从传统走向现代:近代传奇杂剧的舞台艺术变革

大量的剧本材料表明 ,近代传奇杂剧在服装、道具、烟火、灯光、场幕、布景等方面发生了根本性的变化 ,旋转舞台也开始出现。这些舞台艺术变革与创新是中国戏曲传统的扬弃 ,更是在外国戏剧文化影响下发生发展的。近代传奇杂剧的舞台艺术转变与其他方面的重要变革共同促进了近代戏曲的发展 ,同时也加速了传奇杂剧的式微与消亡。这种深刻的历史转变是古典戏曲向现代戏剧转变的一道津梁 ,对中国传统戏曲格局的终结和现代戏剧格局的建立也起了重要作用。     

Issues facing brothers of sexually abused children: implications for professional practice

This paper draws on the author's experience of undertaking play therapy with the brothers of sexually abused children. It illustrates the range of difficulties that such boys may face and identifies implications for professional practice. Difficulties are understood as arising from the struggle to develop a coherent narrative about the abuse, often in the face of incomplete or contested information. The outcome is influenced by the nature of the child's attachment relationships with his non‐abusing parents or carers, his abused sibling and with the abuser himself. This struggle for a coherent narrative about the sexual abuse can have a significant impact on the development of a sense of masculine identity, particularly when the abuser is the boy's own father and/or the abused child is male. In the context of increasing professional awareness of the need to support siblings of sexually abused children it is argued that there should be a specific focus on gender and identity issues for boys.     

论宋代教坊与民间演剧之关系

宋代教坊与民间演剧的关系主要表现为以下几个方面:第一,民间伎艺人承应内廷演出。宋代教坊凡遇大型节日庆典均要征集民间伎艺人入宫承应演出。第二,教坊伎艺人与民间伎艺人在民间节日期间以及内廷重大庆典时都有同台演出的机会。教坊伎艺人与民间伎艺人同台献艺,对教坊伎艺人来说,是一个极好的博采民间众长的时机。第三,民间伎艺人与教坊伎艺人的互动。这种互动主要表现为:教坊伎艺人因年老、战乱等原因流落至民间;而民间伎艺人因其伎艺精湛而被征入教坊,这都促进了民间与教坊伎艺的交流。另外,宋代教坊乐艺组织对民间的影响也很深远。     

The epistemic structure of a theory of a game

This paper is a contribution to the systematic study of alternative axiom-sets for theories of (normal-form, complete-information) games. It provides an introduction to epistemic logic, describes a formulation in epistemic logic of the structure of a theory of a game (the broad theory of that game), and applies methods of epistemic logic to define strategies for dealing with two disturbing features of game theory, its hyperrationality assumptions and its indeterminacy. The analysis of these problems is conducted in terms of two principles which impregnate much game theory, Cleverness and Cloisteredness (the principles that players know respectively all, and only, the logical consequences of their assumed knowledge). Broad theories allow us to formulate and revise these principles despite their metatheoretical character. It is shown how Cleverness may be weakened by using logics which restrict the Rule of Epistemization, and Cloisteredness by using default logic or autoepistemic logic; the latter is used to characterize Nash equilibrium beliefs as parts of certain autoepistemic extensions of players' knowledge bases, but these particular extensions are rejected as ungrounded.I am grateful for most helpful comments to Robin Cubitt, Joe Halpern, Ernest Geffner, Philippe Mongin, David Squires, Elias Thijsse and Tim Williamson.     

论世情小说教主冯梦龙的小说雅俗观——江南世情小说雅俗系列研究之一

雅与俗是中国文学乃至文化批评史上的重要概念之一,在具体的批评实践中有着政治的、道德伦理的、文化的、文学的、艺术的等丰富内涵,雅俗不仅仅是衡量文学作品的重要标准,也是衡量文化与社会乃至人、事、物的重要标准。雅俗问题是冯梦龙＂三言＂研究的核心问题,雅就是道心、天理,俗就是人心、人欲。冯梦龙提倡＂奏雅＂与＂适俗＂并重,大力提高小说的地位,其＂三言＂的成功带动了世情小说持续的热潮,《型世言》、《石点头》、《豆棚闲话》,特别是《红楼梦》等一大批世情小说杰作相继问世,冯梦龙不愧为世情小说的伟大先驱与教主。     

Producing and Using Video Data in the Early Years: Ethical Questions and Practical Consequences in Research with Young Children

This article considers ethical questions and practical challenges arising from the production of video data with young children, and suggests that such considerations are reciprocal and that video data should be seen as constructed collaboratively by all participants. Video data can be a valuable means of eliciting children’s perspectives, but it raises particular issues of consent and confidentiality. Opportunities for young children to use video cameras are helpful in supporting informed consent and active participation, whilst the visual nature of video renders anonymity and confidentiality more difficult, and anonymisation of images may impact upon data quality. Video, like all research data, is influenced by the actions and biases of participants, and young children’s experiences as consumers of television will influence their reading of, and responses to, video data. An advantage of video is that it can provide participants with feedback about their participation. Challenges remain with regard to ownership.     

青藏高原藏戏遗产及其特点——以青海藏戏为例

本文在介绍青海民间藏戏形成发展的基础上，就藏戏的特点作了探讨。     

敦煌讲唱文学对戏曲的影响探析

敦煌讲唱文学的类型多种多样,艺术形式丰富多彩,是唐五代时期在敦煌地区广为流行,能够表现普通民众的社会生活、思想感情、理想愿望,同时又采用了广大民众喜闻乐见的形式的通俗文学作品。敦煌讲唱文学在类型、体制诸方面富含戏剧因素,因而对其加以分类和探讨,对戏曲起源的研究将有所裨益。     

剖析大学生逃课现象 加强学风建设

在今天的大学校园,大学生逃课现象屡禁不止,他们对学习的认识、态度及学习现状着实令人焦虑,部分人的文明素质已呈现出一种下滑的趋势。本文从学生个体、教师教学、学校机制及环境影响等多方面入手,在全方位寻找其原因的基础上,就如何遵循高等教育规律,使大学生主动回归课堂,全面提升其文明素质作了一些尝试性探讨。     

砂砾回填台背压实度标准试验研究

通过理论分析及现场试验研究得出了砂砾回填料压实度与变形模量、压实度与碾压遍数之间的关系．从而为合理确定砂砾回填台背的压实度标准提供了可靠的依据．经实体工程验证所建议的压实度标准合理可行．为减小砂砾回填桥台背沉降提供了参考．