论路易斯·卡罗尔《爱丽丝仙境漫游》中的戏仿

路易斯·卡罗尔著名小说《爱丽丝仙境漫游》至少包含4首模仿经典诗歌的戏仿诗歌。戏仿诗歌展现了其内嵌或隐身于其他文本的特点。这一特点与戏仿反对说教的娱乐性结合，共同行使了戏仿潜在的挽救性功能，使人们永远铭记可能落入湮没无闻状态的诗人及作品。戏仿作品以喜闻乐见的方式，与严肃文学相互作用，不失为读者熟悉、研读严肃文学的一个捷径。     

论《神谕女士》中的文体戏仿与女性主体意识

《神谕女士》是加拿大当代作家阿特伍德的代表作品之一,这部小说在文体上戏仿哥特小说,同时体现出对女性主体意识复杂性的思考。女主人公琼成长经历曲折,以写作哥特小说来寄托梦想,哥特小说文体在作品中形成了书中之书的叙事模式。在琼所呈现出的一系列多形态的、不同的自我形象中,可以看出阿特伍德在写作中对多元的、复数的主体的解放。由此,《神谕女士》显现出明显的后现代艺术特征。     

试论《白雪公主后传》中的戏仿颠覆

著名美国后现代主义文学家唐纳德.巴塞尔姆的代表作《白雪公主后传》,让读者自然联想到家喻户晓的格林童话《白雪公主与七个小矮人》。然而巴塞尔姆这部小说无论从人物塑造、故事情节还是主题上,都彻底颠覆了人们熟知的格林童话故事。文中大量的后现代写作技巧尤其是戏仿的运用,对格林童话故事进行了挑战、否定与颠覆,使之成为后现代主义作品的经典之作。研究《白雪公主后传》中的戏仿手法,可以窥见后现代主义小说中独特的颠覆魅力。     

RIDICULING THE ‘WHITE BREAD ORIGINAL’

The 1994 US Supreme Court decision in Luther Campbell et al. v. Acuff-Rose Music, Inc., written by Justice David Souter, reversed a lower court decision and argued in favor of the rap group 2 Live Crew's playful critique of Roy Orbison's ‘Oh Pretty Woman’ by its function as parody. This essay seeks to contextualize that decision by showing the roots of 2 Live Crew's recording in the practice of ‘covering’ – the re-recording of an existent popular composition – and thus the possibilities for redefining authorship that arose with the advent of digital technology. The compositional techniques allowed by computer programs led to the proliferation of sampling in the hip-hop community, thereby liberating sounds from the original content and reconfiguring them in new songs. The technique allowed a critical, and in some cases adversarial, stance to be taken towards long-standing Western definitions of authorship and ownership. 2 Live Crew added to this rich stew of possibilities the familiar and time-tested genre of parody. Their piece took what one judge referred to as the ‘white bread original’ of the Roy Orbison record and twisted about the implicit point of view with regard to gender and sexuality. Discussion of the legal complications that followed upon the suing of the group by the holder of the copyright in the Orbison song, Acuff-Rose Music, Inc., includes the apparently sanctioned use of the song in the Disney-produced film Pretty Woman as well as the use of other Orbison material in director David Lynch's Blue Velvet. The essay concludes with suggestions as to how the language of Justice Souter's decision allows not only for future parodies but also a reinvigoration of speech, one which calls into question power relationships codified in US copyright statutes.     

从模因论视角阐释仿拟修辞

在此尝试运用模因论对仿拟过程和仿拟种类进行阐释,认为仿拟过程遵循模因复制的四个阶段,而仿拟种类正是语言模因传播的两种形式,以期能为仿拟研究提供一个新视角。     

Literacy in the modern world

Books reviewed in this article:
Clark, R. and Ivanic, R. The Politics of Writing
Hasan, Ruqaiya and Williams, Geoff (eds.). Literacy in Society (Applied Linguistics and Language Study)
Johns, Ann M. Text, Role, and Context: Developing Academic Literacies (Cambridge Applied Linguistics)
Lankshear, Colin with Gee, James Paul; Knobel, Michele and Searle, Chris. Changing Literacies
Andre´e, Tabouret-Keller; Le Page, Robert B.; Gardner-Chloros, Penelope and Varro, Gabrielle (eds.). Vernacular Literacy: A Re-evaluation (Oxford Studies in Anthropological Linguistics)     

仿词、仿调的特点及翻译

文章从比较语言学的角度 ,对英、汉仿词这一修辞手法的特点进行了介绍 ,同时还介绍了英语中仿调这一语言现象的特点 ,在此基础上 ,提出了在英汉互译中处理仿词与仿调这一修辞现象的原则     

The parody in Death and the Compass by Jorge Luis Borges as a Metaphysical Detective Novel

The emergence of metaphysical detective novels changed the situation that traditional detective novels are often criticized as vulgar literature for its escaping from reality and its purpose of recreation and stimulus. Jorge Luis Borges is one of the forerunners of metaphysical detective fiction. Especially, some of his short novels become the classics of metaphysical detective novels. In this thesis, I will try to analyze the parody of one of Jorge Luis Borges＇ representative metaphysical detective novels --＂Death and the Compass＂ to see the main differences between metaphysical detective novels and traditional detective novels. This thesis is divided into three parts. Chapter one gives brief introduction about traditional detective novels. Chapter two discusses the parody in this novel. And chapter three comes to the conclusion which gives the reason for this change.     

谈《五号屠场》中的戏仿手法

通过研读<五号屠场>,从后现代主义元小说角度出发,对这部作品中的戏仿技巧进行分析,指出冯内古特打破了传统的小说写作模式,为小说这一文学形式发展做出了贡献.     

谈英汉广告中的仿拟现象

仿拟是英汉广告中的一种有效修辞手段。文章拟结合英汉两种语言的不同特点, 对英汉广告中的仿拟现象进行分类,并分析其修辞特点,进而探讨仿拟在英汉广告中的修辞效用。