人类命运的终极关怀 ——胡丘陵及其政治抒情诗

胡丘陵的作品被称为“后政治抒情诗”代表性文本,他的作品有着浓重的历史意识,其在历史的褶皱深处发掘人性的光辉,用全球化的视野和人性的光辉照亮读者的心灵;同时,对人类命运的终极关怀,以及作品艺术性、政治性和抒情性的高度统一,使得他的作品既有历史的深度、现实的厚度和精神的广度,又在保持思想高度和作品纯度的基础上,最大可能地寓含了散发着诗性光辉的生命情怀、悲悯精神与世界意识。     

河北省优秀传统文化的近期偏好、现代阐释和愿景设计

河北省作为京津冀协同发展及其雄安新区建设的重要一环，具有很强文化资源禀赋。通过对河北省传统文化近期偏好、现代阐释和愿景设计的研究，为河北省消除地区文化差异和经济差异提供理论指导，并为之注入现代内涵，具有很强的现实意义和理论意义。     

‘A brutal blow against the democratic normality’: unlearning the epistemology of the political

ABSTRACT

The objective of this paper is to rethink our understanding of ‘the political’ through an examination of two novels by José Saramago, Blindness and Seeing. Both novels tackle directly a central, if not the central, signature metaphor of Western political thought, namely that of ‘seeing the light’. This metaphor takes many forms and recurs throughout the tradition of Western political philosophy as a source, legitimiser, and validator of knowing, and perhaps even a guarantor of knowledge. In particular, this metaphor has served to make knowable whatever it is that is signified by ‘the political’. By extension, it also means that whatever might be outside of this epistemological frame is rendered unknowable, if not unthinkable. Both of Saramago’s novels provide a fruitful means to recalibrate how we might know ‘the political’. The novels call into question the epistemic signatures that frame our commonly accepted understandings of ‘the political’ and in so doing provoke us further to question how we might move towards unlearning the epistemology of the political.     

西方文化和文论中的Image——从比较文化和比较文论的角度看Image(形象/意象/图像)(之一)

Image(形象/图像/意象)是全球化时代文化对话和美学对话中的一个重要主题.从比较文化的角度来看,其在西方主要与三个方面相关:由主客互动而来的影像,主体心理运行的意象,由主体外化而成的艺术形象.这三个方面为image在中国的三种不同译法奠定了基础.     

影视艺术"运动性"美学特征的视觉感知根源探究

"运动性"是影视艺术最重要的美学特征,其包括了被拍摄主体的运动、摄影机的运动、主客体复合运动以及剪辑带来的蒙太奇运动等方面.而影视艺术之所以具有"运动性"的美学特征,在视觉感知的层面上,源自于观赏主体的视知觉是一个积极能动的器官,其对视域中运动变化的物象有高度的敏感性和选择性.     

实现当代“中国模式”影响式愿景的障碍与可能——基于国民群体社会文化素质的历史与当代考察

影响式愿景的当代＂中国模式＂目标的实现,需要公权政府与公民社会群体社会文化素质的全面提升以保障。而国民社会文化素质的提升存在着后天发展平等性、社会制度引领性与影响方式引导性三个方面的障碍与可能。对于国民群体社会文化素质的历史与当代考察要求我们要重视公权政府与公民社会在当代＂中国模式＂影响式愿景实现过程中的互动影响关系。     

Making Space for the Maid

Chinese television dramas over the past decades have seen the rise and decline of various narratives, but no other narratives speak to the emerging urban middle class's fear and anxiety more palpably than the stories of the maid. However, despite the growing popularity of the maid stories among urban viewers, most of these stories do not resonate with domestic workers themselves. How do we make sense of the growing popularity of the maid stories among urban viewers? And how do we account for the differentiated capacity to resonate and identify with the characters among viewers? These are important questions to consider if one is to understand the new cultural politics of power and social formations in post-Mao China. In this paper, I explore some of the crucial ways in which a controlling gaze is facilitated and naturalised by the visualisation of place and space in these dramas. Then, through both critical analyses and engaged ethnography, I demonstrate how two sets of controlling gaze—everyday and televisual—reinforce and justify each other. Finally, I advance the concept of “peripheral vision,” which, I show, denies the modernist “master” narrative of the city and, instead, empowers the subaltern figure with an epistemological position of “eye-witness” and anthropologist of the city.     

论时空整体观念

时空整体观念是唯物辩证法现代发展的重要内容，是对时间的连续性与空间的广延性的科学概括与反映。时空整体观念是把物的存在与时间、空间作为一个有机整体加以把握。树立时空整体观念，培养立体思维习惯，对于正确认识事物与科学处理问题具有重大意义。     

科学发展观理论价值探析

深刻把握科学发展观的理论价值，是全面贯彻落实科学发展观的基础。科学发展观是时代精神精华的新体现，是人类社会发展理念的新跃迁，是社会主义建设规律的新探索，是中国共产党执政理念的新概括。     

美学视野下语文教育的默化过程略论

语文教育必须着力探究既要体会字词之妙，又要体会句式之妙，还要体会描写之妙的默化过程之揣摩；既要培养情趣，又要寻找意趣，还要发展志趣的默化过程之陶冶；既要滋育心根，又要涵养性情，还要润泽灵魂的默化过程之滋养等“寓学于乐”的方略。