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1.
The French sociologist Pierre Bourdieu has been an extraordinarily influential figure in the sociology of music. For over three decades, his concepts have helped to generate both empirical and theoretical interventions in the field of study. His impact on the sociology of music taste, in particular, has been profound, his ideas directly informing our understandings of how musical preferences reflect and reproduce inequalities between social classes. But, recently his legacy has been under question and newer approaches to the music/society problematic have emerged. These have made important claims about the nature of the sociological enterprise when confronted with the specificity of cultural works, as well as how social change impacts on our relations with musical forms. This paper takes stock of the impact of Bourdieu’s ideas on the sociology of music, the debates sparked in their wake and the attempt at something like a “post‐Bourdieusian” sociology more faithful to music’s material properties. It will ask to what extent Bourdieu’s claims about social stratification and music consumption are still relevant and whether they are sophisticated enough to deal with the specific ways that we interact with musical forms.  相似文献   

2.
For French sociologist Pierre Bourdieu, the issue of the agency of intellectuals was paramount. Bourdieu maintained that intellectuals have a fearsome form of social responsibility. Having witnessed the ‘institutional misuse of authority’ common among academics, the ‘canonized stupidity’ that was part and parcel of the educational system, the faddishness of intellectual trends and the ‘cult of “transgression”‘ that underwrote this faddishness, Bourdieu crafted an alternative position and practice that were to bear fruit in the context of the fight against neo-liberalism during the last two decades of the twentieth century. This essay provides an examination of Bourdieu's theory of the gap between theory and practice, how intellectuals shape and are influenced by this gap and what can and should be done to challenge it.  相似文献   

3.
Dianteill  Erwan 《Theory and Society》2003,32(5-6):529-549
Although some of Bourdieu’s most basic concepts have their roots in the sociology of religion, religion itself has, in appearance, only a marginalized status within his work. This article focuses on the genesis of religious field and how the theories of Durkheim, Mauss, and Weber fold into the notion of field defined by Bourdieu. Religious field must be understood within the symbolic economy as well; divisions of symbolic labor are therefore discussed in relation to segmented and non-segmented societies. Finally, Bourdieu’s analysis of institutions, in particular the Catholic Church, further help us understand the use and evolution of religious field in his work and shed light on the sociologist’s understanding of the movement from religious beliefs toward aesthetic ones.  相似文献   

4.
This paper proposes an alternative approach to the scholarship of activist public relations, based on the ideas of the sociologist Pierre Bourdieu; notably his understanding of activism in society. Although Bourdieu is one of the most quoted sociologists in the world (Santoro, 2011; Truong & Weill, 2012), his work has only received limited attention in public relations, and has been entirely ignored within the context of activist communication. This is despite his focus on power, relationships and the role of activists in modern democracies, all of which are central themes in public relations practice and research. Based on Bourdieu’s theory of practice, the discipline’s prevailing, dominant, industry serving, functionalist paradigm positions public relations’ role in society as to perpetuate social inequalities. However, drawing on his ideas leads us to question if public relations skills could be equally utilized to challenge existing power imbalances in society, either in support or on behalf of those groups and individuals whose voices have been drowned out by traditional public relations efforts. The author argues that Bourdieu was not only an accomplished scholar, but also an activist in his own right. It is this combination of personal experience with academic ideas that lends weight to his scholarly work through which he urged the scholarly community to utilize their skills, knowledge and research to challenge (perceived) inequalities in society. The emergence of this type of activist academic, committed to giving voice to multiple coexisting, sometimes directly competing points of views, would arguably further justify and strengthen the existence of public relations as a scholarly discipline in its own right.  相似文献   

5.
The article analyses the seminal role played by the poet N.P. van Wyk Louw in defining the intellectual in Afrikaans public discourse. It shows that Van Wyk Louw’s defence of key concepts such as ‘liberal nationalism’ and ‘the open discussion’ in the 1950s was a movement away from his earlier views on Afrikaner nationalism, in which he focused on non‐rational forces. In the contested terrain of debates on Afrikaner nationalism Van Wyk Louw emphasised the need for the intellectual to ground his interventions in the tradition of European political thought, which demanded a respect for justice and an attempt at reconciling nationalism with liberalism. The article finally comments on the relevance of Van Wyk Louw’s contribution to current debates on public intellectual life in South Africa.  相似文献   

6.
Sapiro  Gisèle 《Theory and Society》2003,32(5-6):633-652
Using Pierre Bourdieu’s theory of “fields,” this article proposes a model of analysis of the forms of politicization in the literary field based on the French case. In France, during the first half of the twentieth century, the writer has embodied the figure of the “Intellectual.” The first claim is that the politicization of the French literary field resulted from three factors: the autonomy it gained in the nineteenth century, its lack of professional development, and the competition with the newly emerging professions. These factors, joined to the specific features of the literary activity, account for the writers’ most typical mode of politicization: prophesying. This analysis adapts the Weberian concepts of “charismatic power” and of “prophetism” to the intellectual field, in the way suggested by Pierre Bourdieu’s interpretation of Max Weber’s theory of religion. The second claim is that the forms of politicization of writers depend on the position they occupy in the literary field: the way of being a writer conditions the way one engages in the political sphere. Four figures of committed writers are distinguished: the “notabilities,” the “aesthetes,” the “avant-garde,” and the “writer-journalists.”  相似文献   

7.
Pierre Bourdieu developed a theory of democratic politics that is at least as indebted to civic republicanism as to Marxism. He was familiar with the civic republican tradition, and it increasingly influenced both his political interventions and sociological work, especially late in his career. Bourdieu drew above all on Niccolò Machiavelli’s version of republicanism, though the French republican tradition also influenced him via Durkheimian social theory. Three elements of Bourdieu’s work in particular—his concept of field autonomy, his view of interests and universalism, and his understanding of how solidarity is generated and sustained—may be understood, at least in part, as sociological reformulations of republican ideas. By drawing attention to these republican influences, the article aims to show that the conceptual resources which some critics, including Jeffrey C. Alexander, consider indispensable to an adequate theory of democracy are not entirely absent in Bourdieu’s work. On the basis of this reassessment, the article concludes that Bourdieu and Alexander are not as opposed in their thinking about democratic politics as it might first appear.  相似文献   

8.
The conceptual framework of ‘field’ proposed by Pierre Bourdieu and his model of the literary and artistic fields in nineteenth‐century France are widely applied to studies of the development of the literary and artistic fields in other regions and the fields of other cultural practices. These researches, while showing similarities to Bourdieu’s model, reveal the distinct forms of nomos which those different fields developed through localised contingencies. In other words, their findings highlight the cultural specificity of the cases on which Bourdieu’s field theory is based. The main purpose of this paper is to argue that the field theory can be beneficially applied to cross‐cultural cases provided that its culturally specific elements are clearly identified. For this purpose, I focus on one particular aspect associated with the nomos of Bourdieu’s model – the orientation toward autonomy – to argue for its cultural specificity, which becomes clearer when it is compared to a distinct case of the artistic field in early‐twentieth‐century Japan. My case study shows that the Japanese artistic field did not develop the same form of autonomy as Bourdieu’s model, but it also discloses the processes in which a certain form of nomos was shaped through the struggles between the artistic field and other fields.  相似文献   

9.
A critical review of Bourdieu’s theory of the state is developed here against the backdrop of both his wider theoretical project and empirical studies. Elaborating the concepts of symbolic capital, symbolic violence, and symbolic domination, the centrality that Bourdieu accords to symbolic forms is compared to benchmark Weberian accounts that start with the state monopoly of violence. Reviewing also some of the burgeoning secondary literature discussing his theory of the state, Bourdieu’s writings, which encompass various antinomies, are shown to vacillate between two distinct perspectives—a strong and a weak theory of the state. His rejection of the “physicalist” approaches of Marx, Elias, and Tilly is elaborated and subject to a counter-critique, particularly in relation to the notion of symbolic “violence.” Bourdieu’s account of the state is shown to be as much a political as theoretical intervention. His antagonism towards Marxist accounts in particular is shown to be rooted in a pragmatic interest in the role of the “left hand of the state” in progressive reform; and this perspective is traced back to the twin influences of Durkheim and Hegel, French republicanism, and in particular the potential of the state to express a universal interest. At the same time, compared with sophisticated Marxist and Weberian accounts and the work of Norbert Elias and Gramsci, Bourdieu’s theory is shown to be severely lacking in the way that he deals with violence and coercion. His “expanded materialism,” particularly with the “strong theory,” bends the stick too far and overplays the symbolic basis of consent. Nevertheless, Bourdieu’s insights with regard to the pervasive influences of state practices of classification, taxonomy, delegation, and naming are shown to have real utility with regard to focused empirical investigations of the state in modern societies.  相似文献   

10.
This essay arises from the author's scepticism about the received notion, prevalent both in literary and cultural studies, that Roland Barthes's work of the 1960s constituted an abandonment of the previous decade's social critique. The paper develops the argument that, to the contrary, understanding Barthes's socio-cultural development following World War II and in the French cultural context helps to situate the political engagement of his writings in the 1950s and to clarify the continued political commitment of this work from the 1960s onward. This essay addresses a series of questions: what was Barthes's relationship to the 1950s French intelligentsia that prepared his active participation in the heterodoxical Marxist journal, Arguments, a forum for many of the urgent intellectual debates between 1956-62? What is the relationship of this activity to his writings of the early 1950s, developed into Mythologies in 1957, as well as to the shift toward semiology and structuralism and to the purported abandonment of social critique betokened by this shift? How do these phases inform the different readings of Barthes's work developed in more recent interpretations of his writing? It is argued that we would do better to view the structuralist phase and especially the ‘later’ Barthes (from the late 1960s onward) more fully and deliberately in relation to the early, explicitly political period. This revised perspective, one not limiting Barthes to works such as Mythologies, will help us better comprehend Barthes's continuing legacy for sociosemiotic critique both in literary criticism and in cultural studies and to create new ground for interdisciplinary dialogue that is very much needed in an era of questioning the limits and borders of this field.  相似文献   

11.
Pierre Bourdieu: Economic models against economism   总被引:1,自引:0,他引:1  
The use of economic analogies by Bourdieu has often been the object of much criticism. For some scholars, it reveals an “economistic” vision of the social world too much inspired by neoclassical economics. For others, it is a kind of mechanical metaphor transposed to cultural phenomena in a determinist way, as in the holistic (Marxist) tradition. To understand this usage and to refute these contradictory criticisms, we return to and focus on the very first occurrences in the 1958–1966 period – the focus of our article – of what Bourdieu would call a “general economy of practices” in his book Esquisse d’une théorie de la pratique. Two central aspects, often forgotten by critics, are presented here: first, the close but very particular link between his work and economics as a growing scientific discipline during these years; second, the criticisms Bourdieu makes of the economic model as a general scientific tool for the social sciences. If one insists only on one of the two sides of the coin, one risks misunderstanding Bourdieu’s original scientific habitusand intellectual project. By contrast, this “double” position opens the possibility of an “integrated” vision of social and economic factors of practices, thanks to the introduction of the “cultural” and above all the “symbolic” dimensions of social life.  相似文献   

12.
During the past decades, debates about immigration and racism have raged in France, most recently through the sans-papiers movement through which undocumented immigrants have demanded documentation and the rights that flow from it. The important successes of the sans-papiers movement, I argue, are the result of the way they combined demands phrased through universalist discourse with expressions of cultural identity, bringing together approaches often considered incommensurable in French political culture. Taking as its contemporary point of departure the sans-papiers movement, this paper proposes that in order to better understand these debates we need to place them in the context of French colonial history. In particular, I focus on the ways the history of the French Caribbean have shaped the way race and citizenship are imagined in Republican political culture. I draw on my historical work to highlight the important ways French ‘universalism’ was in fact in many ways produced through the actions of slaves in the Caribbean. The struggles around slave emancipation and political equality in the Caribbean that developed during the French Revolution, I suggest, both produced a Republican tradition of anti-racist egalitarianism, and gave birth to a ‘Republican racism’ through which new practices of exclusion were articulated. To understand the contested meaning of citizenship in France at the end of the twentieth century, I suggest, requires such forays into the history of empire through which the possibilities of citizenship were formed.  相似文献   

13.
ABSTRACT

Pierre Bourdieu is known for his research in the areas of education and cultural stratification that led to a number of theoretical contributions informing the social sciences. Bourdieu’s interrelated concepts of field, capital, and habitus have become central in many approaches to inequality and stratification across the social sciences. In addition, we argue that Bourdieu’s ideas also feature in what is increasingly known as ‘digital sociology.’ To underscore this claim, we explore the ways in which Bourdieu’s ideas continue to have a major impact on social science research both on and with digital and Internet-based technologies. To do so, we offer a review of both Bourdieusian theorizing of the digital vis-à-vis both research on the social impacts of digital communication technologies and the application of digital technologies to social science research methods. We contend that three interconnected features of Bourdieu’s sociology have allowed his approach to flourish in the digital age: (1) his theories’ inseparability from the practice of empirical research; (2) his ontological stance combining realism and social constructionism; and (3) his familiarity with concepts developed in other disciplines and participation in interdisciplinary collaborative projects. We not only reason that these three factors go some way in accounting for Bourdieu’s influence in many sociological subfields, but we also suggest that they have been especially successful in positioning Bourdieusian sociology to take advantage of opportunities associated with digital communication technologies.  相似文献   

14.
Stuart Hall was a seminal figure in the development of cultural studies and his death in 2014 has left an intellectual and political void. This article, based on a memorial talk, offers a number of perspectives on Hall’s life and work: the relationship between his speeches/interviews and his written work; the cultural and political context of cultural studies’ emergence; the contradictory and productive relationship between cultural studies and Marxism; the centrality of ‘conjunctural analysis’ to the project of cultural studies; the continuing relevance of the recently republished book Policing the Crisis; the responsibilities of intellectuals to make ideas matter in the world beyond the academy, and the political nature of Hall’s version of cultural studies.  相似文献   

15.
Pierre Bourdieu is one of the most celebrated and widely known French sociologists of his time. During his long and very productive career, Bourdieu worked not only on very diverse areas of sociology, such as art, religion, the legal system, and education, but also on the culture of the Kabyle, on the marriage strategies of bachelors in Southern France, and on the sociology of the French intellectuals of his era. However, despite his international influence, his work has remained virtually unutilized within most contemporary historiography of science. This article aims to fill this lacuna. After a short presentation of his main theoretical concepts, I discuss Bourdieu's work on scientific practice. I then present his more historically oriented work and finish by suggesting some ways Bourdieu's insights can be useful for history of science.  相似文献   

16.
ABSTRACT

Atiq Rahimi is a director, photographer and translingual author who has published in Dari (Persian) and in French since 1999. As an outspoken author, Rahimi did not refrain from narrating loss, trauma and fundamentalism already in the 1990s. For his first publication in French, Syngué Sabour. Pierre de patience, he was awarded the highest literary price in France, the Prix Goncourt. With his recently published novel Les Porteurs d’eau, set in Afghanistan and Europe, Rahimi also explores challenges of the global Afghanistani diaspora. Inspired by his personal experiences of travelling from Kabul to Paris, Rahimi explores, with his Kafkaesque narratives, themes of loss, suffering and survival, all located in a war-torn country. In this interview, conducted in Paris, conversing in Persian and French, Rahimi talks about his personal journey and discusses cultural as well as literary theories. He mentions literature without borders, considers the power of literature as a means of taking a stand against political reality, learning French as a teenager and depicting strong female characters. Additionally, Rahimi explains to what extent Persian linguistics allowed him to depict the absurdity of living exile in his latest novel and ends the interview explaining the rationale behind the idea of authors without borders.  相似文献   

17.
《Public Relations Review》2005,31(4):492-496
All organizations have relationships with their environments that can be described as their social capital. The development of this social capital is a crucial public relations activity. Taking a cue from the late French sociologist Pierre Bourdieu, social capital can also be seen as one of the several resources used to obtain or maintain positions of power. Bourdieu, however, was quite vague about how social capital should be analyzed and did not write about organizations per se. Accordingly, I will discuss and elaborate on the social capital concept by drawing from the work of Nan Lin (2002).  相似文献   

18.
In 2013 the Mediterranean Diet was recognized by UNESCO as an intangible cultural heritage of Spain, Greece, Italy and Morocco. Conviviality – the pleasure of eating together – was recognized as the cornerstone of food culture in the region. Although the concept of commensality has been explored widely in the literature, studies on conviviality and convivial dining are almost non‐existent. This review explores the concept of conviviality and its significance in relation to the Mediterranean Diet. It draws on sociological and anthropological literature to define conviviality and to address the perceived benefits of eating together as well as the social constraints on pleasurable meals. The paper draws upon the work of French sociologist Pierre Bourdieu and his ideas of Habitus, Field and Cultural Capital, examining how these concepts relate to pleasurable eating and conviviality. It offers an interdisciplinary perspective on who and what makes conviviality happen and the potential obstacles to the experience and promotion of convivial dining.  相似文献   

19.
Kauppi  Niilo 《Theory and Society》2003,32(5-6):775-789
The purpose of this article is to explore what Bourdieu’s political sociology could bring to the study of European integration. I first present, very briefly, some of the traditional approaches in European integration studies. Then I move to my interpretation of Bourdieu’s structural constructivist theory of politics through a discussion of political capital and political field, drawing parallels between these concepts and some of Max Weber’s ideas. In the third part, while discussing the works of some scholars inspired by Bourdieu’s theory, I present some structural constructivist studies of European integration. Structural constructivism provides theoretical tools for a critical analysis of European integration.  相似文献   

20.
In this paper, I explore the limitations of Bourdieu’s “capital” with the help of Burke’s four master tropes: metaphor, metonymy, synecdoche, and irony. Both Bourdieu and Burke were concerned with theoretical reductionism. I claim that Bourdieu could not help but be reductive insofar as his metaphor of capital became the totalizing lens through which he understood society. First, I review Bourdieu’s forms of capital, noting how capital serves as the sine qua non of his theory of practice. Second, I situate Bourdieu within the PR literature. Third, I read Bourdieu’s “capital” through Burke’s (1941) four master tropes. Reading Bourdieu through Burke enables PR scholars to better understand the limitations in Bourdieu’s terminology, which leads to debunking, materialist reductionism, and relativism. I conclude with implications for future research adopting Bourdieusian and Burkean approaches to public relations.  相似文献   

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