Critical discourse analysis of perspectives on knowledge and the knowledge society within the Sustainable Development Goals

Critical discourse analysis (CDA) is employed to analyze discourses of knowledge and the knowledge society in the Sustainable Development Goals (SDGs). Discourse analysis is a collective name for a number of scientific methodologies for analyzing semiosis, namely how meaning is created and communicated though written, vocal or sign language. Employing a genealogical approach which locates discourses in the field of prior discourses, two prior discourses of the knowledge society are identified in the key document of the SDGs. The concepts knowledge and knowledge society are found to have a marginal position within the main policy document “Transforming our world,” adopted by the United Nations in September 2015. The techno‐scientific‐economic discourse is found to be dominant at the level of implementation and of goals, while there is some evidence of the pluralist‐participatory discourse at the level of vision and strategy. Analysis of some of the policy advice provided by international organizations and civil society indicates that more pluralist‐participatory discourses on knowledge were represented when the SDGs were being formulated. Developed countries and the corporate sector were very influential in determining the final text and were probably instrumental in excluding more transformational discourses and maintaining the status quo.     

功能语篇分析在高职大学英语阅读教学中的运用

本文认为功能语篇衔接理论的运用,有助于提高教学质量和学习成效。     

论新民主主义革命时期中国共产党的民族政策在东北朝鲜族地区的实践

新民主主义革命时期 ,中国共产党一直承认朝鲜族作为我国少数民族一员的平等和合法地位 ,并以朝鲜族的特殊历史为依据 ,制定了在朝鲜族地区贯彻党的民族政策的一系列具体的方针、原则。其主要内容为 :保障朝鲜族人民的平等权利 ;承认朝鲜族自治权 ,实行民族区域自治 ;解决朝鲜族人民的土地问题 ;积极争取和团结朝鲜族人民 ,共同进行抗日救亡运动 ;建立朝鲜族人民武装 ,共同进行抗日武装斗争 ;大力培养朝鲜族干部 ;发展朝鲜族文化教育和语言文字等     

论中国共产党在延安时期的精神文明建设

本文论述了延安时期我党在思想理论、文化教育、人才培养等方面所取得的精神文明建设成果 ,从而有力地印证了中国共产党始终是中国先进文化前进方向的忠实代表。     

个体性别意识与女大学生就业质量--基于五所高校的数据分析

本文以福建省五所高校大学生就业问题的调查数据为基础,分析了个体性别意识与女大学生就业质量的关系。研究发现,性别分工观念、性别自信及性别权利意识等因素对女大学生就业质量均有重要正向影响,但影响程度不同,性别平等意识对男女大学生就业质量的影响呈反向差别。     

The Peasant World in the Discourse of Generational Sorrow

This article spells out the methodological considerations and various procedural and methodological subtleties developed over the author's quarter century of sociological field studies of Russia's peasant worlds. Particular attention is paid to “voices from below”—peasant discursive formats that capture, in natural and undiluted form, the evolution of peasant practices constituting the core of everyday life. In particular, the phenomenon of generational sorrow and a special chronological nostalgia that functions as a “social gyroscope” is identified and discursively captured. This phenomenon is noteworthy and useful for its ability to retain a record of the productively longed for past in a rural community's collective memory and thereby influence new peasant worlds taking shape today.     

Un-imagining the local/future: cinematic engagement with the absence of hope

ABSTRACT

With reference to the 2014 Umbrella Movement and Hong Kong’s uncertain fate come 2047, I ask how one un-imagines the cultural future of inhabiting the locality. As people take prompts from the present predicament to cope with real possibilities about the future, they realize that a strong embodiment of local consciousness permeates the sociocultural space. I discuss how such engagement takes place through cinematic experience, and examine tactics of the spectator’s critique centring around the erosion of hope at the core of everyday, intellectual and affective imagination. I trace the ways in which postcolonial subjects engage with hope and with the shock of hopelessness in a lived social imaginary. Examining in detail three differently representative recent films, namely, The Midnight After (2014. Dir. Fruit Chan, The Midnight After Film and One Ninety Films), Overheard 3 (2014. Dir. Alex Mak and Felix Chong, Sil-Metropole, Bona Film and Pop Movies) and Ten Years (2015. Dir. K. L. Ng (‘Local Egg’, Boon-deh dan), J. Au (‘Dialect’, Fong-yin), K. Chow (‘Self-Immolator’, Jee-fun jeh), F. P. Wong (‘Season of the End’, Dong sim), and Z. Kwok (‘Extras’, Fau gua), Ten Years Studio), I depict the modes in popular imagination that invoke people’s engagement with the ‘local’, albeit in its affective state. Accordingly, in the context of ‘externalized’ social realities, I identify three interlocking modes of cultural engagement, which I characterize as figurative, performative and prefigurative, respectively. In their ‘future’ imaginary, I look for ordinary people’s ways to face the absurdity of the status quo and the performativity of local struggles with the self.     

Discourses of cultural heritage in times of crisis: The case of the Parthenon Marbles

The paper focuses on the commodification and politicisation of cultural heritage using as a case study the ongoing debate on the return of the Parthenon Marbles from the U.K. to Greece, recently reignited by the press release for the movie The Monuments Men in 2014. Greece has been in the throes of a severe financial crisis for over six years with the ever imminent threat of Grexit constantly disputed. In parallel with this ongoing turmoil, discourses of Greek antiquity have been persistently prominent in the media. In this context, we problematise the complex nexus of relationships between the financial crisis, national identity and cultural heritage. We combine the Discourse‐Historical Approach and Interactional Sociolinguistics drawing data from an online forum, and investigate how the users negotiate pro‐/anti‐return positions and make the financial crisis relevant in the argumentation process. The analysis shows that history, identity, value, and debt are recontextualised in relation to the Parthenon sculptures. The analysis identifies an underlying process of value trade off and brings the current political and economic environment to the fore. We close the paper by foregrounding the implications of our study and provide directions for further research.     

Understanding ethnic visibility through language use: the case of Taiwan Hakka

This study investigates how the ethnic visibility of Taiwan Hakka is improved through language use. The usage of a unique Hakka symbolic code <nganggiang stiff neck> is focused on. Based on data from the four Taiwan major newspapers, an analysis with text techniques shows that the code emerges along with social-political developments in Taiwan, with its meaning turning from negative to positive connotation. Its frequency is highly correlated with major political events in Taiwan, with peaks during the two or three years before presidential elections. It illustrates semiotic innovation, extending from Hakka to Hakka non-human, to non-Hakka, and to non-Hakka non-human frames. The salient image it creates increases Hakka ethnic visibility and enhances their ethnic identity. A significant implication is that minority ethnic groups can employ a unique symbolic code, empowering it with positive connotation. Through extensive language use, its representation can raise their ethnic visibility and enhance their ethnic identity.