Sounding the Holocaust,silencing the city: memorial soundscapes in today’s Berlin

Silence appears frequently in discourses of the Holocaust – as a metaphorical absence, a warning against forgetting, or simply the only appropriate response. But powerful though these meanings are, they often underplay the ambiguity of silence’s signifying power. This article addresses the liminality of silence through an analysis of its richly textured role in the memorial soundscapes of Berlin. Beyond an aural version of erasure, unspeakability, or the space for reflection upon it, I argue that these silent spaces must always be heard as part of their surrounding urban environment, refracting wider spatial practices and dis/order. When conventions are reversed – when the present is silent – the past can resound in surprising and provocative ways, collapsing spatial and temporal borders and escaping the ritualized boundaries of formal commemoration. This is explored through four different memorial situations: the disturbing resonances within the Holocaust Memorial; the transgressive processes of a collective silent walk; Gleis 17 railway memorial’s opening up of heterotopic ‘gaps’ in time; and sounded/silent history in the work of singer Tania Alon. Each of these examples, in different ways, frames a slippage between urban sound and memorial silence, creating a parallel symbolic space that the past and the present can inhabit simultaneously. In its unpredictable fluidity, silence becomes a mobile and subversive force, producing an imaginative space that is ambiguous, affective and deeply meaningful. A closer attention to these different practices of listening disrupts a top-down, strategic discourse of silence as conventionally emblematic of reflection and distance. The contemporary urban soundscape that slips through the silent cracks problematizes the narrative hegemony of memorial itself.     

The world according to iTunes: mapping urban networks of music production

In this article, I present a social network analysis that explores and maps relational urban networks of production within the global recorded music industry. Within the analysis, recorded music albums are viewed as temporary market‐based projects that bring together teams of skilled creative workers in recording studios across the globe. New tools and techniques for networking studios in geographically distant locations give mobile musically creative workers the ability to coordinate musical recordings on a global scale, resulting in new relational geographies of music production. An innovative approach is taken to the social network analysis to assess the connectedness of cities and determine the centrality and power of cities within networks of production for three major Anglophone digital music markets. The result is a mapping of the relational urban networks of music production as indicated through the interdependencies between projects, studios and local urban agglomerations.     

Urban Myths: Popular Culture, the City and Identity

This article uses Manchester (England) as a case study to examine some relationships between the city and the popular culture that emerges from, or seeks to represent, this city. We focus on post-war popular culture that has been widely disseminated such as film, television and popular music. The article considers whether these examples of popular culture reflect wider urban, social and cultural change and discuss what impact this popular culture has had on changing the landscape and fortunes of the city. In particular, we discuss the case study of Manchester's popular culture in terms of ideas about place-based identities and social class. We consider popular culture in terms of de-industrialising Manchester through to regenerated Manchester. The paper concludes by discussing the possibility that the city centre of Manchester has become gentrified and considers the impact that this is having on popular culture.     

What the digitalisation of music tells us about capitalism,culture and the power of the information technology sector

This article examines a striking but under-analysed feature of culture under capitalism, using the example of music: that the main ways in which people gain access to cultural experiences are subject to frequent, radical and disorienting shifts. It has two main aims. The first is to provide a macro-historical, multi-causal explanation of changes in technologies of musical consumption, emphasising the mutual imbrication of the economic interests of corporations with sociocultural transformations. We identify a shift over the last twenty years from consumer electronics (CE) to information technology (IT) as the most powerful sectoral force shaping how music and culture are mediated and experienced, and argue that this shift from CE to IT drew upon, and in turn quickened, a shift from domestic consumption to personalised, mobile and connected consumption, and from dynamics of what Raymond Williams called ‘mobile privatisation’ to what we call ‘networked mobile personalisation’. The second aim is to assess change and continuity in the main means by which recorded music is consumed, in long-term perspective. We argue that disruptions caused by recent ‘digitalisation’ of music are consistent with longer term processes, whereby music has been something of a testing ground for the introduction of new cultural technologies. But we also recognise particularly high levels of disruption in recent times and relate these to the new dominance of the IT industries, and the particular dynamism or instability of that sector. We close by discussing the degree to which constant changes in how people access musical experiences might be read as instances of capitalism’s tendency to prioritise limiting notions of consumer preference over meaningful needs.     

Displays of Masculinity and Rituals of Display: Congolese Immigration and Xenophobia in Johannesburg

Since the end of apartheid, Johannesburg's city centre has become home to a large number of Congolese men who fled the Democratic Republic of Congo (DRC) and the Republic of Congo (RC) for socio‐political or economic reasons. Although many may have arrived with hopes to integrate, xenophobia has made that goal near impossible. Rather than accept acts of marginalisation, however, many of these men have responded with boasts that Congolese culture is not only equal to that of South Africa—it is better. At the root of this argument is Congolese soukous music (specifically soukous appreciation songs) and fashion (specifically Société des Ambianceurs et des Personnes Elégantes, a Congolese fashion movement known by its acronym la SAPE), which, according to one young Brazzaville man, “show everyone in South Africa that the Congolese are number one” (Interview 2010). This article introduces soukous and la SAPE through notions of masculinity and display, which collectively enable these Congolese men in Johannesburg to reverse the hierarchies of inferiority imposed by xenophobia; and empowers them with opportunities for new imaginaries and practices of belonging. The research for this study was carried out in Johannesburg between 2010 and 2016.     

Rappin' on the Tyne: White Hip Hop Culture in Northeast England – an Ethnographic Study

This article offers an ethnographic account of the significance of rap music and hip hop culture for white youth in the city of Newcastle upon Tyne in north-east England. Although white appropriations of black music in Britain have been well documented in sociological work, there is currently very little research on white responses to rap and hip hop. During the course of this article I identify two distinct responses on the part of white Newcastle youth to rap and hip hop. I then go on to argue that, despite their differing nature, each of these responses can be seen as bound up with issues of locality and local experience.     

Urbanised soundtracks: youth popular culture in the African city

This article interrogates the participation of youth in constructing and defining the African urban landscape. It seeks to examine youth popular culture and performance practices that combine indigenous sound aesthetics with enactments of cultural memory to construct the urban landscape of Botswana. Particularly, the article examines youth cultural and expressive forms such as hip-hop and Kwaito musical genres, popularised traditional music, and the satirical dramatic impersonations of radio personality Dignash Morapedi. These performances elaborate African syncretic formations that underscore the power of African popular culture to integrate, reinvigorate, and transform various social spaces and identities. Urban youths use these performance forms to demonstrate how innovative practices could be used to interrogate social realities such as unemployment, poverty, and HIV/AIDS. Using the notion of “urban noise,” the article teases out a strategy of critique that articulates the various ways that the youth acoustically construct, produce, and navigate the African city.     

Everyday territories: homelessness,outreach work and city space

This article develops a situational approach to understanding urban public life and, in particular, the production of urban territories. Our aim is to examine the ways in which city space might be understood as comprising multiple, shifting, mobile and rhythmed territories. We argue that such territories are best understood through attending to their everyday production and negotiation, rather than handling territory as an a priori construct. We develop this argument from the particular case of the street‐level politics of homelessness and street care. The experience of street homelessness and the provision of care in the public spaces of the city is characterised by precarious territorial claims made and lost. We describe some of the ways in which care work with rough sleepers is itself precarious; ‘homeless’, in lacking a distinct setting in which it might get done. Indeed, outreach work takes place within and affirms homeless territories. The affirmation of territory is shown to be central to the relationship developed between the workers and their rough sleeping clients. We also show, however, the ways in which outreach workers operate on territory not their own, twice over. Outreach work is precarious in that it is practised within, and can run counter to, other territorial productions in which the experience of urban need and the work and politics of care are entangled. In sum, this article aims to move beyond static and binary understandings by developing a mobile and situational approach to city space which recognises the intensive yet overlooked work of territorial production.     

Law,rights, space and sexual citizenship in South Africa

This article considers the legal and spatial dimensions of urban sexual citizenship in South Africa. It reflects upon the manner in which legal and spatial regulation of sex evokes the private/public dichotomy and upholds an essentially heteronormative conception of sexual citizenship, before evaluating rights-based strategies that have thus far been employed in attempts to resist this. Thereafter, it argues for amalgamating these strategies under an extended notion of the right to the city that, it contends, is capable of fostering a more inclusive concept of sexual citizenship.     

Urban fragmentation as a research hypothesis: Rabat-Salé case study

Cities in developing countries display distinct spatial patterns which are increasingly recognised as the fragmentation of urban space. Although the reason for this is largely unknown, it is necessary to recognise it in order to shape appropriate urban policies.This paper is concerned with a study of Rabat-Salé, Morocco, testing the hypothesis that physically different fragments determine distinctive ways of using the city. The peculiar morphological characteristics of eight fragments were identified and, based on information from a sample survey, three issues were investigated: places of reference and the accessibility to infrastructure and services; the household's residential trajectory within the agglomeration; and the family network and its spatial location. It was found that the differences in the use of the city were not systematic among the population of the various fragments. What emerges is more a social integration resulting from a mixing at the level of family, clan or region of origin, than a societal fragmentation. The research confirms that although two distinct and at times divergent urban spaces exist, they do not necessarily conflict. These differences depend principally upon household social and economic conditions. It is essential that urban management and planning take these factors into account.     

Augmented or admented reality? The influence of marketing on augmented reality technologies

As mobile and wearable devices that enable digital content to be displayed over physical surroundings continue to develop, scholars are increasingly interested in these ‘augmented reality’ (AR) technologies. While much of the focus has either been on the technological development of these devices and their potential for changing user perception, there has been less attention paid to the stakeholders and companies developing these technologies. This study examines developments in the industry itself, where companies are finding resources and structuring their businesses, and how this has created a momentum toward marketing and advertising. The intricate link between marketing and AR is one that has implications for how the technology is developing, what experiences are possible through the technology, and the future contexts in which AR is deployed.     

Transnational mobility and rootedness: the upper middle classes in European cities

Some authors argue that ‘mobilities’ form the distinctive feature of late modern societies and represent a new social cleavage between cosmopolitan mobile élites and urban residents more rooted in their local neighbourhoods. One assumption in contemporary discourses of rootedness is that this new transnational or global society entails an ongoing process of uprooting individuals and a mainly mobile élite packing up and relocating. In this article, we draw on empirical comparative research to examine the patterns and dynamics of mobility and belonging across European borders among upper‐middle‐class managers in four cities – Paris, Madrid, Milan and Lyon. We suggest that these new urban upper‐middle‐class managers display flight responses, or ‘partial exit’ strategies, which operate at various levels to enable them to protect and control their interests while holding onto the reins of power in their local communities. Our study adopts a micro‐level perspective to explore individual experiences, strategies, motivations and values based on interviews with 480 managers in these cities.     

Occupational and Religious Mobility in a Small City

Previous studies have suggested a relationship between occupational and religious mobility, namely, that the later should follow upon the former in order to provide the mobile individual with a more socially congruent context. The greater the distance of occupational mobility, therefore, the more likely is religious mobility to occur. Analysis of data from a telephone survey of a small Midwestern city reveals that occupational and religious mobility are not related per se; there is, however, a significant relationship between occupational mobility distance and religious mobility. Education is also significantly and positively related to occupational mobility. Highly educated individuals who are occupationally mobile across a great distance are the most religiously mobile group of all. There is also a tendency for the religiously mobile to move into high status Protestant denominations or out of the Christian religion altogeher; this pattern is intensified among those who are highly mobile occupationally. The results suggest that religious mobility is a coping mechanism rather than a search for a more socially congruent context.     

《CHA》秀：用杂技演绎中国茶文化

这是一场为2010上海世博会量身定制的原创舞台秀,以杂技为主体,融入了音乐、舞蹈、戏剧、武术、茶道等多种艺术门类的精粹元素,用以展示深合修身养性之道的中华茶文化．给身处纷繁城市生活的现代人带来不可多得的视觉艺术享受和心灵启迪。以茶文化平衡城市生活的节奏,让人们拥抱更美好的城市生活,这无疑也暗合了本次世博会的主题。     

Technological affluence and subjective well-being

This study measures the welfare effects of technological goods using a recent European pooled cross-sectional dataset. We find that fixed and mobile phones, music players and personal computers, including those with an Internet connection, are associated with significantly higher levels of well-being measured by individual self-reported life satisfaction. Further controlling for mobile and broadband country penetration levels, we provide evidence suggesting that the latter matters for life satisfaction, especially for the users who already possess the relevant devices. Keeping life satisfaction constant, we subsequently derive substantial GDP per capita estimates equivalent to a 10 percentage point increase in broadband and mobile phone penetration.     

The Pune Slum Census: creating a socio-economic and spatial information base on a GIS for integrated and inclusive city development

Urban planning systems rarely include the poor. Cities are growing and so is the urban population. Pune is a large city in Western Maharashtra. According to the National Census, 2001, the population of the Pune urban agglomeration is 3.5 million and it is (in some estimates) to reach nearly 6 million by 2021.¹ Out of this, the city of Pune has a 2.5 million people living in it. Forty percent and above of the population live in slums. One of the biggest shortfalls of Pune's urban planning is that it still fails to include the poor in mainstream policies. The reason is that the poor are hardly known about, in fact, even government authorities are unaware about how many poor people there are in Pune. This attitude, and the fact that Shelter Associates (SA) work is closely connected with the poor regarding basic services and housing, started the development of a slum database by SA. Finally, the Pune Municipal Corporation asked us to make a complete census of the slum dwellers in the year 2000. That gave rise to a detailed survey of Pune's slum dwellers, to become, amongst other things, the first ever spatial and socio-economic census processed and analysed on a geographical information system (GIS). The Pune Slum Census has built upon this experience and expanded the communities’ information base, and has created a methodology which the city can use to work on detailed urban planning using a GIS and with the slum database as the base. This article focuses on the Pune Slum Census in progress.     

AN URBAN ENCOUNTER

Computing research has long been interested in location-aware mobile games, such as hybrid reality games, location-based games and urban games. With an increasingly pervasive IT infrastructure and comparatively affordable mobile devices, such games are becoming part of everyday play around the world. A study of an urban night-game called Encounter widely played in the Former Soviet Union and the Russian-speaking Diaspora is presented. The ways in which IT enables a complex interaction between the local experience of play in the urban environment and the geographically distributed nature of the player community are considered. The findings illustrate how this form of location-aware mobile game-play pulled together local engagement and global player communities into socio-technical assemblages, showing the interplay between local attachments, distant connections and the location-based communication in daily experience. The most important outcome of these games then was not the direct individual engagement with the urban environment through technology or the collaboration with strangers in the course of play (although these were the necessary prerequisites), but the social relationships that, while gained in-game, could be leveraged for civic engagement, belonging and mutual support. While the local, physical experience of the everyday and the game was important, the connections to the distributed community resulted in expanded horizons and changed the nature of the local experience as players felt they could belong to something larger than the locales they physically inhabited.     

Rethinking Gentrification and the Right to the City: The Process and Effect of the Urban Social Movement against Redevelopment in Tokyo

This article focuses on the anti‐redevelopment movement in Shimokitazawa, an area adjacent to the central Tokyo metropolitan area, to analyze resistance to the gentrification‐like phenomenons in Japan. In recent years there has been an increase in the number of international comparative studies on gentrification, and an inductive analysis based on an understanding of the various contexts of each city is needed. This article takes on this task, referring to the key concept of the right to the city, which has been used as a framework for understanding anti‐gentrification movements. In doing so, I aim to reveal the bias in existing gentrification research. In Shimokitazawa the rights to enjoy the culture of the city and the rights to speak out about the state of the city were newly recognized. The evolving debate on this area shows that these rights should be widely shared not only by landowners and residents but also by visitors. However, these rights are not adequately captured by existing conceptions of the right to the city. Shimokitazawa's anti‐gentrification movement provides an opportunity to participate in an autonomous movement. Notably, the opposition movement has been using its newly acquired voice to create alternative public spaces. The emerging trend of urban social movements that recognize and bring to light the potential value of urban space offers insights for guidelines for the future development of urban society.     

La revolución digital: mobile media use in contemporary Cuba

ABSTRACT

Recent scholarship on mobile internet use in the Global South highlights access disparities, along with shifting social practices that accompany greater web connectivity. Cuba is part of the Global South, and ranks among the least internet connected countries in the world. Venegas’[2010. Digital dilemmas: The state, the individual, and digital media in Cuba. New Brunswick, NJ: Rutgers University Press] thorough account of technology use in Cuba positions Cuban digital media as an assemblage of political, economic, historical, and global factors. Recently, however, mobile digital technologies in Cuba have undergone rapid transformation. Continuing tensions between the US and Cuba remain part of how the country's infrastructure and internet practices develop in location-specific ways. In this paper, we utilize ethnographically-informed data to provide a case study of the mobile internet adaptations in Havana, Cuba. Specifically, we draw upon Sutko and de Souza e Silva [2010. Location-aware mobile media and urban sociability. New Media & Society, 13(5), 807–823] framework for location-aware mobile media and urban sociability to examine the unique communication and coordination practices of Havana internet culture. Additionally, Massey [2005. For space. London: Sage] and Wiley and Packer [2010. Rethinking communication after the mobilities turn. The Communication Review, 13(4), 263–268] notions of space allow investigation of Cuban cultural technologies within a larger social field. These theoretical lenses enable interrogation of mobile device adaptations on mobility, sociability, and space to position Cuban media use as an assemblage of local and global forces.