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数字时代,重混创作在促进我国文化创意产业发展的同时也引发了许多著作权问题。相应的措施可对重混创作行为进行规制。首先,可以借鉴美国合理使用制度中的“转换性使用”规则对非营利性重混作品进行规制;其次,在重混音乐、视频领域等特定网络空间内引入默示许可机制;最后,对于其他不适合通过合理使用及默示许可进行规制的重混作品,可以用创意共享许可协议加以处理。  相似文献   
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In this paper, I analyse young women's video remixes of the teen drama Gossip Girl. With its emphasis on glamour, style, and status and its interpellation of young female viewers as the ideal consumers within neoliberal regimes, Gossip Girl bears many of the marks of post-feminist media. Drawing on an archive of videos posted to YouTube during the programme's first two seasons, I show how young video makers re-imagine the programme's post-feminist aesthetics. Gossip Girl fan videos frequently seek to create emotional intensity through repetition of close-ups on the female face. They also use innovative digital editing techniques to alter television's realist aesthetic and portray split, fragmented, or contradictory subjects. This focus on the face and amplification of affect cuts out the source text's emphasis on the teenage body as a vehicle for product placement, and challenges the neoliberal privileging of economic success and independence. At the same time, the videos also contain their own limitations, reproducing the young female body as a site of spectacle.  相似文献   
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