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1.
“舞草把龙”是清潭街重阳节期间流行且带有非物质文化遗产标签的特定仪式,将其置于人类学视野下,追溯并描述其缘起与流变,挖掘其在特定情境中所发挥的社会功能,对维系乡村社会生机活力具有重要作用。基于清潭街“舞草把龙”仪式的社会实践,即“舞草把龙”仪式入选非物质文化遗产以及被列入“刘三姐文化”旅游节等种种事项,不难发现“舞草把龙”仪式呈现良好的发展态势。研究认为,这主要归因于“舞草把龙”仪式本身具有社会互动功能、情感联结功能、教育传承功能、社会控制功能。但仪式空间式微、仪式主体缺失等潜伏性危机不容忽视,亟待破解。而时下积极倡导的乡村振兴战略为乡村传统民间仪式的合理开发与乡村文化的传承创新提供了契机。  相似文献   
2.
随着经济和社会的发展,人们逐渐从经济的束缚中解放出来,获得更多的自由和闲暇。工作不再是定义自我和衡量幸福的唯一方式,休闲作为一种新的文化价值观开始对人们的生活起到重要指导作用。休闲的自由和社会互动等性质为人们提供了深入认识自我以及自我与他人关系的时间和社会空间,有助于解答“我是谁”和“我们是谁”等认同问题。由此,个体能够以一种展现自我的生活方式扮演不同的人生角色,构建较为稳定的个体认同和社会认同,发现和实现人生意义。休闲塑造文化认同的历史源远流长,至今仍然发挥巨大作用。在休闲时代和全球化持续发展的双重背景下,休闲塑造和传播文化价值观的重要作用也日益凸显。因此,休闲与认同关系研究对个体发展、社会发展和文化发展具有重要的积极意义。  相似文献   
3.
ABSTRACT

On 20 September 2017, Hurricane María made landfall on Puerto Rico causing unprecedented disaster. From that day onwards, the Puerto Rican multi-layered colonial, social and political context was further complicated by the traumatic acceleration of a human disaster via this natural disaster. This crystalized the urgency of using art as vehicle for (social) catharsis, a practice that continues to be used by individual artists, collectives, community organizations, art projects, and other art institutions on the island and abroad, through mural art, community paintings, art exhibitions, literature, music, and many other aesthetic expressions. This article examines, from a decolonial and critical cultural studies perspective, post-Hurricane María artistic expressions in contemporary art as decolonial aesthetics through the cathartic use of the frame of an aesthetics of disaster. It is argued that, an aesthetics of disaster aims to re-assert an artistic form that is able to accelerate the discursive nullification of a deeply rooted colonial, social and cultural problem by way of art as catharsis inspired by the way that Hurricane María unveiled these problems. The piece briefly contextualizes Puerto Rico, and it examines the idea of Puerto Rican contemporary art as catharsis. Then, it describes how Puerto Rican contemporary art exhibitions and associated aesthetic production are processing urgent post-hurricane issues through three illustrative pieces in exhibitions in PR and abroad in the United States (US). Lastly, decolonial aesthetics is reexamined and re-understood, informed by Édouard Glissant's view expressed in Poetics of Relation which aids to the conclusion that Puerto Rican contemporary art using the frame of an aesthetics of disaster functions as a powerful form of decolonial aesthetics.  相似文献   
4.
Prime aim is to examine the way the culture sector reuses industrial buildings to instigate cultural activities in the municipalities. The discussion of various actors’ motivation for engagement is based on results from a case study, supplemented with findings from a coarse-meshed telephone survey. At national level overarching political guidelines can be traced back to white papers concerning cultural policy, urban transformation and cultural heritage, and the municipalities’ cultural policies mirror these guidelines. What tends to decide if such initiatives are considered successful are local abilities to cross sectorial divisions and instigate cooperation between municipal planners, private entrepreneurs and NGOs.  相似文献   
5.
在如今网络大时代的背景下,中国网络文学不仅“异军突起”,而且“风景独好”,在国内本土形成了关于“互联网+”的巨大产业链,同时一大批优秀的网络文学纷纷走出国门,在海外掀起一股中国“网文热”。从跨文化视角对中国网络文学走红海外的原因进行了分析,探讨了网络文学“走出国门”面临的问题,并发起了对未来的展望,抛砖引玉,期望引发对网络文学“走出去”更深入的思考。  相似文献   
6.
梁平木版年画于2006年被列为国家级非物质文化遗产.作为民俗性公共文化,既具有文化遗产具体可视的物质属性,又包含民间信俗、制作技艺等非物质的文化属性.在新时代背景下,梁平木版年画传统保守的生产模式很难满足人民日益增长的精神文化需求,导致其创作生产萎缩、日渐衰败.作为非物质文化遗产的公共文化,文章从活态性、地域性、系统性角度,论述了对梁平木版年画的完整性、关联性、综合性保护,以保持其公共文化遗产的本真性、独特性、可识别性,激发其创作、生产活力,增强群众参与度,体现其公共文化价值,从而实现对梁平木版年画的整体性保护.  相似文献   
7.
Though there is evidence linking the history of colonialism and oppression of Indigenous people to the high rates of rape and child sexual abuse experienced by this population today, it is less understood how colonial processes, past and present, condition the decision to disclose or report victimization. Drawing on a survivorship storytelling study of rural Alaska Native survivors of child sexual abuse, this paper underscores the importance of centering colonialism in understanding the culture of silence surrounding sexual victimization among Indigenous people. Results show that reasons for non-disclosure are quite embedded within larger social, historical and political themes of colonialism, oppression, and marginalization. Implications for policy and praxes are discussed, as well as a broader mandate of social change to remove barriers to disclosure.  相似文献   
8.
Beginning in the 1980s, and continuing for over three decades since, a particular generation of Tibetans from the Northeastern Tibetan region known as Amdo, and particularly from the northern parts of China’s Qinghai province, has proven extremely productive. Why has this generation, born primarily between 1959 and 1967, been so incredibly successful? This article examines the contextual factors that may have contributed to the incredible success of this generation. This ranges from the policies and circumstances that affected their births, and the state of the cultural field at the time they reached adulthood. Personal experience narratives, autobiographies, and scholarly studies then reveal how this generation was able to access the intellectual field. Finally, I briefly discuss how the Amdo Tibetan intellectual field compares with other Tibetan and ethnic experiences in the People’s Republic of China.  相似文献   
9.
This paper focuses on the Chinese government’s policy of purchasing social services and discusses how relevant organisations provide social work and develop it within local socio-political and cultural contexts. An ethnographic research method was adopted for the study by the first author while participating in social work development in Q City. We argue that the policy of purchasing social services succeeded in achieving “embedded development” but also created a “conjuncture structure” in cultural reproduction. However, due toprofessional social workers in China have, in practice, passively responded to the conjuncture there has been a failure to reproduce professional values of social work in the Chinese cultural context. Therefore, further development of social work in China needs to strengthen cultural reflection in practical actions, focus on the exploration of cultural connections between social work practice and local communities, and enhance the cultural capacity of social workers in the local cultural context.  相似文献   
10.
"鲁迅形象"是中国现代文化史上典型的现代知识分子的形象符码,其生成过程与现代中国的动态语境密切相关,深刻地勾联了阐释者的文化心理和思维形态。"鲁迅形象"是由自塑和他塑合力而构成的公共形象,对其进行文化学意义上的考察可为探索现代中国发展的社会史和现代知识分子的心灵史提供理论资源。  相似文献   
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