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1.
The way Australian federal governments have approached Aboriginal and Torres Strait Islander employment and welfare policy over the last two decades has been a paradigmatic example of what not to do in policymaking. In the absence of effective engagement or consultation, a series of decisions under Coalition and Australian Labor Party governments have had a range of negative consequences for Aboriginal and Torres Strait Islander peoples. These changes – centred around the closure of the Community Development Employment Projects (CDEP) scheme and implementation of the Community Development Programme (CDP) – have resulted in increased unemployment, inadequate support for job creation, a dramatic over‐application of income penalties to social security recipients and reduced capacity in many community organisations. This article argues that these outcomes constitute policy failure, especially given that genuine engagement with Aboriginal and Torres Strait Islander people could have prevented many of these consequences. It then turns to an exploration of three ways in which Aboriginal and Torres Strait Islander people are responding to such policy failure: through promotion of new narratives, new alliances, and new institutions. The study concludes that while we should avoid “specious hope”, there is room for optimism in a renewed push for Aboriginal and Torres Strait Islander sovereignty.  相似文献   
2.
ABSTRACT

On 20 September 2017, Hurricane María made landfall on Puerto Rico causing unprecedented disaster. From that day onwards, the Puerto Rican multi-layered colonial, social and political context was further complicated by the traumatic acceleration of a human disaster via this natural disaster. This crystalized the urgency of using art as vehicle for (social) catharsis, a practice that continues to be used by individual artists, collectives, community organizations, art projects, and other art institutions on the island and abroad, through mural art, community paintings, art exhibitions, literature, music, and many other aesthetic expressions. This article examines, from a decolonial and critical cultural studies perspective, post-Hurricane María artistic expressions in contemporary art as decolonial aesthetics through the cathartic use of the frame of an aesthetics of disaster. It is argued that, an aesthetics of disaster aims to re-assert an artistic form that is able to accelerate the discursive nullification of a deeply rooted colonial, social and cultural problem by way of art as catharsis inspired by the way that Hurricane María unveiled these problems. The piece briefly contextualizes Puerto Rico, and it examines the idea of Puerto Rican contemporary art as catharsis. Then, it describes how Puerto Rican contemporary art exhibitions and associated aesthetic production are processing urgent post-hurricane issues through three illustrative pieces in exhibitions in PR and abroad in the United States (US). Lastly, decolonial aesthetics is reexamined and re-understood, informed by Édouard Glissant's view expressed in Poetics of Relation which aids to the conclusion that Puerto Rican contemporary art using the frame of an aesthetics of disaster functions as a powerful form of decolonial aesthetics.  相似文献   
3.
公共艺术与城市文化两者的关系十分密切,在城市整体形象建设中结合城市规划与建筑设计,注重公共艺术整体性设计,在城市公共空间与环境建设中融入公共艺术,能够实现城市历史与文化的良好传承,并将城市公共活动空间所具有的地域文化特色充分发挥。旨在对城市文化视角下的公共艺术整体性设计展开深入研究,并从整体性设计的城市文化、规划、建筑等多个层面进行深度解析。  相似文献   
4.
文章运用实地考察法、文献搜集法,从公共艺术特性入手,通过南京牛首山佛顶宫的文脉、空间及其内外的装置以及人们在这样的宗教建筑环境中进行有关活动的分析研究,寻找公共艺术作品与场所的契合点。通过对契合点的阐释,希望对中国建筑艺术作品的公共艺术与场所精神研究提供一点参考,以期日后创作出更加成功的公共艺术与场所精神相结合的案例。  相似文献   
5.
丹珍草 《民族学刊》2019,10(1):57-64, 114-116
格萨尔藏戏将口头诗歌中的“歌”化为具体的表演行为动态实践,集声音、舞蹈、仪式和群体互动等多种形式于一体,是历史悠久、别具特色的藏戏剧种。格萨尔藏戏表演通过对古典时代民族民间文化的重构与想象,构成格萨尔史诗更丰富宽广的表达。作为文化象征的表述符号,格萨尔藏戏是口头传统研究中的表演民族志,其歌舞形态为本的言说系统,更贴近格萨尔史诗说唱本体,并重新廓清格萨尔史诗口传与书写之间复杂的关联,还口头说唱以本原。格萨尔史诗戏剧化表演实践与创新中的复合性、融合性、新生性特征和带有实验性的探索,使格萨尔藏戏经历新的蜕变。  相似文献   
6.
在鲍德里亚看来,当代社会在经济现象形态方面表现为消费经济的活跃,需要进行符号经济学批判。当代消费经济具有独特的运行机制,是将各种商品都转化为符号体系的过程,这既是资本的进一步扩展、资本增值的实然逻辑,又是技术理性的渗透、媒介信息的传播,还是物体系的形成、拜物教的深化。消费经济及其奢侈文化从大都市扩散到世界各地,推动了当代商业的发展。当代消费经济令人与人之间关系冷漠,围绕人的不再是实际物品,而是众多意义,需要用结构主义符号学分析其运行机制,采用艺术性变革的方式消除消费异化。艺术能够建构具有救赎作用的乌托邦,不应只为了满足感官刺激,而要通向真理之路,唤醒人的创造潜能,改造消费社会的不合理机制。  相似文献   
7.
魏晋名士艺术境界的形成路径清晰而富于哲理,他们通过心身外在表现的审美追求以获得艺术对象审美外观的人格化,通过“远”之本体追问与“远”之身体探寻来实现人生和艺术的玄远境界,使得“心”臻至“无”之境与“美”臻至“无我”之境在人生与艺术层面完美融通。如此,魏晋名士与肉身以及欲望存在的自我渐行渐远,而生命精神却始终作为不可或缺的逻辑线索,延续于人生、艺术之中,成为艺术精神和人格蕴含的内在逻辑线索。  相似文献   
8.
ABSTRACT

Satellite broadcasting technologies contribute a great deal to interaction across national boundaries, and in this regard satellite television is significant in the construction of a transnational public sphere for the Alevi community in Turkey and abroad. This paper addresses the role of television in the making of that transnational Alevi identity. In particular, it focuses on the flow and the programme contents of Cem TV and Yol TV, two leading Alevi channels, to demonstrate how the transnational imagination of Alevi identity corresponds to different political understandings of Aleviness.  相似文献   
9.
Abstract

Disabled artists with physical impairments can experience significant barriers in producing creative work. Digital technologies offer alternative opportunities to support artistic practice, but there has been a lack of research investigating the impact of assistive digital tools in this context. This article explores the current practice of physically impaired visual artists and their experiences around the use of digital technologies. An online survey was conducted with professional disabled artists and followed up by face-to-face interviews with 10 invited artists. The findings illustrate the issues disabled artists experience in their practice and highlight how they are commonly using mainstream digital technologies as part of their practice. However, there is little awareness around novel forms of technology (e.g. eye gaze tracking) that present new creative opportunities. The importance of digital tools for supporting wider practice (i.e. administrative and business tasks) was also highlighted as a key area where further work is required.  相似文献   
10.
中国特色文学理论包括中国马克思主义文艺思想和中国本土文学理论两大组成部分,要发展中国特色文学理论,必须将马克思主义文艺思想与中国文学的具体实践结合起来,把中国马克思主义文艺思想与中国本土文学理论结合起来。历史经验证明,两个“两结合”是否实现和结合得成功与否,是中国特色文学理论顺利发展的关键。  相似文献   
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