论磁州窑诗词的生态智慧书写

本文运用生态美学原理,从磁州窑诗词生态叙事、生态意境、生态精髓等方面阐释磁州窑诗词绿色写作中蕴涵的生态智慧,以期开拓磁州窑诗词研究的新视野。     

Modifying the Modifier: Body Modification as Social Incarnation

The notion that body modification occurs when one undertakes practices like tattooing, piercing or scarification, engenders discourses in which: (i) body modifiers endorse such practices as self‐constructive, distancing their practitioners from social regulation and a deterministic biology, whereas; (ii) critics condemn their seemingly violent, corporeal interference. However, in suspecting that such analysis should be attentive to the concurrent individual and social co‐constitution of behaviours, a sociological and post‐structural interrogation of this characterization of body modification as a “sovereign, denaturalizing” endeavour is demanded. An engagement with the originary violence of Derridian deconstruction will duly re‐conceive body modification practice as not something which introduces violence to corporeality. Rather, violence will present as a primordial differentiating process which bodies always already condition, and by which they are conditioned/produced/modified. The second issue at stake in this article will thus develop as a contestation to the characterization of “body modification” as an exclusive category of practice. Such practices do not arrive, pre‐existing, but rather manifest as the originary violence/differentiation of bodies‐as‐modifications‐which‐modify. This re‐defines modification from something that agentive subjects introduce to bodies, to something that subjects‐as‐bodies cannot help but be. Consequently, individual agency is not divorced from behaviour, but emerges as a corporeal, social production.     

Three Days to Walk: a personal story of life writing and disability consciousness in China

Through a close reading of Three Days to Walk, a memoir of disability by Chinese writer Zhang Yuncheng, this paper develops a new understanding of self-narrated life writing and its intersection with disability consciousness in the contemporary Chinese context. It examines the changing nature of disability life writing since the end of the early 1980s, a time when the images and voices of disabled began to emerge from effective cultural invisibility and silence. In a move away from state-sponsored ‘triumph over tragedy’ biographical narratives typical of the immediate post-Cultural Revolution period, Three Days to Walk is characteristic of a new popular trend to publish self-narrated life stories that reveal unique and intimate histories of disability experience both imbued with and propelled by a burgeoning sense of disability consciousness in the Chinese context.     

语块视角下的大学英语精读教学与英语写作能力培养

从语块理论入手，探讨了该理论在大学英语精读课堂上的应用以及提高英语写作水平的对策，以期为大学英语写作教学提供新的思路和方向。     

Sofiia Andrukhovych’s Felix Austria: the postcolonial neo-Gothic and Ukraine’s search for itself

ABSTRACT

Sofiia Andrukhovych’s 2014 novel Felix Austria (Feliks Avstriia) became Ukraine’s most critically acclaimed and commercially successful work of literature published in the immediate aftermath of the Euromaidan revolution of 2013–14. It combined an ambitious historical reconstruction of daily life in the year 1900 in a mid-size city in the Habsburg-ruled part of Ukraine and an engaging plot skilfully employing multiple devices associated with the Gothic tradition, especially in its latter-day and postmodernist reinterpretations. The novel’s success is especially telling in the context of the rising interest in the Gothic in Ukrainian culture. Told by an unreliable narrator, the novel prompts readers to interrogate their assumptions. In the context of Ukraine, it is particularly subversive in its engagement with the nostalgic myth of the Habsburg Empire as a multi-ethnic utopia of tolerance, and by implication it challenges all imperial myths. The novel’s emphasis on the quest for (self-)discovery strongly resonated with readers in the context of a socio-political crisis, which highlighted the relevance of the distinct postcolonial overtones in its message.     

新媒体环境下大学生写作方式的改变及其影响

随着新媒体的发展与普及，大学生中形成了各种新的文化景观，最明显的是他们对文化的认知方式、思维模式和表达手段正发生着改变。以在大学生群体中的相关社会调查为依据，考察了新媒体环境下大学生写作方式的变化和影响，研究了大学生的新媒体写作与传统文学和写作教学的关系。文章认为，新媒体的发展虽然对大学生写作的媒介运用、内容表达、传播方式等方面带来了巨大变化和深刻影响，但大学生的写作也仍然受传统文学和写作形式的文化制约，大学的文学与写作教学需要顺应时代发展形势，将新媒体写作尽快纳入到教学体系之中去。     

Cultural Sexism is Ordinary: Writing and Re‐Writing Women in Academia

When we ‘write women’ in academia, the focus in much of the literature to date has been to write about women. The focus of this article is the writing of women themselves; to give voice to women's experiences as constructors of knowledge. Through so doing this article uses writing as praxis; as a mechanism to disrupt, challenge and open a space for renegotiation of cultural norms within academic institutions. Based on qualitative data collection over a six‐year period, this article writes women's experiences and unpacks the way in which cultural sexism has become an ordinary feature of women's academic lives. It also considers ways in which the underlying cultural interpretations of hegemonic masculinized structures may be re‐written.     

Writing organization/romancing fictocriticism

A provocation?…?the minds of my generation of organizational theorists are haunted by the spectre of scientific discourse, shoehorned into dry genres, bullied by audit regimes that try to wring the passion out of thought. Without gaiety, the science that calls us has no exuberance, it cannot dance. What are the possibilities for writing about organizations that allows the heart's instincts to be followed, the vast possibilities of expression to be explored and enjoyed? I explore this through a form of writing known as fictocriticism – a writing engaged in genre-bending as a literary and theoretical engagement with existence and selfhood. Why import this term into organization studies? Might fictocriticism have some value to ‘us’ who locate ourselves here? I am engaging in a form of romance; a courtship of ideas from elsewhere. What might result from this union is not clear, but it offers hope, excitement and promise.     

A body passes by: the flâneur and the senses in nineteenth-century London and Paris

Abstract

The flâneur is well-known for being the most emblematic nineteenth-century observer of urban life. Critics have often compared the flâneur to a camera eye which records everything and insisted on the predominance of sight over other senses in the cognitive process. This article emphasises the embodiedness of the flâneur’s vision, which is an experience of all the senses. Urban public space can be envisaged as a ‘metabolic space,’ in which “the links between background and figures are very unstable” (Augoyard 1991). The moving body of the flâneur, which can adapt to this changing space, seems to be in an ideal position to apprehend the metabolic body of the city. The flâneur is not only a “transparent eye-ball” (Emerson 2003), he is “a living eye” which communicates with all the other senses and captures the whole experience of moving through the city. By looking at texts by Balzac, Baudelaire, Dickens and Charlotte Brontë, the article shows that flânerie is a sensory activity that shapes our perception of the city as much as the city shapes our own flâneries by transforming our bodies into scribes who write the “thicks and thins of the urban text” (de Certeau, 1984).     

汉魏六朝时期俳谐文中的滑稽

俳谐文指文人创作的内容诙谐滑稽的作品,包括赋、杂文等文体,主要盛行于汉魏六朝时期。诙谐滑稽风格的作品早在先秦就已形成,主要是在民间口耳相传,直至汉魏六朝时期,在人才学术兴盛的环境下,诙谐滑稽风格得以在文人中流行,形成了文体不一的俳谐文。本文拟从愚弄、以物喻人以及讽刺模仿三种产生滑稽的方式探讨汉魏六朝俳谐文滑稽。