Redefining the American Revolutionary: Gabriela Mistral on José Martí

Abstract

This essay criticizes the historical investment of Martí's readers in a discourse that values conservative, sexually unambiguous femininity and masculinity. The essay grapples with the vituperative register of José Martí's misogyny in order to reveal another version of the American revolutionary. Drawing on one of his earliest feminist critics, Gabriela Mistral, I show how corporeal tropes in Martí's rhetoric betray instances of empathy with emerging alternative practices of femininity and masculinity. Assisted by Mistral's overlooked and overtly gendered critique, this essay limns a tropical Martí — an embodied, sensual, demonumentalized poet who plays with language. In readings of Mistral's several essays devoted to Martí, the essay shows how Mistral's Martí represents an alternative to the heroic masculinism and violent militarism of a longstanding revolutionary American tradition.     

The repeating island of gay Manhattan in Andrew Holleran's Nights in Aruba

Abstract

This article examines Andrew Holleran's unflattering portrayal of the sexually voracious gay milieu of 1970s and 1980s New York, a world characterized by mesmerizing and tedious repetition. Nights in Aruba and other works suggest that, in contrast to Africans forcibly sent to the Caribbean during previous centuries, men participating in the voluntary diaspora of gay exiles in Manhattan shunned the very things that the relocated slaves once longed to reclaim: their birth families, their traditional religions, their original cultures. And, in turn, they lacked the survival instincts attributed by Cuban-born theorist Antonio Benítez-Rojo to inhabitants of the repeating islands of the Caribbean. As Holleran documents it, the 'doomed queens' peopling his autobiographical fiction wielded no defenses when the AIDS epidemic hit. 'The things on which we based our lives had proved disastrous', he laments.     

Joshua A. Fishman 1926–2015

Joshua Fishman died in March this year. He was founder‐editor of the International Journal of the Sociology of Language, one of the early and central journals of sociolinguistics. Alongside this major editorial involvement, which he maintained to the end, he also edited several of the field‐defining book collections which helped shape the growing field in the 1960s and 70s. He might well have viewed the founding of the Journal of Sociolinguistics in 1997 as unfortunate or competitive, the more so since our opening manifesto questioned the role of traditional sociology in our field. But Fishman responded graciously and positively to the invitation from me and Nikolas Coupland to join our inaugural Editorial Board. He remained on the Board, and was warm in his support and advice. The one piece he published with us was in 2000, a very personal obituary for Charles Ferguson which was notable for the respect and warmth it displayed. The editorial team is indebted to Fishman's longtime collaborator, Ofelia García, for this memoir on him and his significance in sociolinguistics. The Editors     

The influence of the Milan approach: Five decades of intergenerational change. A conversation with Matteo Selvini

The ‘Milan Approach’ made an enormous contribution to psychotherapy and psychiatry and has been viewed as a bedrock in the family therapy field. Mara Selvini-Palazzoli made a revolutionary shift in the early 1970’s to abandon individual therapy and adopt family therapy to treat anorexia in young women. The goal of the three systemic principles; hypothesising, circularity and neutrality, proposed by the Milan Team is to elicit a useful method to interview families which encourages the production of meaningful information. The Milan group took special care of language. Rather than overly focusing on the label and referring to schizophrenia as a diagnosis, for instance, they used the term ‘families in schizophrenic transaction’. This perspective more realistically explored the origin of problems while looking at ways how to effectively generate change. In the early stages of its development, heavily influenced by the work of the MRI, the team adopted a pragmatic and strategic approach, however the focus gradually shifted towards semantics and the story of the system. While the ‘systemic identity’ was the principal guiding principle, the model was also influenced by social constructionism. This paper is a distillation of a conversation held with Matteo Selvini, son of Mara Selvini Palazzoli. We discussed the four key influential figures who developed the ‘Milan approach’, Selvini Palazzoli, Boscolo, Cecchin and Prata. The focus of the conversation is on Mara and on her influence shaping the approach, its evolution through the years leading to the creation of the Scuola di Psicoterapia Mara Selvini Palazzoli. Matteo also shares his own influence in the evolution of the school through the intervening years. He explains the adapted version of the Milan approach and the amalgam of the original and emerging therapeutic concepts. His key messages to therapists are the importance of working in teams and client follow-ups.     

Moses and nation-building Zora Neale Hurston's Moses,Man of the Mountain and Edward Said's Freud and the Non-European

Abstract

This article examines the significance of the representation of Moses as an Egyptian in Zora Neale Hurston's Moses, Man of the Mountain and Edward Said's Freud and the Non-European. Pairing Hurston and Said continues Said's project of seeing authors 'contrapuntally', so exposing imperialism as a neglected, if submerged, context for Hurston's response to nationalism in Moses. I argue that Hurston's novel cannot be read as a straightforward critique of race-based nationalism. Although Moses is of a different ethnic group to the Hebrews he leads, Hurston's portrayal of his rule is haunted by imperialism, in which one ethnic group exploits another. In this sense, Moses, Man of the Mountain bears the signs and strains of her struggle against racialist thinking.     

Imperial Misnomers: Herman Melville's Subversion of Narratives of Exploration

Abstract

In his oeuvre the nineteenth-century American author Herman Melville engages critically with the role of narrative taxonomies in imperial praxis, particularly as they relate to his own country's emergence as imperial nation. The relativising influence of Melville's years at sea is an important factor in shaping the ontologically indeterminate and anti-teleological character of his narratives, which both critically and parodically recall the ways in which narrative representations serve imperial ends by bridging or overwriting epistemological lacunae. Melville's lectures ‘On Traveling’ and ‘The South Seas’ provide a useful introduction to his countervailing perspective: the former, by delineating a mode of travelling that remains open to that which is other; the latter by considering critically the introduction of the Pacific into Western historiography by means of several acts of misnaming and symbolic appropriation. Melville highlights the self-deconstructive nature of such acts, yet also shows a keen understanding of how nominal appropriation and exotic refiguration foreground and enable colonisation. This recognition informs Melville's first prose fiction, Typee, in which he launches a two-pronged critique of imperialism: by his first person narrator's polemic against missionary and naval activity in the Marquesas, but also, more tellingly, by exposing this narrator's own acts of misrepresentation, which suggest a deeper complicity in the discourse of empire.     

Killing the Father: Childhood and Renewal of Self-Narrative in Dambudzo Marechera's Fiction

Abstract

The contradictory impulses that characterise writing on Dambudzo Marechera's life and times were foreshadowed a long time ago in 1971 in an obligatory testimonial by his high school principal, Father Daniel Pearce, an Anglican priest. I discuss briefly the ways in which he maps Marechera's life, and suggest that he prefigured so much of its seeming intricacy and mythical qualities. Subsequent critics of his writing have only elaborated the contradictory templates of Father Pearce's hagiographic writing. What his critics have often missed in these writings and readings is Marechera's own effort at renewing his own self-narrative in the face of such readings of himself. The source of this narrative regeneration is in his recollection and uses of childhood to reflect on a longing for self-capitalisation, which is achieved by setting aside the narratives of the father (in multiple symbolic senses). His ideas of self-writing should be gleaned from his understanding and uses of childhood.     

Reflections of an Emerging Male-to-Female Transgendered Consciousness

Abstract

Professionals involved in social work practice with or designing approaches for working with male-to-female (MTF) transgend-ered youth must listen to the individual voices of these youth for the valuable information they can share with us. This paper provides the reader with the gift of a first-person account of one person's experiences as a “plainclothes transgender” person -a term he has coined to define his experiences. The paper concludes with implications for practice with both “plainclothes” and “fixed/prepared” male-to-female trans-gendered youth.     

Edward Gibbon Wakefield,England and 'ignorant,dirty, unsocial, . . . restless,more than half-savage' America

Abstract

Edward Gibbon Wakefield is usually credited with devising a new, 'rational' system of colonization, propounded in a series of books and articles between 1829 and 1837. Certainly, this is what his contemporary champions would have us believe but, rather than identifying what he propounds as an entirely new way of understanding colonization, it is more correct to characterize Wakefield's system as a careful decoction of existing ideas, practices and proposals trailed in earlier 19th-century British writings on the Cape, Australia, Canada and America. Published in London in 1833 and New York in 1834, England and America consequently represented a particularly selective reading of contemporary British writings on America, a highly-coloured portrayal of the country designed to demonstrate how emigration and settlement was better not conducted, and a striking contrast to his own, idealized vision of how colonies should be peopled.     

Revivifying Russia: Literature,Theory, and Empire in Viktor Shklovskii's Civil War Writings

Abstract

When in 1924 Iurii Tynianov identified Viktor Shklovskii's memoir A Sentimental Journey as a work 'on the margin of literature', he was commenting on the text's generic experimentation. But he also provided an apt label for its geopolitical setting, as war drives Shklovskii back and forth from Russia's dying imperial centre Petrograd to the country's peripheries. The sometimes uneasy relationship between Shklovskii's literary theory and his movement through the disintegrating Empire is this essay's main focus. Drawing on recent scholarship that identifies a fundamental paradox of modern literary theory as both the cosmopolitan study of literature per se and a discipline validated by national literary canons, the essay proposes that Shklovskii negotiates cosmopolitan and national impulses by exploring Russian literature as the expression of a multi-ethnic and multilingual empire. In analogy with Shklovskii's famous dictum that art exists to 'make the stone stony', the argument is made that in his Civil War writings Shklovskii strove to revivify the Russian Empire, that is, to 'make Russia Russian', by presenting his readers with a new and strange view of Russia from its imperial borders.     

Truth,lies, and racial consequences in Ernest Hemingway's True at First Light: A Fictional Memoir

Abstract

This article examines Ernest Hemingway's posthumously published novel True at First Light: A Fictional Memoir, by relating the author's vision of the role of Africa in the literary imagination to issues the novel raises for postcolonial cultural and historical criticism. Analyzing the novel's narrative, which draws upon Hemingway's second safari to Kenya in 1953–4, offers insight into Hemingway's 'African American' consciousness, and the new awareness that he was able substantively to arrive at for the first time in this novel, less than 10 years before his death. This awareness inaugurated what might be called a fictional reverse migration, whereby Hemingway reconnects with the black native perspective on Africa that he encountered on his first safari in 1933–4, in order to acquire material insight into what blacks were experiencing in America at the time of his second safari. Identifying this awareness also leads to the possibility of (re)reading Hemingway's racial perspective in his earlier works with African settings.     

China's Experience in Population Control: The Elusive Model

Abstract

Professor Tien's review article is the first in a series of such articles on public policy documents. As we indicated in the last issue (Vol. 8, No. 1, pp. 1–2), our aim is to compile—over a period of time—a sort of overall report card on the quality of such documents by submitting them to the scrutiny of academic professionals. Our instructions to Professor Tien were two. First, he was to examine the information contained in the report. Is it the best information available? Secondly, we asked Professor Tien to assess the logical connection between the report's data and its conclusions. We think that he has tackled both points well in his comments.

Professor Tien is well qualified to write a review article on a report on techniques of family planning in China. He is the author of the recent China's Population Struggle (Ohio State University Press, 1973), as well as many articles on the same theme. [Eds.]     

The urban psychology of Stanley Milgram

Abstract

Although his obedience research will always remain Stanley Milgram's most important work, his involvement with the social psychology of the city occupied a much larger portion of his professional career. This article traces the evolution and intensification of Milgram's interest in cities, starting with his pre-professional years, through his early research at Harvard, culminating in his multifaceted engagement with urban psychology at the Graduate Center of CUNY. There, as head of the social psychology program, he was able to infuse it with an urban emphasis. He created and taught a variety of courses on urban psychology and got his students involved in a potpourri of experiments comparing behavior in cities and towns. Those experiments provided much of the substance for Milgram's seminal article in Science, “The experience of living in cities,” in which he also introduced the theoretical concept of stimulus overload to help account for the city-small town differences he and his students found. This article evaluates the overload concept and concludes with Milgram's overarching legacy for the study of city life.     

Mirrors and Metarealists: The Poetry of Oĺga Sedakova and Ivan Zhdanov

Abstract

My paper analyses the third volume of Gustav Shpet's Aesthetic Fragments with special regard to his quasi-mathematical formula allegedly expressing 'the aesthetic reception of the word' in a literary work that caps this text. The obviously unserious character of the algorithm proffered by Shpet raises the question of his intentions. The paper argues that this is a case of self-parody, of laughter that Samuel Beckett termed risus purus through which the Russian thinker reacted to the overall ambiguity of the socio-political situation in early 1922 when he wrote his essay.     

Peter Kireevskii and the Development of Moscow Slavophilism

Abstract

Although the name of the folklorist Peter Kireevskii is well known to historians of nineteenth-century Russia, comparatively little has been written about his place within the Slavophile circle. Some scholars have treated him as the 'first' Slavophile. Others have questioned whether his views were in any sense really Slavophile at all. This article argues that Peter Kireevskii's life-long interest in Russian folklore was rooted both in his understanding of the Russian countryside and his exposure to the influence of a Russian Romantic tradition that viewed the narod as the authentic representative of national identity. It suggests that Kireevskii was from his youth convinced that Russia possessed a culture and history that was equal in value to any country in the West, but that it was only in the late 1830s that he stressed the role played by Orthodoxy in shaping Russia's development. Although his mature views brought him closer to the Slavophile 'mainstream', there were always some elements that set him apart, perhaps reflecting the fact that Slavophilism was a more eclectic and diverse phenomenon than sometimes realized.     

Locating an American romanticism: Emerson,Cavell, 'Experience'

Abstract

This article reads Ralph Waldo Emerson's 1844 essay 'Experience' as a work of mourning that gives rise to critical reaction in the romantic tradition to specific philosophical ideas New England had imported from Europe early in the 19th century. The author reads this transatlantic interaction in the wider context of journal entries, arguing that the death of Emerson's son is a test to Emerson's philosophy and his literary form, indeed, the highest challenge, against which the claims of philosophy and literature could only fail. Moreover, it is the failure of his philosophy to contain his son's death, to express it, that makes Emerson's essay romantic. Defining romanticism as incompletion: the impossibility of a total system which would include, for example, the death of the other (Cavell, Lacoue-Labarthe, Nancy, Blanchot). This, the author argues, proposes a 'location' for American romanticism that constitutes an adequate response to Critchley's contention, in his reading of Cavell, that Emerson is not, in fact, romantic.     

Understanding Georg Simmel

Abstract

This paper makes two basic claims. First, Simmel was aware of the Als-Ob (“As-If”) before Vaihinger published his Die Philosophie des Als-Ob (The Philosophy of As-If) (Vaihinger, 1911 [1935]), and he used the As-If in his epistemology of the social sciences. It is difficult to understand Simmel's sociology without recognizing the role of the As-If. However, this essential part of Simmel's epistemology of the social sciences almost has gone unreported in the standard literature. Second, Simmel formulated a concept of relativity. This concept, too, is an important part of his epistemology, yet it is not understood well. Only through an appreciation of his view of relativity can Simmel's concept Wechselwirkung (usually translated as “reciprocal interaction” but more exactly translated as “reciprocal effect”) be interpreted properly. Without an understanding of his concept of relativity Simmel's form-content relation does not convey the sense intended. This paper demonstrates that the form-content relation as used by Simmel is, in current terminology, the theory-model relation. Finally, use is made of my explication of Simmel's epistemology to clarify some relations between Simmel's ideas and Durkheim's position.     

Ten Poems of Mato Kosyk (1853–1940) Translated and Introduced

Abstract

Mato Kosyk, the foremost Lower Sorbian (Lower Wendish) poet, was born in 1853 in Werben, fifty miles south-east of Berlin. Despite the limits of his literary inheritance (mainly devotional texts and folklore) he began in his mid twenties to produce secular lyric poetry in profusion. At the age of thirty he emigrated to the USA, where he became a Lutheran pastor, but his poetic activity was interrupted only by his death in 1940. The ten poems of which translations are appended to the article span a period of over fifty years and reflect various chapters in the poet's life story. An unusual feature is the juxtaposition of Sorbian and American themes.     

'The look of hope or the look of sadness': Robert Frank's dialogical vision

Abstract

This article examines the work of Robert Frank with reference to his seminal photographic work, The Americans, and its relationships to his later post-1970s images. It argues that the 'outside eye' he brought to the US post-war consensus offered him a new comparative critical position and represented a fundamental, counter-cultural shift in the tradition of documentary photography. This vision formed around Frank's multiple 'dialogues', with the US social landscape, with earlier traditions of documentary and 'street' photography in Europe and the USA, and with the Beat generation's radical challenges to dominant post-war values. This 'moment' of overlapping and interconnected relations forms the basis for this discussion of Frank's importance as a 'political' commentator whose work has influenced generations of photographers and shares much with those writers who emerged as the Beats.