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排序方式: 共有1349条查询结果,搜索用时 24 毫秒
81.
Research suggests that victims of bullying may lack skills in emotional regulation, a process which facilitates coping with provocative situations to lessen the stress of negative emotions (Cicchetti, Ackerman, & Izard, 1995). The present study examined the emotional regulation and display patterns of victims during classroom bullying episodes. Children in grades one through six were observed during free play in the winter and spring of three consecutive school years. Results of the study indicated that the coping styles observed in victims of bullying can be grouped into two distinct clusters: 1) problem-solving strategies that are associated with the de-escalation and resolution of bullying episodes; and 2) aggressive strategies that tend to perpetuate and escalate the bullying interaction. Parallels were found between victims' and bullies' emotional displays. Results are discussed in the context of how maladaptive emotional regulation processes may act as risk factors for chronic victimization.  相似文献   
82.
Emotion Regulation in Low-income Preschoolers   总被引:2,自引:0,他引:2  
The present study was concerned with identifying the causes of low-income preschoolers' negative emotions and their most common regulation responses. The relations of family socialization practices and temperament to the children's emotion regulation skills were also examined. Ninety predominantly minority low-income preschoolers (46 boys) and their mothers participated. During visits to the children's preschools, observers watched for expressions of anger and sadness, and recorded the causes of the displays and the children's reactions. Mothers reported on their emotion socialization and discipline practices and their children's temperament. Although the children expressed more anger than sadness, they used more constructive reactions in response to sadness and more non-constructive reactions in response to anger. Maternal reports of appropriate family emotion were associated with low levels of non-constructive regulation responses to anger and sadness whereas reports of inconsistent parental discipline were generally associated with non-constructive regulation responses. All in all, the findings of this study are in accord with findings on middle-income children and indicate that low- and middle-income children are more alike than different with regard to the regulation of negative emotion in the peer environment.  相似文献   
83.
歌唱表演是一种转瞬即逝的时间艺术,其灵魂在于创作者、表演者及欣赏者的情感创作。而贯穿于歌唱表演中的情感则是歌唱演员的演唱风格、气质、面部表情及语言夸张表现的综合体现,也是演唱者的情感体验、生活体验和艺术体验的完美结合。  相似文献   
84.
爱情是文学的永恒主题,在唐代鬼小说中也是最为光辉灿烂的篇章.人鬼恋经由六朝志怪的发端,到唐代,已日臻成熟.唐代小说中形形色色的鬼们,脱离开六朝志怪中的恐怖怪异,人情味儿已很浓厚.对他们多加看顾,便发现这也是一个可憎、可爱;可鄙、可叹的多情世界.  相似文献   
85.
本文分析了目前大学生家庭教育中存在的问题,提出了加强大学生家庭教育的重要意义,并从信息、操作、情感、认识、沟通等多个方面对改进大学生家庭教育作了阐述。  相似文献   
86.
通过多年化学教学的实践和探究,针对目前学生面临实际问题,结合学生在化学学习中的心理现状,综合论述了化学课堂教学、课后辅导中渗透心理健康教育方法和措施.提出心理健康教育是学校实施素质教育的内容之一.  相似文献   
87.
该文从四个方面:外貌的描摹,言语的描写,行为的说明,心理的刻画,阐述了《红楼梦》人物描写中情感讲述语词的运用情况。意在说明:作为一种修辞手段,情感讲述语词对于小说成功塑造鲜活生动的人物形象不可或缺,而《红楼梦》正为后人提供了这方面的典范。  相似文献   
88.
This article draws on ethnographic data to examine how moral person‐hood, emotions, and social relationships are constructed quite differently within two organizations with the similar goal of holistically caring for the dying. The analysis shows how the moral rhetoric and related practices at a mainstream hospice encourage volunteers to esteem a static conception of the self‐as‐character, whereas the Buddhist approach requires volunteers to engage in a process of transcending a self that is continually being worked on. The analysis points to paradoxes in the hospice conceptions of a “good death” and offers critical reflection on the assumption that Western and Buddhist approaches to hospice care are largely equivalent. Organizational, structural, and phenomenological strands of symbolic interactionist thought are drawn on to interpret these findings.  相似文献   
89.
新闻采访是获取新闻材料的主要手段,不能因为采访对象的不合作态度而人为中止。笔者认为,可以尝试通过知情意的调节,来消除采访对象的抵触情绪,促使新闻采访由“不和谐”向“和谐”状态转变。  相似文献   
90.
艺术内容是一种经过心境,对外部世界的映象,就是意象,通过美术作品唯一的表现手段—形式来体现。优秀的美术作品是意象和形式有机的、美妙的结合。  相似文献   
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