唐宋语境中的“以诗为词”

从晚唐五代开始的"以诗为词"的创作实践和北宋中期围绕这一创作现象的批评论争,不仅涉及到词的创作方法和词史发展的方向问题,更对诗词体性的异同之辨产生了重要影响."以诗为词"在唐五代及北宋前期的创作实践中,主要表现为填词对诗歌句式句数及婉媚风格类型的趋同,而从北宋中期开始的相关评说则重在分辨诗词体性之异.唐宋语境中的"以诗为词"在强调词体之独立和本色的同时,也主张通过诗人句法来体现词中的情感力度和壮阔风格;而在演唱风格上则在宋代普遍流行的女音之外,追求声调高逸的男音色彩."以诗为词"的内涵及其演变在唐宋语境中可以得到准确阐释,并可借此展现宋人词学观念的变化轨迹.     

《娥并与桑洛》和《阿诗玛》篇法比较

《娥并与桑洛》和《阿诗玛》分别是傣族和彝族代表性的民间叙事长诗。二者在篇法上呈现迥异的审美风格倾向,前者优美,后者凝重。它们的篇法不只是与逻辑和认知相联系的话语规则,本身就是隐喻和象征,是对各自民族文化性格的生动写照。借助叙事学分析,更有助于我们看清这一点。     

Retrospective Paternal and Maternal Parenting Styles,Regulatory Self-Efficacy and Adolescent Risk Taking

This study aims to calculate a scaled risk-taking behavior index and to test a model in which maternal and paternal parenting styles affect risk-taking behavior with a mediation of adolescents’ regulatory self-efficacy. Participants were 816 adolescents (44% males) responding to a self-report questionnaire about their risk-taking behavior, regulatory self-efficacy, and retrospective memories of paternal and maternal parenting styles. Results suggested an item rating in the index showing that behaviors considered less risky referred to alcohol use and the unplanned first sexual intercourse, whereas behaviors considered more risky referred to the lack of use of contraceptives and the age of the first sexual intercourse. Results revealed a significant indirect effect of authoritative and authoritarian styles on risk-taking behavior. These styles shaped the adolescents’ regulatory self-efficacy, which in turn predicted adolescent risk-taking behavior. Results underline the complex interplay of relationships between parents and their children.     

浅析李奎报对中国古代诗歌创作的审美风格论

“体”一词 ,是李奎报诗论最为重要的审美范畴。“体”这个概念在李奎报诗论中有两种含义 :一者 ,指“诗作法” ;二者 ,指“艺术风格”。李奎报的诗歌审美评价 ,对中国当代文学吸收外国文学遗产的过程中具有借鉴意义     

中国现代文学学科的形成和研究述略

作为学科的中国现代文学于20世纪20年代初现端倪,50年代正式形成,并在20世纪后期得到了长足的发展。数代学者对中国现代文学这门年轻学科的发展作出了重要贡献,他们各自在文学史研究、作家作品研究、文体研究和社团、流派、思潮、创作群体研究方面取得了重要成就。     

Gender identity and lexical variation in social media

We present a study of the relationship between gender, linguistic style, and social networks, using a novel corpus of 14,000 Twitter users. Prior quantitative work on gender often treats this social variable as a female/male binary; we argue for a more nuanced approach. By clustering Twitter users, we find a natural decomposition of the dataset into various styles and topical interests. Many clusters have strong gender orientations, but their use of linguistic resources sometimes directly conflicts with the population‐level language statistics. We view these clusters as a more accurate reflection of the multifaceted nature of gendered language styles. Previous corpus‐based work has also had little to say about individuals whose linguistic styles defy population‐level gender patterns. To identify such individuals, we train a statistical classifier, and measure the classifier confidence for each individual in the dataset. Examining individuals whose language does not match the classifier's model for their gender, we find that they have social networks that include significantly fewer same‐gender social connections and that, in general, social network homophily is correlated with the use of same‐gender language markers. Pairing computational methods and social theory thus offers a new perspective on how gender emerges as individuals position themselves relative to audiences, topics, and mainstream gender norms.     

论《塞莱斯蒂娜》的文体之争

围绕着《塞莱斯蒂娜》的文体,国内外的学者们争论了多年,究竟是戏剧,还是小说,至今仍未能统一看法。笔者在文章中就《塞莱斯蒂娜》的文体之争表明了自己的观点:《塞莱斯蒂娜》是一部戏剧,而且是一部悲喜剧,一部应该归入案头剧范畴的悲喜剧。     

让学生成为研究者:一个新的教育理念

让学生成为研究者是指在教学过程中应该树立的一种新的教学理念,即一方面使学生学会生产知识,另一方面形成一种不断研究的生活态度或生活方式。学生研究者这一目标的实现,必将使教学观、教师观、评价观等发生革命性变化。     

论鲁迅小说的非常规修辞艺术

鲁迅的小说集《呐喊》与《彷徨》是一部"语言的艺术作品"。作为语言艺术大师,鲁迅非常重视修辞,非常善于修辞。他的小说内蕴着伟大的精神、广播的知识和真知灼见,同时又体现了高超的修辞技巧和独特的语言风格。这主要体现在:丰富独创的辞格运用;古朴凝练的短句艺术;多彩精湛的语言变异艺术。     

遮蔽与澄明——新时期小说的文体革命

中国小说的现代化进程在20世纪80年代以前一直是步履平稳甚至有点略呈缓慢的,而进入80年代以后,像一条突然被滚滚春雷惊醒的巨龙,一下子爆发了积蓄已久的神奇力量,在几乎所有的方面都进行尝试,且大多获得了丰硕的成果.作为这个现代化进程的一个重要方面,小说的文体革命由王蒙的艺术手法探索肇始,由遮蔽到澄明,由无意识操作到理性化追术,很快形成燎原之势,只用了20年时问就走完了西方现代小说用了100年左右才走完的创新与发展之路,为新时期文学的蓬勃繁荣创造出了独特而迷人的风景.