球赛对大学生球迷认知发展的影响研究(二)——智力发展的积极影响

通过各类球赛对大学生球迷智力发展的积极影响研究与分析,球赛对不同大学生球迷的影响差异不具显著性,与学龄的增长、个人的努力程度、知识的积累以及教育、环境和实践活动等的影响有密切关系。球赛可以全面地培养大学生球迷的观察力和注意力、发展思维能力、记忆能力、启迪和诱导想象能力。     

Sexy women sports fans: femininity,sexuality, and the global sport spectacle

In recent years the relationship between women and sport fandom has undergone significant shifts. The rapidly changing sphere of global sport is seen to offer women newly visible roles in the global sport economy as fans, broadcasters, celebrity athletes, and media personalities. In light of calls for greater inclusivity and diversity in sport, this paper examines the emergence of new forms of “sexually empowered” female fandom, which situate women as active participants in the sporting spectacle. Whereas sexy women who followed men’s sport or male athletes were once derided as “groupies,” thus socially marginalised and excluded from identification with sport fan communities, I argue that the sexy sport fan has emerged in the context of post-feminism as a visible and necessary type of feminine fan identity to meet the needs of the global sport economy. This study extends feminist sport media analysis beyond its focus on how female athletes are represented whilst also contributing new insights to sport fan research by analysing how female supporters are constructed through mediated accounts in terms of gender, sexuality, and nation.     

中国古今图景中歌手“粉丝”的变迁

文章从中国历史图景中描述粉丝的变迁过程,并对粉丝进行分类。由历史发展角度看,票友、发烧友、歌迷、追星族都是粉丝的近似身份;从性质角度看,粉丝又可以分为职业粉丝、业余粉丝和专业粉丝三类;从喜爱对象角度看,粉丝可以分为亲妈饭、后宫饭、高贵饭、板板饭、大腿饭等。本文对研究粉丝的活动与情感起到一定铺垫。     

“Xenasubtexttalk”

This article examines how some lesbian fans of the television adventure fantasy series Xena: Warrior Princess (X:WP) (1995–2001) became visible through the development of online fandom and the production of explicit lesbian Internet fan fiction. The self-identity of lesbian fans who are part of the “xenasubtextalk” (XSTT) fan group is explored and celebrated through social networks of lesbian fandom through the “Xenaverse.” Lesbian fans have written copious amounts of fan fiction online enabling a form of lesbian political discourse and activism as well as social and cultural discourses shared throughout the platform of the Internet. Many lesbian fans have been supported to create and write Xena lesbian fan fiction by engaging with various lesbian fan writers from the Xenaverse who offer their advice to develop lesbian fan fiction services for free to “newbie” writers. Their explicit lesbian fan fiction narratives are reproduced and distributed as lesbian stories about the two main characters Xena and Gabrielle from the original television series. I interviewed three women from “xenasubtextalk” who gain pleasure exploring their lesbian identities and fandom through the fan group.     

消费与抵抗:科技浪潮下的苹果迷群体

选取苹果迷群体作为研究对象,发现苹果迷群体利用苹果产品建构属于他们自己的“领地”并在“领地”里进行生产活动,以此来显示自己的“迷身份”.在科学技术异常发达的当下,苹果迷作为科技消费者创造了先进的生产方式;作为商品消费者,苹果迷与大众文化工业具有“收编”与“反收编”的特殊关系.     

减小进口气流角对高压轴流风机性能的影响

轴流式通风机作为使用较为广泛的流体输送机械,在现代工业领域中扮演着相当重要的角色。通过FLUENT软 件数值模拟轴流风机的三维流场,研究减小进口气流角对高压轴流风机性能的影响。在利用变环量风机设计方法所得 到的叶片基础上,适当减小叶片各截面的进口气流角可以提高高压轴流风机的效率。     

咫尺之境 抒怀千里——吴门四家与折扇画

扇面画是中国传统绘画中清新的一笔,有着数千年的悠久历史,折扇是后兴的,北宋时由高丽人传入中国,吴门四家的沈周、文征明、唐寅、仇英都是擅作折扇的高手。扇面画虽小,其神韵则不逊巨制,故吴门四家都愿在此一逞毫末,今人当借鉴之。     

Theorizing surveillance and social spacing through football: The fan-opticon and beyond

This article critically examines the temporal mobilizations of a 25-year football supporter social movement against the all-seating (stadia) legislation in England and Wales, to unpack, and advance, (neo-)Foucauldian panoptic theorizations of surveillance power and counter-power. Drawing upon prior empirically informed analysis of this movement; ‘Safe Standing’, the article interrogates new policy-based outcomes, including the early adoption of ‘licensed (Safe) Standing’ technology in 2022, to argue, that whilst publicly framed as a movement victory, it simultaneously serves to prefigure a new regulatory regime in football; one which extends the regulation and surveillance of fans within the wider social and corporate lifeworld. Introducing our new concept; the ‘fan-opticon’, the article discusses how Safe Standing continues to normalize a momentum of surveillance in sport and highlights the contradictory nature of security-related projects in the twenty-first century. We conclude that the governmentality of the state through football, to be characteristic of temporally sensitive hermeneutic struggles of power and resistance, through the discipline, and self-discipline of social actors. New forms of subjectivity are remoulded in ways which extend the power of surveillance and regulation, despite multiple counter-conduct, and discursive, resistance practices.     

网络空间中迷的文本创作及其意涵

迷是深度沉迷于媒介文本的受众,是媒介工业的产物。以哈利·波特迷为例,分析网络媒介迷的同人写作意涵,提出迷群以网络为平台,拼贴文本以获得快感;追踪偶像文本,往返于虚拟与现实之间,投射自我于文本,凝视并反思自我;在虚拟社区中构建在线身份,寻找群体认同。按照“说话”和“受话”这一表面现象划分传者与受者已难以把握受众角色的内在不稳定性和复杂性,受众研究呈现出更为多向面的趋势。     

Problematizing the Internet as a video distribution technology: an assemblage theory analysis

While the Internet has rapidly become an important distribution technology for video producers, it is also a problematic one for some of them. I explore the difficulties associated with its use to distribute videos through an analysis of a one-year ethnographic investigation of community, activist and fan video producers in the United States and UK. My analysis draws upon Actor-Network Theory and DeLanda's reading of Deleuze and Guatarri's concept of assemblages, and shows that while my informants were engaged in various processes to create and stabilize their video distribution assemblages, these were precarious as they were also subject to destabilizing processes resulting from their complex and contested nature. This situation often resulted in the producers being left with distribution assemblages which did not satisfy their goals. Framing the problematic aspects of their distribution practices in these terms shows that these aspects can not only be understood as resulting from the producers’ specific circumstances as they struggled with, for example, corporate interests, the limited affordances of the video hosting and social media platforms they used, or the social dynamics of which they were apart, but that they can also be understood more generally as arising from the processes of human-technology entanglements, providing an alternative perspective to previous studies.