吴地西施“响屐舞”的民族风格与地域风格研究

西施“响屐舞”是吴地舞蹈史上的经典与代表,因其独特的舞蹈风格从古至今备受关注,该舞蹈风格的形成也离不开吴地民族风格与地域风格的影响。通过具体分析吴地民族文化、环境、图腾等对舞蹈动作、姿态、动律、节奏等民族风格形成的影响,以及吴地地域环境对舞蹈表现形式、表演形式、舞蹈动作、舞蹈道具等同质性与异质性地域风格形成的影响,论述了西施“响屐舞”的独特价值。     

湘、鄂、渝、黔边界“摆手”活动的文化学价值——土家“摆手”研究之四

湘鄂渝黔边界地区及"五溪"流域土家族地区世代传承的"摆手"活动集艺术文化、民俗文化、农业文化于一炉,又融诗、歌舞、"戏"于一体,含宗教文化、稻作文化于其内,是我国南方亘古以来"蛮夷"文化的瑰宝,具有重要的文化学价值.     

Energy Expenditure During Physically Interactive Video Game Playing in Male College Students With Different Playing Experience

Objective: Researchers have yet to explore the effect of physically interactive video game playing on energy expenditure, despite its potential for meeting current minimal daily activity and energy expenditure recommendations. Participants and Methods: Nineteen male college students-12 experienced Dance Dance Revolution (DDR) players and 7 inexperienced players- completed maximal oxygen uptake assessments and a 30-minute DDR gaming session. The authors recorded heart rate (HR), rating of perceived exertion (RPE), respiratory exchange rate (RER), oxygen consumption (VO₂), and total steps (TS₃₀). Results: Experienced participants showed higher exercise HR, RPE, RER, VO₂, total and relative energy expenditure, exercise intensity, TS₃₀, and average steps per minute, and less time and steps to expend 150 kilocalories (p < .05). Conclusions: Participants with greater playing experience can work at higher intensities, promoting greater energy expenditure.     

对贵州台江苗族“反排木鼓舞”的体育价值及推广策略研究

本研究采用文献资料法、专家访问法、逻辑分析等方法，对被西方记者誉为“东方迪斯科”，流行于贵州黔东南台江地区的苗族传统体育项目“反排木鼓舞”进行了研究。发现其是一项对场地、器材条件要求较低、有一定的技术难度，运动强度、运动量可随意调控，因而具有高度趣味性、欢娱性、健身性、教育性和广泛适应性的民族传统体育项目。并对推广探讨的苗族传统体育项目“反排木鼓舞”的途径和方法进行了探讨。旨在挖掘、整理贵州台江苗族传统体育资源，为继承和发展少数民族体育传统，推动少数民族地区全民健身活动的开展。     

I DANCE TO YOU: REFLECTIONS ON IRIGARAY'S I LOVE TO YOU IN PILATES AND VIRTUOSITY

This essay engages Luce Irigaray's view of love as carnal and relational labor, and her ethics of that love, as they emerge in her book I Love to You: Sketch of a Possible Felicity in History. Of particular interest is the 'to' in her formulation 'I love to you'. This 'to', the author argues, is deployed by, or reverberates between, dancing, observing and writing bodies. It is a technology of corporeal intimacy, a protocol for reading and re-imagining the love story of dance criticism. Two sites offer illustrations of opposing views of Irigaray's 'to'. The first, the Pilates studio, links 'to' to the metaphoric, sometimes proprietary intimacy of working with a practitioner body to body. The second, a decidedly 'anti-Irigaraian' love story, explores virtuosity as a romance between dancer and critic, one in which the latter is seduced by, and envelopes the former as 'you who will never be, yet must be mine'.     

巴渝舞的起源与流变

巴渝舞作为巴渝地区古老的艺术形式,历史文献中多有记载。20世纪80年代以来始有专文。学者们从巴渝舞的名称、巴渝舞起源时间和地点、所涉及的民族以及内容形式的特征诸多方面展开讨论,基本廓清了巴渝舞的本来面目,为进一步研究巴渝民族文化打下了基础。     

论南丰傩舞音乐形式的传承与发展

南丰傩舞丰富多彩,形式多样,作为傩文化载体之一的傩舞音乐,其音乐形态在传承中不断得到丰富和完善,并且发展成具有鲜明地方风格和传统音乐的独特神韵。文章从传统南丰傩舞音乐形式、种类的研究入手,对傩舞音乐的传承与发展进行了深入研究与挖掘,为研究、保护和弘扬傩文化艺术提供傩舞音乐学术参考。     

北齐、北周及隋代的歌诗艺术考论

在北齐、北周及隋代,王室、贵族以及文人阶层高涨的歌诗艺术消费需求,直接促进了歌诗艺术的全面发展。胡人艺术家受到了大众的普遍欢迎,胡乐则以其强劲的活力左右着歌诗艺术消费市场,入隋以后,南北艺人共同完成了华夏正声和胡夷之乐的融汇,开创出歌诗艺术发展的新局面,不仅使歌诗艺术的创作与消费呈现出前所未有的盛况,也构成了唐代歌诗发展兴盛的一个新起点。     

试论二人转在审美和娱乐之间的价值取向

近几年,全国更多的观众开始认识与接受二人转。伴随着二人转的火爆,出现了表演上的良莠不齐与观众的褒贬不一。通过探讨二人转在审美和娱乐之间的价值取向,提出审美化生存为其根本之道。     

吴地剑舞考

作为吴地文化的重要载体之一,剑舞具有其独特的中国传统文化特色。论述了吴文化背景推动下吴地剑舞的产生过程及其与吴文化的历史关联,阐述了剑舞在平稳发展期、鼎盛时期、多元融合期以及当代发展时期的不同状态,详细论述了剑舞在唐代的表演形式和表演风格,总结了剑舞的文化特色和发展规律。