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71.
Ali A. Dashti 《Feminist Media Studies》2016,16(2):276-292
This study explores the perceptions of women who work in the media in Kuwait—a conservative, male-dominated society. It examines how female media professionals are treated and explores the factors that either encourage or discourage the empowerment of Kuwaiti women working in this field. In-depth interviews were conducted with five female media professionals and academics in Kuwait in order to develop measures of perceptions towards their profession, media organizations, and the general outlook of Kuwait society. The perceptions of a sample of 237 female media professionals were measured using a fifty-one-item questionnaire. An exploratory factor analysis shows that the respondents’ perceptions are grouped into eight sets of variables. The results show that, while the respondents feel empowered by education, regulations, and the current lifestyle in Kuwait, their cultural upbringing, self-image, and societal outlook discourage their empowerment. 相似文献
72.
Oscar Pistorius presents a major issue to sports organisations, as exposed in the media. First and foremost, media wrongly perceive him as the first disabled athlete to participate in the Olympic Games. Second, they openly question the legitimacy of his participation mainly based on the inequity introduced by his prosthetic legs. Content analysis, in English and French, of written press, International Association of Athletics Federations (IAAF) and Court of Arbitration for Sport (CAS) texts, from 2004 to 2012, confirms that Pistorius presents a new puzzle to sports organizations. This is partly because they are not able to determine whether his performances are a result of his body strength or if they are biased by his artificial limbs. Furthermore, when he is competing against able-bodied athletes, sports organizsations put him in a ‘monstrous’ position. Similarly, while categorising him as an ‘athlete’ they do not grant him the characteristic feature of this category: certified comparability of performances to ultimately establish ranks. 相似文献
73.
《Public Relations Review》2014,40(5):818-828
This study analyses the trends and visibility of research on public relations in the most relevant Spanish media and communication journals between the years 2000 and 2012. Bibliometrics and content analysis are used to show the reduced presence of articles on public relations in these publications. A trend towards gender parity in authorship is confirmed in the sample, as well as a plurality of universities and a variety of research themes. The study also proves preference for generic questions rather than for specialised topics. Another finding is that almost one fourth of the specific articles on this discipline do not contain the term “public relations”. This can hint towards the need to have a specific high-impact publication on public relations to bring together and provide visibility to the contributions of researchers in this field. 相似文献
74.
当前全球数字网络化的发展浪潮和历史背景下,"网都"型文化中心城市建设成为转变城市文化发展方式、提升城市文化软实力的新的战略路径和城市设计愿景。城市发展的"网都"形态具有多元文化范式,要根据不同城市的特点和文化基础,推进网络媒介城市(media city)、网络文化产业高地、网络文化名城、互联网总部基地、文化科技融合的创新引领中心、网络文化宜居之都、互联网枢纽城市等不同类型的"网都"建设。不同的网都范型(paradigm)关切到城市文化软实力的不同层面,存在着从硬文化实力向软文化实力的渐变和过渡谱系;既可以单独构建特色网络文化城市的核心性格与差异化竞争力,也可以综合构建城市文化软实力的体系化架构。 相似文献
75.
In this paper, we investigate the complete moment convergence and Lr convergence for maximal partial sums of asymptotically almost negatively associated random variables under some general conditions. The results obtained in the paper generalize some corresponding ones for negatively associated random variables. 相似文献
76.
Conditional value-at-risk (CVaR) model is a kind of financial risk measure that is extensively supported and accepted by international financial community. Its optimized form can be regarded as an optimized certainty equivalent (OCE) risk measurement. In this paper, we mainly discuss and analyze the strong laws of large numbers and the convergence rate of OCE's estimator under α-mixing sequences. The result shows that the almost sure convergence rate of CVaR estimator is given by the results of OCE estimator. Its convergence rate is inversely proportional to the square root of the sample size under certain conditions. Its effectiveness is verified by simulation experiments for two classical α-mixing sequences. 相似文献
77.
Embodied versus Disembodied Information: How Online Artifacts Influence Offline Interpersonal Interactions 下载免费PDF全文
Xiaoli Tian 《Symbolic Interaction》2017,40(2):190-211
This article examines how the sheer volume of personal information recorded and searchable online (online artifacts) has transformed the situated activity system central to Goffman's dramaturgical theories. In‐depth interviews reveal that individuals believe disembodied information based on online artifacts is a more accurate representation of others than embodied information from spatially and temporally bounded face‐to‐face (FTF) processes because they represent how others have behaved over time and are attested by their online contacts. However, the n‐adic structure of online interaction leads to mismatched expectations about whether disembodied information is taken into account during FTF encounters, and consequently can result in embarrassment. 相似文献
78.
本文阐明"专接本"教育的双重属性,表明"专接本"教育的定位内涵,提出"专接本"教育区别于普通本科教育、也有别于专科职业教育,却是职业教育的接续和深化。强调变革现行"专接本"教育的培养方案、师资队伍、教学评价系统、教学管理机制。 相似文献
79.
本文归纳总结了切实发挥大众传媒思想政治教育功能应遵循的基本原则,深入分析当前我国发挥大众传媒思想政治教育功能的现状、存在的主要问题以及导致这些问题的原因,并进而深入挖掘隐藏在这些问题背后的深层次制约因素,提出了如何充分发挥大众传媒思想政治教育功能的对策性意见。 相似文献
80.
Jack Black 《International Review of Sociology》2017,27(1):202-224
This paper examines global English-language newspaper coverage of the death of David Bowie. Drawing upon the concept of reification, it is argued that the notion of celebrity is discursively (re)produced and configured through a ‘public face’ that is defined, maintained and shaped via media reports and public responses that aim to know and reflect upon celebrity. The findings highlight how Bowie’s reification was supported by discourses that represented him as an observable, reified form. Here, Bowie’s ‘reality’, that is, his authentic/veridical self, was obscured behind a façade of mediation, interpretation and representation that debated and decided his ‘authenticity’ as a cultural icon. Such debates, however, were engagements with a reified image, enveloped in continual (re)interpretation. As a result, Bowie’s reification was grounded in a polysemous process that allowed numerous versions of ‘himself’ to be aesthetically reimagined, reinvented and repeated. 相似文献