汉代七言体铜镜铭文文体学意义初探

汉代铜镜铭文中存在着数量可观的“七言体”形式。其特点是 :整齐的七言句式 ,注意到了用韵 ,结构完整 ,在音顿、节奏等方面与传统七言诗相同。据此认为 ,汉代七言体铜镜铭文即是完整的七言体诗歌。汉代铜镜铭文七言诗形成的时间可以上溯至西汉时期 ,由此否定了“可靠的完整的七言歌谣在汉以前似还无有”的结论。汉代铜镜铭文七言诗在形式上的特点 ,标志着它正处在七言诗由民间歌谣向文人创作发展的过渡阶段。     

声音镜子女人--玛格丽特·劳伦斯笔下的女性形象

玛格丽特·劳伦斯在马那瓦卡系列小说中,运用独特的女性写作方式,刻画出一群执著探求存在意义及自我价值的女性形象,并以此来挑战以男性视角为中心的文学传统.凸现了劳伦斯为阐述女性在父权制的话语中"言说生命真相"而作出的抗争所采取的写作策略.     

Sex,lies, and post-trial publicity: The reputation repair strategies of Dominique Strauss-Kahn

The object of this investigation is the only interview given so far by the former Managing Director of the International Monetary Fund, Dominique Strauss-Kahn (DSK), after being declared innocent of sexual assault charges brought against him by New York's District Attorney. During his television appearance, DSK used some rhetorical and, more precisely, dramaturgical image repair strategies, but also combined them with other communication strategies. This article analyzes said strategies and suggests that image repair theory researchers must include other analytical elements, strategic as well as contextual, when researching responses to crises. Furthermore, this study also discusses the role of culture and post-trial publicity in image repair strategies.     

用VB实现图像浏览

介绍图像浏览器的设计方法,分别用DriveListBox、DirListBox、FileListBox控件确定图像文件的位置,用Image控件浏览图像.     

Adaptive weights smoothing with applications to image restoration

We propose a new method of nonparametric estimation which is based on locally constant smoothing with an adaptive choice of weights for every pair of data points. Some theoretical properties of the procedure are investigated. Then we demonstrate the performance of the method on some simulated univariate and bivariate examples and compare it with other nonparametric methods. Finally we discuss applications of this procedure to magnetic resonance and satellite imaging.     

“Mad Money” madness: Jim Cramer's image restoration effort

The following is an evaluation of “Mad Money” host Jim Cramer's image restoration attempts during his March 2009 week-long media battle with Jon Stewart, host of “The Daily Show.” Using Benoit's (1995) image restoration theory as a conceptual framework, it is apparent that Cramer failed in restoring his reputation because he frequently coupled incongruent strategies and was unable to grasp the dynamic nature of communicative image restoration.     

民间魅性世界的万种镜像——评贾平凹的新作《高兴》

贾平凹的新作《高兴》是中国现当代文学中“农民进城”主题的进一步延伸和深化，它描摹了一个全景式丰富、多层面的民间社会，这里有下层农民工艰难的生存图景，也有他们不甘继续蛰居底层的抗争。贾氏的民间不仅是原生态、粗鄙的民间，更是充满魅性和艺术感染力的民间。在这一民间魅性世界中作家借助镜像塑造了众多相互映衬、对照的人物形象，丰富了作品的内涵，增添了小说精神意蕴。     

个人主义的反思性文本--张爱玲《传奇》再探索

以个人主义为切入点,分析张爱玲的传奇文本,可以揭示张爱玲前期创作的人生况味和文化哲学内涵。在个人主义人生观的观照下,传奇文本通过"月亮"、"镜子"等意象的运用,人物形象精神性特质的勾勒以及独特的封闭式循环结构恰好指向反思。从语言哲学的角度看,传奇文本即可视为是竖在看 被看之间的一面镜子。它折射出自我意识对人性成长的重要作用以及反思只有在清醒自我意识的状态下,通过"镜子"作为参照系才能得以完成。传奇文本因而具有深邃的文化哲学内涵。     

试论潮乐的文化特色

艺术是它所属的文化的反映和代表。潮乐就其本质而言,也和其它艺术形式一样,深深根植于潮民、潮地的文化之中,从悠久灿烂、朴实深厚的民系文化中吸取营养,是潮汕地区特定文化的产物,它蕴含着潮汕历史、文化渊源及广大潮人所独具的文化心态,成为潮汕文化的重要载体。     

Emotional Empathy as Related to Mimicry Reactions at Different Levels of Information Processing

The hypotheses of this investigation were based on conceiving of facial mimicry reactions in face-to-face interactions as an early automatic component in the process of emotional empathy. Differences between individuals high and low in emotional empathy were investigated. The parameters compared were facial mimicry reactions, as represented by electromyographic (EMG) activity, when individuals were exposed to pictures of angry or happy faces. The present study distinguished between spontaneous facial reactions and facial expressions associated with more controlled or modulated emotions at different information processing levels, first at a preattentive level and then consecutively at more consciously controlled levels: 61 participants were exposed to pictures at three different exposure times (17, 56, and 2350 ms). A significant difference in facial mimicry reactions between high- and low-empathy participants emerged at short exposure times (56 ms), representing automatic, spontaneous reactions, with high-empathy participants showing a significant mimicking reaction. The low-empathy participants did not display mimicking at any exposure time. On the contrary, the low-empathy participants showed, in response to angry faces, a tendency to an elevated activation in the cheek region, which often is associated with smiling.