《聊斋志异》虚幻世界的艺术魅力探析

《聊斋志异》中对虚幻世界的描写最具艺术魅力,它表现在人物内外美的和谐统一,情节的离奇幻美,环境背景的虚实相生等三个方面,它为我们展示了一个理想世界,传递着一种奇特的审美体验。     

Limited Rationality and Strategic Interaction: The Impact of the Strategic Environment on Nominal Inertia

Much evidence suggests that people are heterogeneous with regard to their abilities to make rational, forward‐looking decisions. This raises the question as to when the rational types are decisive for aggregate outcomes and when the boundedly rational types shape aggregate results. We examine this question in the context of a long‐standing and important economic problem: the adjustment of nominal prices after an anticipated monetary shock. Our experiments suggest that two types of bounded rationality—money illusion and anchoring—are important behavioral forces behind nominal inertia. However, depending on the strategic environment, bounded rationality has vastly different effects on aggregate price adjustment. If agents' actions are strategic substitutes, adjustment to the new equilibrium is extremely quick, whereas under strategic complementarity, adjustment is both very slow and associated with relatively large real effects. This adjustment difference is driven by price expectations, which are very flexible and forward‐looking under substitutability but adaptive and sticky under complementarity. Moreover, subjects' expectations are also considerably more rational under substitutability.     

论康德先验幻相的特性及其解决

先验幻相是康德《纯粹理性批判》一书中先验辩证论部分的主体内容。它是由于知性范畴的超经验使用与理性的僭越本性而产生的错误观念。康德将先验幻相的样式分为灵魂的幻相、世界的幻相和上帝的幻相三种;具有不可避免性、整体性和功能双重性等特性。先验幻相的产生虽不可避免,但并不表明人类对其无能为力,康德提出了二元论的划分与幻相的悬置两种途径去阻止幻相对人类思维的欺骗。     

社会学的传记取向：当代社会学进展的一种维度

20世纪80年代前后,传记取向成为社会（科）学中众多转向或取向的一种。相较于20世纪二三十年代由芝加哥学派引领的传记研究,这一取向的范围更为宽广。它关注个人经历、历史与文化之间的交互作用,反对奉实证主义为圭臬的社会科学研究,重视人的主体性与能动性。这一取向消解或者说超越了传统的二元论或二分法,促使社会学家反思自己的概念架构、研究方法以及书写实践。虽然在晚近的发展中,一些学者甚至提出了自传/传记社会学这一具有分支学科性质的指称,但这一取向还是“浮现中的实践”,尚处于晚熟状态,因此还存在不少争议,布尔迪厄甚至从根本上将传记视为一种幻觉。随着“传记时代”的来临,传记社会学势将成为一个开创性的研究领域。     

幻象:一个意蕴丰厚的诗学概念--论闻一多的"幻象说"

“幻象说”是闻一多早期诗论中的一个重要学说 ,而且是中国现代诗学的一种独特的理论。闻一多所说的“幻象”主要具有真确明了的形象性、超越现实的虚幻性、富于幻想的奇异性、蕴藏神韵的含蓄性等审美特征。闻一多的“幻象说”具有重要的诗学价值。     

《约翰·克利斯朵夫》英雄乐章的内化与外化

本文叙述了罗曼·罗兰创作《约翰·克利斯朵夫》的全过程:童年审美内化对创作和弦的准备;潜意识的酝酿与混沌预感;灵感出现后的艰苦孕育;感受、体验对构思的催化;动笔写作的情景和甘苦,以及创作中自觉的思想、艺术追求。叙述中对艺术创作规律和作家的创作经验多有揭示。     

德波的景观社会批判

法国“情境论者”德波对二战后出现的“景观社会”进行了深刻的批判,他认为“景观社会”是继马克思所说的商品社会之后出现的一种新的社会控制形式,其主要特征是通过创造施催眠术的幻象与使人昏乱的娱乐形式所组成的世界来麻木大众。面对消费的大众日益沦为景观社会的幻象囚徒的困境,德波提倡充满活力、创造性和想象力的活动,从而消除由景观所诱发的冷漠、欺骗、被动与碎片化,恢复积极性的生存。     

试论西部大开发的文化自觉

西部大开发中的"文化自觉",应以西部人对自身文化的了解为基础,通过反思加深对西部开发的理解,更好地从事西部大开发实践,展示西部文化风采,增强西部竞争力."文化自觉"给西部人们指出了解决开发带来的问题的方向;西部开发也应从西部的实际出发,吸取世界文化的精华,进行西部文化的创新.     

The Role of Perceived Control and Overconfidence in Pathological Gambling

Two studies sought to determine whether perceived control has different effects on confidence assessment and betting decisions among pathological and problem gamblers than among non-problem gamblers. In Study 1, 200 college students who were frequent gamblers (80 female and 120 male, median age 20) completed the South Oaks Gambling Screen (SOGS) and then engaged in a task in which they answered questions, assessed confidence in each answer, and considered bets on their answers that were fair if they were well-calibrated, but unfavorable if they were overconfident. Probable pathological and problem gamblers earned significantly fewer points than non-problem gamblers. This was due to greater overconfidence among pathological and problem gamblers, which led to systematically less favorable bets. In Study 2, using 384 participants (105 female and 279 male, median age 20), control was independently manipulated and bets were constructed to make point value independent of overconfidence. Problem and pathological gamblers showed both greater overconfidence and greater bet acceptance. They were less affected by control in their betting decisions than non-problem gamblers, but more affected in the slope of their betting function. It is concluded that pathological and problem gamblers process information about confidence and control differently from non-problem gamblers.     

存在与距离--残雪小说创作论

残雪把"审丑"带入中国当代文坛.她的作品既是现代的又是违反常规叙述模式的.她的作品是存在的、难懂的、危险而有距离的.她以她的魅力把人带入幻觉世界而颠覆传统.