词尾标记-e的消失与英语结构对称性破缺

英语词尾-e的逐渐消亡是语言自身通过放大系统中不对称差异,迫使其低维子系统对称破缺,实际上是依靠概念隐喻以牺牲其结构上的对称美来换取话语的经济效率,用经济的话语表达最充分的信息。而语法化是造成语言内部语法标记和结构渐变的重要原因之一。     

论中国哲学的“世界主义”视野及其价值

中国哲学中，潜藏着一股“世界主义”思潮，既有打破“国家中心论”的较低层次的世界主义，有打破“区域中心论”的较高层次的世界主义，也有打破“人类中心论”的最高层次的世界主义。世界主义的各种形态，齐备于中国哲学家的头脑中，这在世界哲学史上是不多见的，值得认真发掘。从原有的哲学格局看，西方哲学的视野主体上还是“地球中心论”与“人类中心论”的，基本上还是以解决人与人的关系问题为主。但中国哲学的“世界主义”视野提供给人类一种伟大的智慧：要解决人类的问题，就不能以人类为中心，就必须置身人类之外；要解决人与人的关系问题，就不能以人与人的关系为中心，就必须置身人与人的关系之外；要解决地球的问题，就必须突破“地球中心论”，必须置身地球之外。换言之，不突破“地球中心论”，不突破“人类中心论”，恐怕还是不可能从根本上解决人类所面临的问题；不解决人与物的关系问题，不解决物与物的关系问题，恐怕也不可能从根本上解决人与人的关系问题。中国哲学中的“世界主义”视野，是打破各种“中心论”的一把利剑；它使中国哲学不可能产生西方式的“痛苦中心论”、“生命中心论”，更不可能产生西方式的“人类中心论”。     

海西区城市构建两岸区域金融中心竞争力比较

基于两岸关系、海西战略和有限资源约束,正确选择金融中心建设的备选城市是首要的,必须对各城市经济金融竞争力进行分析。通过选取31、27、11个指标,利用因子分析法和“断裂点”理论对海西区20个城市构建两岸金融中心竞争力、一般性区域金融中心竞争力、金融业发展竞争力三个层面进行分析,最后提出厦门构建两岸金融中心、福州构建海西区域金融中心、温州构建区域专业金融中心以及泉州和汕头发展为次级金融极等建议。     

后现代语境中的《大事件》

在香港电影低迷的2004年,杜琪峰的《大事件》却异军突起,不仅仅参展戛纳国际电影节,而且获得了当年的＂金马奖＂最佳导演。杜琪峰以熟练的手法驾驭了电影,体现出了强烈的后现代特征,展现了当代人在媒体包围下的＂异化＂;同时,导演并没有放弃人文关怀,在影片中体现出了命运独大,凸现了人生的荒谬无常。     

“折若木以拂日兮”补释

对《离骚》中的“折若木以拂日兮”一句的解说,历来意见分歧。拟就前人说解加以取舍补充,解“折”为“使弯曲”,解“若木”为“落木”,解“拂”为“挡住”,意思是,屈原使若木弯曲,挡住太阳下降的路线,使之稽留天上,这样可以多争取些时间,俟君醒悟,自己也可寻求知音,共同实现自己的美政理想。     

Breaking away from the cycle of poverty: The case of Malaysian poor

This paper observes the poverty issues examined in Malaysia and proposes the need to study the poor who have broken the poverty chain. Most studies generally focus on only the poor, their reasons for being poor, various poverty alleviation methods and poverty with regard to measurement. However, it will be more insightful if studies are carried out on the poor who have broken the cycle of poverty. Research conducted in several countries on those who have come out of poverty indicate far-reaching implications to all stakeholders. Hence, such studies in Malaysia would give a better understanding of how some of the poor have broken the shackles of poverty and are leading a better life. It would be very valuable to understand the strategies they used in real life situations to overcome the fetters of poverty.     

论《破戒》的文学倾性

《破戒》作为日本自然主义文学的代表作,译入中国已有50多年,但是中国学界在很长时间里都把《破戒》当做现实主义文学来看待.小说自身表现出了“无理想,无解决”的叙事逻辑,使用了“内心告白”以及去典型化的手法,并流露出“觉醒者的悲哀”和环境决定论思想.无论从叙事形式还是思想内涵上,《破戒》当属自然主义作品.     

Sexual violence in serial form: Breaking Bad habits on TV

Walter White’s (Bryan Cranston) attempts to isolate, degrade, exploit, frighten, and control his wife Skyler (Anna Gunn) are tactics that are well-documented in studies focusing on abuse. Yet, despite the representation of both implicit and explicit forms of domestic abuse and sexual violence throughout Breaking Bad (2008–2013), there is an apparent disconnect between how this behaviour is perceived on screen and how it is ostensibly regarded in society. It is here, at the intersection of audience reception and sociological theory that I argue Breaking Bad represents abuse as part of a broader negotiation of masculinity, one that contributes to the ongoing marginalization of women’s voices in both visual media narratives and, by extension, society. In particular, I argue that despite the series’ long-form structure, the lack of emphasis placed on instances of coercive control by the writers and directors is partly responsible for contributing towards a culture of misogyny and victim-blaming fostered by fans towards Skyler evident in numerous online blog posts, fan forums, social media platforms, and Anna Gunn’s own treatise on the portrayal of her character in the New York Times.     

Going Bad and Staying Bad: Crystallizing Dramatic Self Change

Symbolic interactionists recognize how selves transform for better or worse. When transforming for worse, or going bad, selves often stay bad, owing to societal response. In this article, we examine fictional characters from popular media (specifically, Michael Corleone from The Godfather trilogy and Walter White from Breaking Bad) and a nonfictional athlete (Lance Armstrong) to discuss staying bad as self‐conscious choices made by those who go bad. Using Athens' depiction of self transformation and adding the notion of particular trajectories (teleological, immersed, and ideational), we compare and contrast the characters' transformations from noble, or potentially heroic, to unapologetically blemished. Our analogic connection depict patterns of development that stress the fundamental importance of agency in regard to processes of staying bad, even when such agency appears self‐destructive.     

基于经济联系强度和区域断裂点的拉萨-日喀则城市互动发展分析

拉萨和日喀则分别是西藏第一和第二大的城市,在西藏经济发展中具有重要地位。利用经济联系强度和区域影响断裂点两个分析工具对近年来拉萨、日喀则的经济数据进行分析可知,拉萨-日喀则两市之间的经济联系强度以平均每年20%左右的速率增加,而两市之间的断裂点出现在距拉萨191.27km～217.75km附近。因此,加快西藏自治区的城市化建设,应注重保持和加强拉萨-日喀则两市的经济联系强度,以及重点扶持断裂点附近县市经济发展。