美好抑或悲哀:旅游演艺的文化真实性研究

文化是旅游演艺的灵魂,旅游演艺即为通过对真实的地域文化进行抽离、截取、裁剪等艺术性加工所形成的具有舞台美感的旅游表演,并使真实的文化转变成舞台上的文化。由于利益诉求不同,旅游演艺相关各方对于文化真实性的关注角度存在一定差异。旅游演艺在对地域文化进行艺术加工的同时,也在对地域文化进行着解构与重构。地域文化真实性在解构与重构过程中发生改变,也使得旅游演艺相关各方对文化真实性产生了不一样的理解。尽管地域文化真实性因旅游演艺的介入而发生变化这一客观事实引起了一定的悲哀性慨叹,但总体而言旅游演艺重构或生产"新文化"这一过程既是美好的现实,更是美好的"真实",另外,这类"新文化"同样值得尊重,其是地域文化变迁过程中的真实性存在。     

Unexpected but authentic use of an ethnically–marked dialect

Recent work on language crossing in the U.S. has examined the temporary appropriation of African American Vernacular English by white youth in an effort to participate in the current popularity and prestige of hip–hop culture, or in order to highlight racial boundaries. While such verbal behavior probably encompasses most white use of AAVE, it is not the only way in which whites (or other non–blacks) can use the variety. This paper presents a case study of the language of a 23 year old white female who makes consistent use of many distinctive linguistic features associated with AAVE. I argue that the interaction of ideologies of race, class, localness and language allow her to be considered an ingroup member despite her biographical race. This suggests that there is a tension between academic linguistic theory and actual speaker practice in assigning authenticity to individuals, and I conclude that language ideologies and other forms of qualitative evidence should be taken into account by sociolinguists looking at the link between language and race.     

论会计信息的商品属性与真实性的关系

本文通过分析会计信息的特性 ,探求出会计信息的深层的、本质的属性———商品性。详细论证了会计信息这一特殊商品的价值、交换价值、使用价值及三者间的关系 ,并以此引出会计信息真实性与商品性的关系 ,从一个全新的角度指出了困扰学界、业界的会计信息失真这一问题的深层原因 ,并提出了有效的解决措施     

近三十年来《圆圆曲》研究综述

《圆圆曲》是吴伟业七言歌行的代表作之一。明末清初动荡的社会背景,陈圆圆风雨飘摇的身世遭际,引发了诗人的创作灵感,也赋予了该诗巨大的历史价值,故历来此法备受关注,研究成绩斐然。本文梳理了相关研究资料,试图从其历史真实性、创作时间、主题意旨、艺术手法,及与《长恨歌》等同类诗作的比较研究等方面,对近三十年来《圆圆曲》的研究现状做一综述,以期在总结中理清脉络,进而寻求新的学术研究空间。     

The reification of celebrity: global newspaper coverage of the death of David Bowie*

This paper examines global English-language newspaper coverage of the death of David Bowie. Drawing upon the concept of reification, it is argued that the notion of celebrity is discursively (re)produced and configured through a ‘public face’ that is defined, maintained and shaped via media reports and public responses that aim to know and reflect upon celebrity. The findings highlight how Bowie’s reification was supported by discourses that represented him as an observable, reified form. Here, Bowie’s ‘reality’, that is, his authentic/veridical self, was obscured behind a façade of mediation, interpretation and representation that debated and decided his ‘authenticity’ as a cultural icon. Such debates, however, were engagements with a reified image, enveloped in continual (re)interpretation. As a result, Bowie’s reification was grounded in a polysemous process that allowed numerous versions of ‘himself’ to be aesthetically reimagined, reinvented and repeated.     

Sexual Orientation Change Efforts and the Search for Authenticity

This article is based on structured interviews of a sample of 15 former participants in sexual orientation change efforts (SOCE), who currently identify as gay or lesbian. The primary research question for this study was, “What was the experience of self-identified gay men and lesbians who went through some type of SOCE and eventually asserted themselves as gay or lesbian?” The research concludes that participants sometimes identified as heterosexual during SOCE, but never changed their underlying homosexual orientation, and that suppression, disconnection, and a sense of inauthenticity were significant phenomena of this process.     

旅游语境下藏文化的真实再造:九寨沟《藏迷》的个案分析

随着我国民族旅游业的迅速发展，旅游开发中过度“商业化”和“表演化”的倾向日益突出，旅游者由此而产生的真实体验需求也更加强烈。在此背景下，一些旅游开发商开始将“真实性”作为民族文化旅游开发的重要内容之一，在不断提升游客体验质量的同时，也出现了一些问题，包括偏重于“真实”符号的堆砌而忽略了文化内涵的有效传递，片面强调“真实”场景的打造而缺乏对细节生活片段的展示，以及在展出中过度追求艺术化、精品化而忽略了旅游体验的娱乐性和大众性等。本文通过对九寨沟《藏迷》中“真实再造”的个案分析，指出上述所存在的问题及其根源，并提出相应的策略建议，以利于民族旅游中“真实再造”的顺利进行。     

中国报告文学文体特性的历时考察

历时性考察中国报告文学文体特性的形成、变异和发展．可以见出报告文学文体特性由一些基本元素组成一定结构，其内涵在发展中相继呈现，其中有深化和丰富，也有异化和扭曲，似乎完成了一个“正-反-合”的过程。政治制导是报告文学文体特性发生偏离的最主要的原因。     

The struggle of autonomy and authenticity: framing the savage refugee

James Hathaway has described refugee law as ‘fundamentally oriented to the promotion of autonomy’. Borrowed from the Kantian roots of liberal rights theory, this theme has come to the fore as refugee advocates decry increasingly draconian experiments in deflection and deterrence. But what exactly does it mean for a refugee to exercise autonomy? And how is it connected to that other popular refrain – that those who arrive irregularly by boat in Australia, despite high recognition rates, are not ‘genuine’ refugees? By examining the assumptions underpinning autonomy as a contemporary political value, and working within the theoretical construct that identifies a state's ‘recognition’ of autonomy with authenticity, this article explores tensions within both public discourse on refugees and the discipline of refugee law itself. It considers how and why the refugee exercising ‘authentic’ moral agency by boarding a boat is depicted not just as a threat, but as inherently irrational (and thus not ‘authentically’ autonomous) and less ‘genuine’ (and thus virtuous) than the ‘passive’ refugee languishing in a camp overseas, awaiting ‘our’ redemptive touch. Finally, it asks whether refugee law similarly suffers from the contradictory moral promise of human rights law which places autonomy at its heart while in practice requiring that humanity be split between victim, savage and redeemer.     

真实性偏好如何影响全球品牌中国元素产品的购买可能性?

在中国市场上,全球品牌本土化的现象越来越频繁.但在理论上,还少有研究分析中国消费者如何评价融入中国元素的全球品牌.为此,文章以认知—情感人格系统理论为框架,构建了包含真实性偏好、品牌本土象征价值、尊重品牌遗产和购买可能性的概念模型,试图探索其中的因果关系.实证研究表明,品牌本土象征价值认知—情感单元和尊重品牌遗产认知—情感单元均能提高购买可能性.真实性偏好高的消费者更容易通达品牌本土象征价值认知—情感单元和尊重品牌遗产认知—情感单元.尊重品牌遗产认知—情感单元有助于增强品牌本土象征价值认知—情感单元.文章不仅在理论上丰富了全球品牌相关研究,同时对实践也有战略指引.