Ukraine through “traditional” means. Kyiv filmmakers, however, found their freedom curtailed not solely by central authorities concerned with ideological problems, but also by a film industry increasingly concerned with its ability to make a profit. Today in Ukraine, the legacy of so-called poetic cinema is fraught with accusations of elitism as the purveyors of cultural memory try to uncover a more popular history of Ukrainian cinema.     

Poetry of the Swamp: Blok’s “Folks” Cycle Bubbles of the Earth

Gogol'’s “A Few Words about Pushkin” has traditionally been viewed as evidence that Gogol' idolized Pushkin as a national poet par excellence. This article argues that behind Gogol'’s deference for Russia’s greatest poet lie layers of polemic and subversive iconoclasm. Though he initially proclaims Pushkin Russia’s national poet, Gogol' goes on to use his trademark rhetorical tools to effectively strip the poet of the honour. In doing so, he attempts to influence the reception of his own writings, which at the time predominantly concerned Ukrainian themes, in ways that would encourage his Russian audience to consider him—and not Pushkin—as Russia’s premier national writer. Countering Pushkin’s Russocentric model of national culture, Gogol' champions instead a centrifugal conception of national-imperial identity that places Russia’s imperial periphery at the center of the “Russian” experience.     

History,Politics, and the Cartography of Sexed Bodies in Iurii Illienko’s A Prayer for Hetman Mazepa

Abstract

This article explores the “corporeal” dimension of Iurii Illienko’s reconstruction of cultural and historical discourses in the 2002 film Molytva za het'mana Mazepu [A Prayer for Hetman Mazepa], which focuses on the hetman’s drama, his relationship with Peter I, and the defeat of Swedish and Ukrainian joint forces at the Battle of Poltava in 1709 that signified Ukraine’s submergence into a supranational, imperial community. Illienko’s cinematic space, in which plots of history and sexual politics are mapped onto one another, allows for conceptualizing the body as a site of political and cultural construction, contestation, and radical resistance. Demanding an intertextual approach that involves an open exchange between his cinematic domain and a “universe” of intersecting historical, cultural, ideological and political discourses, his multilayered re-memoration strategies expose both the fictionality and the political dogma surrounding the inherited mythologies. As a decentred reflection of the past, the film poses critical questions about competing histories and the dynamics of historical agency in colonial and postcolonial contexts, thus making a contribution to the protracted process of decolonization in Ukraine.     

The Enduring Social Psychology of Robert K. Merton: Motivating Sentiments,Reference Groups and Self-Fulfilling Prophecies

Robert K. Merton (1910–2003) gained renown as a distinguished sociologist, especially in connection with the paradigm of “structural-functionalism” and he publicly self-identified as a “structuralist.” This paper calls attention to an emphasis in Merton’s work that sociologists have often overlooked, namely, his social psychology. I argue that, throughout his long career, Merton consistently pursued social psychological issues, including how non-logical action, appeals to shared sentiments and collective definitions of situations affect life in organized groups. I shall characterize his earlier analyses as “Harvard style,” and his later social psychological works as “Chicago style,” as a heuristic means of calling attention to interesting variations in framing. Merton’s formulations have impacted numerous subfields of sociology, and some (e.g., “self-fulfilling prophecies,” “the Matthew Effect”) remain influential even today. Examining Merton’s social psychology will contribute both to a fuller appreciation of his career and also to a more complete history of social science in the United States.     

Exegetical explorations: Parsons’ problematic aim

The aim of this article is to encourage ongoing and close exegetical study of sociology’s theoretical texts. Attention is drawn to two instances where Talcott Parsons’ theory project seems to be at odds with itself. Both are related to his “first major synthesis” The Structure of Social Action (1937). The first concerns Parsons’ opening discussion of Crane Brinton’s question “Who now reads Spencer?” Parsons’ discussion of Spencer is examined and then compared and contrasted with what he later wrote in the “Introduction” to the 1961 reprint of Spencer’s The Study of Sociology. The second concerns Parsons’ problematic view of his contribution to social theory’s “secondary literature” and how this relates to his claims about “convergence.” The article notes that Parsons was trying to identify what he believed to be a new norm for social theory. Sociological theory, he believed, would from henceforth have to be formulated in terms of this newly emerging normative frame of reference.     

Certainty,Fairness, and Balance: State Resonance and Environmental Justice Policy Implementation1

Little research has examined how and why institutional context and framing dynamics shape the institutionalization of movement claims into the state’s formal policies, and what the implication of these processes might be for movements attempting to mobilize on the same conceptual terms after institutionalization. In this study, I explore the role institutional context and framing play in the institutionalization of movement claims in a case: the implementation of environmental justice policy in the California Environmental Protection Agency from 2002 to 2007. I ask: How and why were aspects of the environmental justice frame institutionalized into regulatory policy while others were not? I use ethnographic field methods and content analysis of archival data to answer this question and offer two contributions to previous research. First, I add to previous scholarship on the environmental justice movement by identifying the character of newer problems faced by movement actors as they engage in regulatory policy processes with opponents in the United States. Second, I extend social movement framing theory by developing the notion of “state resonance” to understand how and why a collective action frame is institutionalized and implemented in regulatory policy.     

Filming a Stalinist War Epic in Ukraine: Ihor Savchenko’s The Third Strike

Abstract

The article examines the production history of Ihor Savchenko’s film Tretii udar [The Third Strike, 1948], a World War II epic and the most significant project of the Kyiv Film Studio in the first post-war years. Using the example of The Third Strike, the author demonstrates how Stalinist cinema as an institution influenced Soviet film directors’ thematic and ideological choices as well as their style. Specifically, the supervision of such projects by the USSR’s political centre served to integrate Ukrainian film makers into Soviet cinema by fostering Soviet versions of the country’s political and social history and by preventing Ukrainian film makers from pursuing stylistic practices that might have become foundational to Ukrainian cinema. Filming a Stalinist war epic in postwar Ukraine was especially difficult in view of the Soviet struggle against Ukrainian nationalism. By featuring soldiers of different nationalities, The Third Strike underscored the idea of the “fraternal friendship of the Soviet peoples” during the war, which became a canonical element in Soviet depictions of the war. In this way, Ukrainian artists ingratiated themselves with the Soviet authorities and proved their loyalty to Russia.     

The Dark Side of “The Nose”: The Paradigms of Olfactory Perception in Gogol'’s “The Nose”

The article focuses on the ways in which Nikolai Gogol'’s famous story “The Nose” can be viewed meaningfully after being designated as the token of nonsense and illogicality by representatives of structuralism and hermeneutics in Slavic studies. Instead of interpreting the story’s symbolic significance or establishing its connections to other texts, the present article examines the story literally and asks what it means to lose one’s olfactory capacity in the Russian capital in the first third of the nineteenth century. The article’s answer is that Gogol'’s story can be seen as marking the moment during which the traditional olfactory-rich values of Russian culture gave way to a more vision-oriented Western sensory paradigm that tended to denigrate the sense of smell and its cognitive potential.     

“Our Own Little Language”: Naming and the Social Construction Of Alzheimer's Disease

Social meanings and cultural definitions attached to illness, disability, and aging have a powerful influence on the development and operations of medical care as well as the social, behavioral, and therapeutic processes occurring within these settings. Specialized care environments designed to meet the needs of what some would argue is a dramatically increasing population worldwide, those with Alzheimer's disease, have been dominated by a medical model of care where treatment of disease has primacy over person. In contrast to the medical model, the Certified Nursing Assistants (CNAs) at Starrmount (pseudonym) Alzheimer's Unit have socially constructed an alternative to the medical model of care through what I argue is the use of language and a process of “naming and reframing.” In this “different world,” as the CNAs call the world of the Unit, the resident is depicted as a socially responsive actor with a surviving self that is to be treated with respect. Using a symbolic interactionist framework, this paper examines the CNAs' construction and use of a “language of openings”—that is, the language arising out of the lifeworld of the residents—as the counterpoint to the “language of limits” of the medical model. Spoken everywhere but nowhere inscribed as “official” knowledge, this “little language,” as the CNAs speak of it, is the fundamental medium for social interaction in the Alzheimer's Unit.     

Andrii Liubka’s Carbide: Ukrainian democratic reforms through a dark glass

ABSTRACT

The Revolution of Dignity in Ukraine and its reforms are the topics of Andrii Liubka’s novel Karbid (Carbide, 2015). Employing Voltairean laughter and neo-Gothic aesthetics, Liubka presents the idea of European integration (one of the expected outcomes of the reforms) implemented practically by the corrupt elites of the imagined Transcarpathian town of Vedmediv as a money-laundering enterprise – an underground tunnel for smuggling drugs and people’s organs from Ukraine to Europe. The author proposes that the elites – most of whom are criminals – personify Julia Kristeva’s concept of abjection in the novel and represent social spheres that need reform. Contrary to the Euromaidan goals, these comprador elites desire even stronger borders between Ukraine and the European Union, as these facilitate their shadow economy, and they subject the local population to economic and social decline, turning them into disposable human waste. By applying the concept of abjection in its psychoanalytic and social forms to Liubka’s tragicomic novel, the author argues that his text points to Ukraine’s struggle to define itself as “West” and shed its totalitarian legacy of the Soviet “East,” and brings attention to the conflict between the post-Euromaidan national strivings of Ukraine’s citizens and the rampant corruption that negates their efforts.     

The Criminalization of Muslims in the United States, 2016

The criminalization of Muslims—framing an Islamic religious identity as a problem to be solved using state crime control logic—is undeniably in process in the United States. Local, state, and federal statutes target Muslims for surveillance and exclusion, and media sources depict Muslims as synonymous with terrorism, as others have shown. This paper analyzes the public’s role in the criminalization of Islam, which I call “cr-Islamization.” Drawing on in-depth, qualitative interviews in a major Southwest city during the lead-up to the 2016 presidential election, I detail how the majority of 144 politically, racially, and economically diverse interviewees talk about Muslims as a potential “racial threat,” using “fear of crime” language indicative of the mass incarceration era. This suggests that criminalization theory should be central to sociological studies of Muslims in the contemporary United States, and that criminalization rhetoric remains powerful, despite mainstream enthusiasm for criminal justice reform. I argue that criminalization’s power might reside in its ability to mutate in the “post-racial” era. The mechanisms supporting crimmigration, the criminalization of black Americans, and cr-Islamization are related but not identical. Muslims are religiously and racially subjugated, but more economically secure compared to other criminalized groups. This paper’s findings should prompt scholars to re-examine the relationships between racialization, criminalization, religious subjugation, and economic exploitation in the twenty-first century United States.

     

Productive Wordbuilding with the Russian Root «oó3» in Everyday,Technical and Religious Contexts

One of the best ways for intermediate students of Russian to learn vocabulary effectively is to focus their attention on word roots. One root which is very productive but largely ignored by authors of Russian language textbooks is “obraz.” In everyday language it translates to “form” or “shape.” However, this root is unique in that it has a separate life in literary, technical and religious contexts where it acquires the meaning of “image,” “manner,” and “icon” respectively. When “obraz” is combined with various prefixes, its usefulness in terms of vocabulary development becomes even more evident. The author compiles a list of fifty words derived from the basic root, creating a paradigm for students in their pursuit of vocabulary competency in Russian. The conclusion is that more roots need to be identified and transfered to students so that their ability to read unadapted Russian texts will occur with greater rapidity and expediency.