翻译美学视阈下《瓦尔登湖》徐迟译本评介

《瓦尔登湖》（Walden）是亨利·大卫·梭罗（Henry David Thoreau）经典文学作品，已经成为美国文学宝库中的经典之作。中国译者徐迟首先将其译入国内，译名为《瓦尔登湖》。此后不断出现译者和译本，《瓦尔登湖》一度重译，频繁出版。进入21世纪以来，我国出现了重译《瓦尔登湖》的热潮，这也引起了学术界和翻译界对《瓦尔登湖》汉译本的关注。通过将徐迟译本作为研究对象，从翻译美学新视角切入，对《瓦尔登湖》译文之美进行解构，分析其中作为变量的美学因子，以期为研究《瓦尔登湖》做出一点贡献。     

美好抑或悲哀:旅游演艺的文化真实性研究

文化是旅游演艺的灵魂,旅游演艺即为通过对真实的地域文化进行抽离、截取、裁剪等艺术性加工所形成的具有舞台美感的旅游表演,并使真实的文化转变成舞台上的文化。由于利益诉求不同,旅游演艺相关各方对于文化真实性的关注角度存在一定差异。旅游演艺在对地域文化进行艺术加工的同时,也在对地域文化进行着解构与重构。地域文化真实性在解构与重构过程中发生改变,也使得旅游演艺相关各方对文化真实性产生了不一样的理解。尽管地域文化真实性因旅游演艺的介入而发生变化这一客观事实引起了一定的悲哀性慨叹,但总体而言旅游演艺重构或生产"新文化"这一过程既是美好的现实,更是美好的"真实",另外,这类"新文化"同样值得尊重,其是地域文化变迁过程中的真实性存在。     

文化认知中定向思维模式的建构与解构——以中国少数民族文化范式为研究视阈

定向思维模式的建构与解构实际上反映出认知结构的二重性特征，两者在文化认知活动中可互为挹注共存于对立统一关系里。因此，对中国少数民族文化范式的研究，不仅要重视建构之功能催生的符号化文化构成，还应关注解构之功能显现的非常见的文化元素。同时，只有弄清楚定向思维模式的建构与解构在文化认知中的意涵，才能明确定向思维模式的“趋向”和“专注”特点以及“惰化”和“孤立”倾向，从而为牵及民族文化事项的认知固化与迁移提供理论工具并用以指导多元文化实践。     

设区的市立法权限限制研究

根据《立法法》第七十二条之规定,设区的市立法权限涉及城乡建设与管理、环境保护、历史文化保护等方面的事项;法律对设区的市制定地方性法规的事项另有规定的,从其规定。但《立法法》对设区的市立法权限的规定,未能顾及“较大的市”和部分新赋权的设区的市立法的实际需求。在立法实践中,某些设区的市制定的地方性法规越过了立法权限的边界,存在越权立法的现象。因此,需要调整设区的市立法权限的限制模式,建立纵向合理的立法“分权”体制,赋予设区的市相对完整的地方立法权,并通过立法批准等控权机制加强对设区的市立法的监督和指导。     

Originary différance: “A quantum vitalism”

Review of Alexander Wendt, Quantum Mind and Social Science: unifying physical and social ontology (2015).     

On “Imposed Interpretation” in Literary Criticism: The Issue of “French Theory”

This paper is a response to what Professor Zhang Jiang of the Chinese Academy of Social Sciences (CASS) terms as “imposed interpretation.” In his article “On Imposed Interpretation,” Professor Zhang sees imposed interpretation as a fundamental feature and basic defect of contemporary Western literary criticism. The author analyzes some of the interpretations, as criticized by Professor Zhang, imposed on some literary classics by feminist, eco-critical, psychoanalytical, structuralist and deconstructivist methods. She reviews the sources and the limitations of the so-called “French theory” in cultural studies courses in American universities before raising the critical practice she endorses: a synthesizing critical methodology that is based on the specificity of the text, uses multiple applicable theories in relation to the socio-temporal context in which the work was produced, while bearing in mind the author’s intentions and the reader’s active participation. Through rigorous textual analysis, literary criticism can identify some new perspectives offered by the text which enable construction of the meaning of the text and of life. This can highlight the functions of literary reading in enriching people’s lives and enhancing the role of reality and man’s spiritual realm.     

I'm Not a Bad Mother — Stories of Mothering‐on‐the‐Edge

This article is located in the field of custody and day‐to‐day care, with a focus on experiences of mothering where mothers no longer have everyday care of their children. At the time of writing, tens of thousands of mothers live separately from their children in Aotearoa, New Zealand. However, there is a general perception of rarity associated with non‐resident mothers, partly due to their reluctance to speak of loss of custody. In this article, we develop a theoretical discussion around the inside/outside relationships between non‐resident mothers and their children that informs therapeutic practice. We argue that mothers who live apart from their children are situated at the edge or periphery of their children's day‐to‐day lives and experience this as outside the lives of their children. Nevertheless, mothers' stories speak of qualities of (m)othering that have been born of and nurtured by longstanding and long‐term commitment to their children.     

历史不一定是发展史———中国古代都城形态史的解构

以往的研究认为中国古代都城城市形态的历史是一种前后相继的发展史，使用的主要研究方法就是对城市形态进行相似性比较，但这种方法在逻辑上存在根本性的问题，因此其结论是值得质疑的。基于对这一问题的研究，我们可以进一步认为，历史并不一定就是事物、事件之间有着密切联系、存在发展阶段以及变化规律可循的“发展史”，而可能只是由一些不存在密切联系，只是在时间上具有先后顺序的同类对象构成的历史。     

Organizational closedown and the process of deconstruction and creativity

This paper outlines an analysis of how the deconstruction of organizational, management control and performance management structures affects performances and how workers make sense of enhanced efforts and practices of creativity, in a situation when facing a certainty of job loss as of the closedown of the organization. In this paper, we have shown that the deconstruction of structures generate positive performance outcomes, and that such relation is being mediated by workers identity. We have also shown that identity work under a process of organizational closedown generate certain creativity. By doing so, this paper contributes to the literature on creativity and deconstruction by developing an emergent model where workers identity mediates formal structures in relation to performance. This paper contributes to the literature on closedowns by extending its analytical and theoretical domains, proving alternative, yet complementary and mediating explanations to the causes of drivers to enhanced performances during the process of closedown.     

后现代叙事策略与《武林外传》

后现代叙事策略在文艺作品中主要表现为对传统文化元叙事原则的解构和颠覆,后现代文化表征在当代影视作品中最突出的表现是2006年首播的80级电视连续剧《武林外传》,解构经典、颠覆传统,通过拼贴,体现出后现代作品的虚无性,是该剧最为突出的表述特征。