“理性”与“感性”——现代汉语诗学的文本分析

新文学运动的初步成功以及白话文合法地位的确立,使得以现代汉语为载体的理性诗学文本大量涌现。合理的结构、完整的内容、恰切的论据、清晰的描述,以及定义、比较、推论等方法的具体运用,是"理性文本"的基本特征;现代汉语诗学理性文本的增加,并不意味着体现了现代汉语文学批评家的主观感受与印象的"感性文本"的大规模减少。随着现代汉语诗学的发展,理性文本与感性文本在总文本中的比重,也在不断发生着变化:理性文本适用的范围越来越宽,就是在被感性文本作为最后据点的诗歌批评和研究领域,也逐步被理性文本所蚕食。这一过程潜在地反映了传统诗学与西方诗学在现代汉语诗学中话语地位的变化与转换。     

悟性活动与感性活动——从禅宗到马克思

马克思的哲学思想是以感性活动开启它的视域的,这异质于旧形而上学和现代西方哲学。从旧形而上学和现代西方哲学去比较,有助于把握感性活动。然而,从另一个维度——禅宗围绕顿悟而展开的悟性活动去研究,亦有助于此。悟性活动是禅宗改造世界的行动,悟性活动不存在旧形而上学和现代西方哲学的种种缺陷,但是这种行动依然不知道现实的人的真正意义,无法表达现实生活世界的真正秘密。     

庄禅智慧对韩少功后期小说的影响

韩少功后期小说创作从中国庄禅哲学中获取了创旧图新、融会东西的灵感和智慧,庄禅哲学的相对主义促成了其小说观念的重新定位,禅宗的直觉思维特性改变了其小说思维模式,禅宗的神秘主义因素则为其小说表现手法注入了新质。     

超越性逻辑——胡塞尔现象学逻辑纲领

胡塞尔哲学的根本任务在于:坚持理性的前提下,如何建立一种非西方传统的本体论的哲学,并进而确保这种哲学的明证性。"在理性的前提下",在胡塞尔这里体现为以"逻辑研究"为核心人物;正是通过对现象学逻辑——超越逻辑的构建,胡塞尔完成了对西方传统本体论哲学的超越,具体地说,就是对西方哲学史、逻辑学史中,以公理为绝对起点,以公理体系为演绎规范的方法的超越。这种超越论的逻辑——超越论的现象学的建立,排除了以往哲学体系中的非法设定,达到了绝对的明证性;同时对于经验——自然科学的研究方式中,那种将人和自然本身的无限丰富性抽象为一种单一性的做法进行了批判,还原了以生活世界为最终根基,具有无限敞开的丰富性的真理领域。以胡塞尔逻辑学的方法来分析当今的技术、资本全球化的大背景,具有重大的启示意义。     

直觉与逻辑相统一的创造历程

从人称其为人的标志自我意识入手分析思维的本质及其创造性,解释出思维的本质是直觉与逻辑原始的辩证统一性和能动创造性,思维建构知识的创造性源自于思维所固有的直觉与逻辑相统一的这种本性,它具体表现为相互关联的三个层次的创造:即直觉与逻辑自发渗透的无意创造,直觉与逻辑对立互渗的科学创造,直觉与逻辑高度融合的理性创造,三者从低级到高级依次加强和体现了创造的强度和能力,在整体上构成一个有序而统一的创造历程。     

存在论视域下康德哥白尼式革命及其困境

康德的哥白尼式革命,在洞察哲学存在论疑难的基础上,通过对旧有存在论架构的颠覆,力图先验地赋予为柏拉图主义所摒弃和撇除掉的感性世界的实在性。在实施这一“先验转向“的过程中,其内在矛盾和困境集中到了“主观演绎”部分,导致康德最终无法真正冲破传统哲学形而上学的藩篱。     

先验想象力：“感性”和“知性”共同的根

“想象力”是康德哲学的重要范畴之一,是连接“感性”和“知性”的桥梁。但是,国内外对“想象力”是与“感性、知性”并列的能力,还是“感性”和“知性”共同的根,颇有分歧。通过对康德的“想象力”的概念以及两版演绎和先验图型论中想象力的地位和作用的澄清,认为“先验想象力”是保证知识普遍性和必然性的前提,是主体的创造性的体现,也是“感性”和“知性”共同的根。     

A Transversal Lineage

ABSTRACT

This article proposes the term “perceptual abstraction” to describe the methods of artists who take bodily contingency as their medium. It focuses on the low-frequency drone work of an anonymous figure called Eleh. Like others in the Minimalist tradition, Eleh follows a processual ethic that begins from a minimum of structural elements and asks how they might reshape one another over time. What sets Eleh apart, however, is its singular focus on frequencies within, and sometimes beyond, the lowest reaches of human hearing. These tones play strangely on the sensorium because they can evade cochlear audition even while haunting other registers. This is bass as an agent of bodily mystification, and in Eleh's hands it becomes a sonic strategy for modulating felt space and fleshy thought. If Eleh diverges from most Minimalists in these ways, then liner notes and cover art point to another, more like-minded body of work. Might Op(tical) Art—with its interest in “charging fields” and rhythmically unraveling retinal perception—share at least as much with Eleh, at the level of affective strategy? If so, could we posit an alternate, transversal lineage of artistic practices defined not by form or tradition, but by a desire to confound perception, by whatever aesthetic and sensory routes?     

Operations and systems research in the era of knowledge civilization

Abstract

This article discusses new and future challenges for operations and systems research during and after informational revolution, in the era of knowledge civilization. The concepts of the knowledge civilization era and its features are discussed: the informational revolution, the dematerialization of work, the conceptual revolution and the change of episteme. As an example of conceptual revolution, new micro-theories of knowledge creation and their relation to group decision processes are presented. An evolutionary theory of intuition, its tremendous power but also fallibility, is discussed. Other examples of conceptual revolution concern the multimedia principle, the emergence principle and a general spiral of evolutionary knowledge creation. Against this background, the issue of objective ranking is presented. Other challenges for operations and systems research might relate to the main conflicts and dangers in the era of information revolution, namely the main conflict of this era concerning the property of knowledge, the tension between the traditional individual combined with public property of knowledge, on the one hand, and the trend towards corporate privatization (or corporatization) of knowledge, on the other, or another important conflict the threat of computer and robot domination over humanity. Conclusions stress the need of new concepts and even change of paradigmatic basis (the hermeneutical horizon) in operations and systems research in response to the challenges, chances and threats of informational revolution.     

禅宗美学对友禅染图案艺术的影响

禅宗是佛教中国化的产物,具有重要的哲学文化与艺术价值,它包蕴着丰富的美学思想、美学智慧,不仅对中国古代美学和艺术思维启示和影响深远,也影响了日本民族的审美情感、思维方式。探讨禅宗美学对Et本传统的染色工艺友禅染图案艺术的影响,予以实证友禅染图案艺术受禅宗美学的艺术思维方式、艺术风格的影响,有助于深入认识友禅染的艺术审美价值。