Time,Space, and Memories

ABSTRACT

This article traces the ways that gendered and generational family practices were remembered across time in the context of working-class homes in Victorian Britain. Two everyday domestic objects—the father's chair and the grandfather clock—are examined and analyzed, drawing on John Gillis' work on ritualized family spaces and contested notions of time (Gillis 1996). Both these objects resonate with the contested use of domestic space and the layered meanings of family time in working-class lives, not least because both are often remembered in autobiographical accounts of home and family. The special place of the father's chair highlighted the feminizing of the home and accompanying development of rituals to welcome and ensconce the father in his domestic domain each day. The sound of clocks underpinned the bringing together of industrial time, separating leisure and work for those at school or employment away from home, and at the same time conveying the cyclical nature of family life and its everyday routines from day to day, year to year, and generation to generation. Memories of chairs and clocks embedded in autobiographies offer important evidence about the images, sounds, and sensory experiences that resonated most powerfully when remembering and composing the hierarchies and tensions of working-class family life.     

Plagiarism or Russian Symbolist Intertextuality? Hawthorne's 'the Snow Image' and Sologub's 'snegurochka'

Abstract

In early 1909, the Russian symbolist Fedor Sologub was accused of plagiarizing his short story 'Snegurochka' from Nathaniel Hawthorne's 'The Snow Image'. For several months this case and others were discussed in the Russian press. A comparison of the two texts reveals that, while the plots are almost identical, Sologub's text contains a host of alterations that make it a truly 'Symbolist' work and, given the context in which it was created, make a charge of plagiarism difficult to prove.

For several centuries the concept of 'plagiarism' has been debated; many great authors — including several who influenced Sologub — have been accused of it, yet no definitive definition of his 'literary crime' has been reached. The Russian Symbolists were among the many who rejected traditional notions of originality; they instead actively engaged the literary past in various ways. Sologub perhaps was more active than most and made daring use of others' texts a cornerstone of his carefully crafted literary persona. While determining 'guilt' is most likely impossible, this episode does reveal much about Sologub and his literary methods.     

Harnessing Fortune: Personhood,Memory, and Place in Mongolia by Rebecca M. Empson

ABSTRACT

Since the change of regimes in 1989, private property has become the symbol of the new era in the postsocialist part of Europe—an ideological tool as well as a vessel for creating and realizing identities. For young people in Bratislava, the capital of Slovakia, buying an apartment is the most common way to secure one's housing. However, it is accompanied by personal sacrifices and debt, resulting in uncertainties for many years to come. Therefore, the decision whether to buy or rent significantly influences young people's modes of life. Nevertheless, securing one's housing is not solely an economic question, but also a part of an intimate process of creating a personal space. To feel at home means to make it one's own, hence to dive into the process of constant re-negotiation. The aim of this article is to analyze the relationship between property relations and the process of creating a home. The research data originates from intensive year-long qualitative fieldwork with thirty-five informants in Bratislava. As the results show, in a postsocialist society of uncertainties, private property is conceptualized as a personal goal and point of stability, but it also adds specific tensions and dilemmas to the notion of home. In relation to this, both home and property are parts of the same ongoing process of appropriation—influenced by preferences in taste, ideal notions, and social aspirations, as well as by broader social and economic factors.     

Becoming the Family Archivist

The author describes some of the ways in which conventional amateur family histories fail to portray the emotional realities of family life. Recent trends in biography and autobiography are explored briefly, and the possibility of a family history informed by systemic as well as psychoanalytic insights is considered. The author's own work, A Family in Time, attempts such a history. The author outlines his sources of information, both documentary and oral, and the special challenges posed by their interpretation. The decisions governing the ordering and selection of data for publication are explored, the author's aim being to present the facts in such a way that a systemic conception of family process over time will be implicit in the material. Implications for the author, for the family itself, and for therapists working with intergenerational process are briefly considered.     

Borrowing,Dwelling, Owing

Abstract

Taking the movie The Company Men (John Wells, 2010) as its starting point, the article attempts to think the condition of indebtedness in its connection with living in and with a home. Through readings of Martin Heidegger’s “Building Dwelling Thinking,” the article claims that the predicament of the indebted person and his or her house can be described as linked to a shift in the way we view houses, from “places of dwelling” to “standing-reserves.”     

Closet and Cabinet: Clutter as Cosmology

ABSTRACT

In Central Slovakia, homes “grow” and get cluttered with age. Cabinets and closets are used to house this profusion of possessions. However, their very role as containers for precious and meaningful objects—such as expensive cut glass or family heirlooms—gives them a poetic and symbolic weight that belies their modest appearance. Based on anthropological fieldwork, this article investigates how practices of collection, storage, and display of particular genres of domestic objects create spaces of intimacy in the home that work to perpetuate a sense of family history amongst middle-aged Slovaks in and around the provincial town of Banská Bystrica. Inspired by the historiography of Walter Benjamin, as well as his biographical writings, the focus of the study lies on the relation between memory and material culture in the home. Rather than relying on narratives of consumption and aesthetic choice recently popular amongst anthropologists studying domestic decor, it forms an attempt to reengage with literature that looks to the home as a site for the poetic imagination in order to grasp sentiments that are rarely verbalized.     

China's Experience in Population Control: The Elusive Model

Abstract

Professor Tien's review article is the first in a series of such articles on public policy documents. As we indicated in the last issue (Vol. 8, No. 1, pp. 1–2), our aim is to compile—over a period of time—a sort of overall report card on the quality of such documents by submitting them to the scrutiny of academic professionals. Our instructions to Professor Tien were two. First, he was to examine the information contained in the report. Is it the best information available? Secondly, we asked Professor Tien to assess the logical connection between the report's data and its conclusions. We think that he has tackled both points well in his comments.

Professor Tien is well qualified to write a review article on a report on techniques of family planning in China. He is the author of the recent China's Population Struggle (Ohio State University Press, 1973), as well as many articles on the same theme. [Eds.]     

Collecting loss

ABSTRACT

‘Collecting Loss’ develops themes from Pleasures Taken (Mavor, Duke University Press, 1995) with an emphasis on the fetishization of photographs and old clothes (exemplified, on the one hand, in Elin O'Hara Slavick's own girlhood dresses that she has stitched with haunting memories of her childhood, and on the other hand in the lush photographs taken by Sally Mann and the Victorian photographer Clementina Hawarden). As Christian Boltanski has written: ‘What they [clothing and photographs] have in common is that they are simultaneously presence and absence. They are both an object and a souvenir of a subject, exactly as a cadaver is both an object and a souvenir of a subject.’ Reading an old photographic album made by her own grandmother against other maternal collections of plenitude (whether they be old clothes or photographs or domestic bric-a-brac), Mavor reveals how such accumulated goods are made to fill in for the pangs of loss: lost childhoods, lost family histories, lost memories, lost friends. Mixing corporeality and critical theory, Mavor engages with Emily Apter's notion of ‘maternal collectomania’ as a site of provocative meanings worthy of placement alongside more conventional discourses on visual representation and collecting.     

Satori in Paris: Deconstructing the French Connection or the Legend’s Satori

Abstract

The deconstruction of Kerouac’s trip to France in search of his family name and lineage as described in Satori in Paris, published in 1966, is examined, and consideration is also given to the very process of redefining French connections. The novel — a voyage to the end of the night trying to decipher, redefine, and blur the French signs that Kerouac had scattered his Duluoz Legend with — is riddled with many deconstructing elements, which allow for better insight into both the quest Kerouac had set for himself and the meaning of French connections throughout the Legend. ‘What’s in a name’ could precisely be the question and possibly the answer. The deconstructing process initiated in Big Sur is now reaching its ultimate step, jeopardizing the stability of the creation of Duluoz’s and Kerouac’s legend altogether.     

Is anybody there? Informal supports accessed and sought by youth from foster care

Young people's ‘ageing out’ of foster care has been described as stark and abrupt, in sharp contrast with the gradual process of transitioning to adulthood experienced by parented youth in the general population. Research has demonstrated that being supported during this transition is associated with a variety of health, social, and educational outcomes. The purpose of this article is to report former foster youths' perspectives on their informal supports, what difference these supports made for them, and what they believed would be useful in their transition to adulthood. Data came from semi-structured interviews with 43 former foster youth aged 19–26. Findings revealed that while approximately half the informants reported having support from family, most did not have family whom they regularly relied upon for emotional, practical and/or financial support. Further, while nearly all youths indicated that having support made a difference to them, many also noted that for daily living, they were on their own. The study's findings are an important reminder of the gulf existing between youth from care and parented youth in terms of their access to support during their journey to adulthood.     

Public Documents Financial Assistance for Local Government. A Submission to the Grants Commission

James Joyce in his deepest metaphysical moments was no match for the writer(s) of this Report. Whilst recognizing that interdepartmental reports provide never-to-be-missed opportunities for one-upmanship between bureaucracies, one expects more clarity and simplicity when such technical bulletins are made public (as this one has). Paradoxically the Department of Urban and Regional Development (D.U.R.D.) has its own precedent in the excellent report, “Sydney Western Region—an initial discussion report, May 1974”, which formed the basis for allocations in its area improving programme for Sydney.     

Landed Gender: Rural Couples Caught Between Traditional and Contemporary Roles

The words ‘rural Australia’ summon images of big men in Akubras, CWA ladies with loaded plates of scones and cream, sheep‐dotted hillsides and summer's golden wheat. On the surface this is the good life, and even though many people are now aware that rural Australia is suffering, there is little said about what is happening behind closed doors. The couple relationship bears the brunt of the growing pressures on those who live on the land, but it has its own inner conflicts and can hardly sustain these additional pressures. These couples do not tell their story in public, they guard their privacy jealously, and only as a last hope will they come to counselling. The common theme that emerges is that of the meeting of old and new roles—the traditional expectations of relationship (typically held by the man and his family) encountering more contemporary expectations (typically held by the woman or ‘outsider’). Here is their untold story.     

“Backstage Autonomy”: Religious-Zionist State Widows in Second Marriages Manage Competing Expectations

ABSTRACT

The article examines the coping mechanisms of state widows belonging to Israel’s Religious-Zionist sector, whose husbands died at an early age either during military service or in terrorist attacks. While the national bereaved community’s collective unconscious expects the widows to dedicate their lives to institutionalized commemoration of their dead husband, Jewish tradition expects them to remarry to rehabilitate their family and children. The widows who were studied seemed to manage the competing expectations successfully: they remarried and maintained a happy family life while entrusting commemoration to the bereaved parents, who are still part of their extended family. The findings point to successful manipulation of the patriarchy of both communities to which they belong, achieving individualization that offers freedom in the private sphere—what we call “Backstage Autonomy”—while perpetuating hegemony on the public level on the Front Stage.     

Encoding and Decoding of the Movie: City of Life and Death

Lu Chuan's movie City of Life and Death, and in Chinese, Nanjing, Nanjing has given rise to much controversy since its release. What is ironical is that even before the release of this movie, Lu Chuan had already dedicated himself to explaining the theme, the implied meaning as well as his real intention in shooting this movie. However, the unexpected controversy fully proves Stuart Hall's theory concerning television. This thesis is devoted to showing the fact that the audiences are not passive receivers of televisual message; instead, they are rather active and have their own positions. The theory employed here is Stuart Hall's encoding and decoding.     

GOVERNMENT INTERVENTION TO PREVENT BANKRUPTCY: THE EFFECT OF BLIND‐BIDDING LAWS ON MOVIE THEATERS

In the 1970s motion picture studios increased their use of blind bidding and nonrefundable guarantees in an attempt to reduce the risks associated with producing a small number of large budget films. However, theater owners claimed that blind bidding and guarantees shifted risk to them and increased the likelihood of bankruptcy, because they were required to bid for the right to exhibit a movie without seeing it first. In response to the lobbying of theater owners, 24 states passed laws between 1978 and 1984 that banned blind bidding, while 7 states also banned nonrefundable guarantees. This paper provides the first empirical analysis of the conflicting claims made by theater owners and movie studios about the impact of these laws on the survival rates of independent theaters, admission prices, and delays in the release of movies. We find that the laws were not only ineffective in keeping theater owners at risk of bankruptcy from exiting the market; they may have been even detrimental to those theater owners converting theaters to multiplexes at that time. (JEL K, L)     

A Little Pain Never Hurt Anyone: Athletic Career Socialization and the Normalization of Sports Injury

How do pain and risk of injury come to be accepted as a normal part of an athlete's role-identity? Through an examination of the career history of Sam, an amateur wrestler, the normalization of injury is seen as a traditional form of role socialization. Sam learned to define pain and injury as a routine part of his sports career by observing and interacting with a variety of significant others. As he progressed into higher levels of competition, he encountered successful athletes and coaches who had endured considerable pain and injury in their own careers. Sam eventually gained acceptance from these elite athletes and became a role model for others through conformity to a demanding sports ethic, but he suffered progressively more serious injuries. Sam's career not only reveals the socialization processes that normalize sports injury, it also demonstrates how sports participation can become a significant health risk.     

L.A. and “Lily Law”: A Talk with David Hanna

As the movie capital of the world for many decades, Hollywood has achieved an almost legendary status the world over. As a geographical location within southern California, however, it is also home to the many people who work within its film industry. The following interview with David Hanna (1917-1993) explores just what day-to-day life was like for the gay/lesbian/bisexual/transgender (GLBT) population who called Hollywood home during the Golden Age of the movie studio system: 1935 to the early 1950s. As a reporter on several Hollywood papers and a movie publicist, Hanna had a journalist's eye view of the legal and social problems confronting a group of people whose sexual orientation relegated them to a largely pariah status. As a gay man, he had a first-hand knowledge of the strategies of survival developed by Hollywood's GLBT population during those years. The article lays the groundwork for a more systematic study of GLBT Hollywood. In that regard, its introduction contains a short discussion of the methodological problems confronting researchers into that history.     

Playing BINGO with the Best of Them

Abstract

As the author explored different community programs for older gays and lesbians, he realized his own ambivalence as a middle-aged man about associating with older gay men. Gerontological differences and needs are explored in the context of these community programs.     

Gender, home and family in cultural capital theory

The paper argues that Bourdieu's stress on early familiarization for the highest value of cultural capital is closely linked to his idea, strongly emphasized in Distinction, about the role of family and domestic life for individual development and social positions. The role of women, as mothers and homemakers, is crucial in this process. Yet, Bourdieu defines social origin as deriving from the father. The centrality to Bourdieu's thinking of a resilient traditional pattern of masculine domination and feminine submission constitutive of the Western gender habitus explains both his stress on ‘normalcy’ for the production of legitimate dispositions, and his resistance to incorporating into his thinking the implications of recent transformations in home family living, which have destabilized the gender order. It is thus important to consider contemporary feminist analyses of the family and home life and their significance for a renewed theory of cultural capital. The paper considers two sets of literature. Firstly, it addresses the manners in which home and family are conceptualized in Bourdieu's key texts where these issues were prominent in the development of his thinking on cultural capital. The second set of literature includes texts by feminist academics in the fields of family, gender and the body, which analyse the destabilizing of the gender order and everyday family living in contemporary society. Two questions are addressed on the basis of these reflections: (1) Is cultural capital an individual or a household resource? (2) How does cultural capital relate to personal interdependencies at the level of family and households?     

Distorted Views Through the Glass Ceiling: The Construction of Women's Understandings of Promotion and Senior Management Positions

The article explores the issue of whether women's under‐representation in senior management positions can be explained in part by the messages they are given about the promotion process and the requirements of senior jobs. Through interviews with over 50 male and female junior and senior managers in a UK high street bank, issues relating to the required personality and behaviour characteristics seen to be associated with success and with the long hours culture emerged as important. In many cases men and women identified the same issues but the significance of them for their own decision‐making and the way others interpreted their behaviour varied — particularly in relation to the perceived incompatibility between active parenting and senior roles. The findings provide an account of the context in which women make career choices which highlights the limitations of analyses which see women's absence as the result either of procedural discrimination or women's primary orientation towards home and family. The findings also highlight the problems of treating commitments towards gender equality as an isolated issue and stress the importance of understanding responses to policies and ways of achieving change within the broader context of an analysis of the organization's culture.