知识经济时代我国高等教育的多元化发展

知识经济时代即将到来 ,为我国高等教育的发展带来了机遇与挑战。高等教育应朝多元化方向发展。办学形式的多元化可以扩大高等教育的办学规模 ,使大众化高等教育提前到来 ;投资主体的多元化可使高等教育的发展有良好的资金保证 ;而高等教育内部结构的多元化可适应我国多种经济发展阶段对人才培养的不同要求 ,灵活地应对知识经济所提出的挑战     

黑娃：大起大落的悲剧形象－－《白鹿原》人物论之三

黑娃是《白鹿原》中的主要人物之一,是作品成功刻画的一个命运大起大落的悲剧形象。这一人物形象的悲剧性主要表现在两个方面:其一,混入革命队伍中的丑恶势力对其生命的毁灭;其二,儒教传统对其叛逆性格的消解。     

Jia’s The Chinese Version

Abstract

The Chinese Character Simplification Programme of 1955–1957 that remains a national standard by force of law in the People’s Republic of China, not only degraded the aesthetic properties of the Chinese written character, but also hindered literacy by means of a haphazard formal reduction of the number of strokes, and by eliminating two-thirds of characters from the lexicon of those allowed for publication. In The Chinese Version painting series by Jia (b.1979), the artist arranges Chinese characters according to formal rather than semantic criteria, in order to generate by means of their juxtaposition, abstract or figurative patterns. Each character may retain its individual meaning, but not its function as a sequential syntagm. This strategy invests the characters with a formal aspect to ‘return’ that which was mutilated by the Simplification Programme. As the Simplification Programme’s formal changes ended characters’ role as image-signs, the artist’s choice to present each work as a painting alludes to their lost image capacity while appearing to imitate the outward aspect of printed characters, thereby implicitly turning against itself the pretext of character simplification for the sake of efficiency.     

论《天边外》三位主人公的心理悲剧

研究指出,多幕剧《天边外》是美国剧作家尤金·奥尼尔的成名作,从这部剧开始,奥尼尔进入创作的成熟期,他在美国戏剧界的地位也是由这部剧确立起来的。《天边外》在探索人物内心焦灼挣扎方面得到普遍的承认。本文将通过对其中三位主人公安德鲁、罗伯特、露斯的心理的分析,探索欲望的控制对人物命运的毁灭性打击。     

儿童哲学IAPC版教材及多元文本的分析

IAPC版教材是儿童哲学应用最广泛的教材,但我国学者对此套教材的內容分析不足,各学校又在未做充分了解之情况下,草率地搬出＂中国国情论＂,拒斥其实践上的应用。但我国部分学校已开发的校本教材,却充分利用了多元文本,适应了儿童哲学教材的国际发展趋势。为推动儿童哲学之健全成长,未来有必要在加强对IAPC版教材之研究的基础上,将其与现有材料适当结合使用。     

Revisiting the model of creative destruction: St. Jacobs,Ontario, a decade later

Ten years ago, the model of creative destruction was developed to predict the fate of communities that base their development on the commodification of rural heritage (Mitchell, C.J.A., 1998. Entrepreneurialism, commodification and creative destruction: a model of post-modern community development. Journal of Rural Studies 14, 273–286). Its application to the village of St. Jacobs, Canada, demonstrated that entrepreneurial investment had fostered the creation of a setting for aestheticized consumption. In this paper we demonstrate that creative destruction has continued to unfold in the village over the course of the past decade. The evolutionary path taken is assessed in light of current literature on rural space. It is concluded that to fully understand the transformative process, one must integrate the demands of myriad sub-cultures, whose social relations, ideologies and actions will contribute to the development of a contested landscape of consumption. This finding necessitates that modifications be made to the model and its various stages. The most significant is recognition that the “heritage-scape” is an interim state of landscape change; one that displaces the productivist landscape of the industrial period, and precedes the creation of the “neo-productivist” leisure-scape of post-industrialism. Whether or not such a “final” state is achieved is dictated by the power struggle that inevitably arises amongst sub-cultures engaged in the transformation of rural space.     

民主政治建设的共和维度

共和民主制是人类社会的一种政体，是中国近代杰出政治家的共识与选择。共和强调政府的公共性、公平性与中立性，主张在民主基础上公权制衡。共和的核心理念是“天下为公”。市场经济主体是多元的，从计划经济转向市场经济的过程应是政府自觉地培育多元主体的过程，多元之间不是敌对关系，解决的方式是由多元均衡达到社会和谐。公共权力体系应向代表性的阶层、群体或集团全方位敞开，从而达到多元共赢的目的。     

差异性社会的伦理逻辑与包容性增长的实现

差异性社会理论体现了马克思主义哲学认识及改造社会方法的创新特质。差异性社会理论是解读包容性增长的基本分析语境,差异性社会应当是良性发展的和谐社会,其发展伦理在价值观念、效率伦理、公民伦理这些方面为包容性增长界定规范性维度。差异性社会的道德冲突化解是实现包容性增长的重要精神保障。     

高师适应学生多元发展的人才培养模式建构

学生的多元发展是经济社会发展和高等教育大众化的必然趋势。要实现学生的多元发展，必须改革过分统一的人才培养模式，建立分层分类和开放的课程体系，创新教学管理制度，优化课程资源和非课程资源，丰富第二课堂和第三课堂，建设开放包容的大学文化。     

试论多元化经营的逻辑理念

企业的专业化或多元化经营战略模式选择是由其内生的经营逻辑理念主导的。随着推动企业多元化经营的内在逻辑不断演进,以资产组合、协同效应和核心能力为基础的多元化经营理念都曾在某一个阶段主导过企业经营战略模式的选择,但由于对客观规律认知上的历史局限性,上述多元化经营理念都存在一定的逻辑误区。依据层次对抗与竞争优势的层次互动模型理论建立起来的基于资源观的多元化经营理念能更恰当的反映现实条件下的企业运营规律。