《到灯塔去》中的虚实之间——从意识流的角度赏析莉丽·布里斯库

《到灯塔去》是英国著名意识流女作家弗吉尼亚·伍尔夫的意识流代表作。她主要通过小说的重要角色莉丽·布里斯库自己的意识流动来塑造莉丽的形象。伍尔夫是从客观时间与主观时间交织、现实与回忆相糅来传达她的创作旨趣的。     

《一间自己的房间》中的声音

该文选取了英国女作家弗吉尼亚•伍尔夫的长篇论文《一间自己的房间》,试图借美国马里兰州大学比较文学和女性研究中心教授苏珊•S•兰瑟的思路,将社会身份的声音和叙述形式的声音联系并结合起来,从叙事声音的角度切入,分析其背后所反映的现实中女性主义的声音,并借此梳理伍尔夫的女性主义思想。     

Commodity price stabilization models: A review and appraisal

This paper is designed to bring into focus the numerous modeling attempts to analyze commodity price stabilization that have recently appeared. The studies examined begin with the Waugh-Oi-Massell framework and advance to econometric commodity modeling. Such a critique is considered necessary: None of the studies examined has overcome the myriad of problems that analysts have pointed out as essential for assessing the welfare outcomes of price stabilization schemes. As a consequence, stabilization analyses for similar commodities have produced conflicting results regarding predicted welfare outcome. The present appraisal attempts to provide a unity of direction to this work by (1) comparing recieved studies of a theoretical, empirical, and econometric modeling nature, and (2) suggesting possibilities for improving modeling analyses.     

伍尔夫意识流小说《达罗卫夫人》中的语法变异

意识流小说家善于把内心世界的混乱无序、朦胧的潜意识活动直接显示出来,揭示其内在的真实。这种创作不可避免地破坏了叙述的逻辑性,使语言支离破碎,破坏语言规则,导致了语言的变异,成了意识流小说主要的语言特征。意识流小说的语言在语体风格上独树一帜,在文学创作领域中占有着重要地位。本文以美国著名作家弗吉尼亚.伍尔夫的著作《达罗卫夫人》为线索,剖析了意识流小说的语言风格中语法变异。     

艺术与生活——论伍尔夫的小说批评思想

弗吉尼亚.伍尔夫不仅是出色的意识流小说家,还是小说理论家和批评家。她有很多关于小说的随笔文集,这些文集里散现着伍尔夫关于小说的批评思想。这些批评思想中,＂考察生活与艺术之间的平衡程度＂是其最重要的思想,对现代主义文学产生了深远的影响。     

伍尔夫“双性共体”理论探析

从伍尔夫提出的“双性共体“即每个人头脑中普遍受男女两性的两种力量的制约,两种力量融合的完美精神境界是作家最理想的创作状态这一思想入手,阐述了她将“双性共体“的理念融进《奥兰多》,《达洛卫夫人》等多部作品,对两性平等的追求和两性和睦相处的愿望。针对伍尔夫的“双性共体“的理念的局限性,对其内容重新阐释和拓展,结果表明无论是遭到否定,还是被重新阐释,“双性共体“的理念始终生机勃勃,并具有实际的理论研究价值。     

新女性主义的先声——评伍尔夫的小说《一个协会》

英国女作家弗吉尼亚*伍尔夫1921年发表的小说<一个协会>,以一群中、上层阶级妇女对传统性别观念进行反思作为主要情节,探讨了一个极为深刻的主题--女性对男性神话的批评和质疑.作者从女性的视角出发,对统治人类几千年的男性中心社会的政治、文化和历史进行了激烈批判,突出体现了一种20世纪60年代末才开始在西方广为流传的新女性主义思想,使这篇小说成为新女性主义的先声.     

解读伍尔夫《到灯塔去》中的生态女性主义观

通过对伍尔夫经典之作《到灯塔去》的解读，展示她如何对自然特征以及自然与人类的相互关系进行细致描述，揭示自然与女性一样，如何努力摆脱受压制、受破坏的地位，解构父权社会“二元对立”的结构，并最终阐释“天人合一”的生态女性主义思想。     

Feminism and science in Masters of Sex

This article examines the fictional characterization of the real-life sex researchers and scientists William H. Masters and Virginia E. Johnson in the Showtime television program Masters of Sex (2013–2016). The historical Johnson had a complicated relationship with second-wave feminism: she disdained the movement and was interested primarily in improving heterosexual marriages and the sex lives of married couples. The Johnson character speaks in a language of postfeminism with minimal interest in collective action and broader social change. However, second-wave feminists later used her and Masters’ research in order to support their own beliefs about sexual autonomy and freedom, within and beyond marriage and heterosexuality. The television program demonstrates Johnson’s importance to both phases of her and Masters’ research—in the first phase, when they are based in a hospital and university environment, and in the second, when they establish their own research institute and raise funds directly from the clients that they serve. Johnson exemplifies postfeminist depictions of ambitious women in prestige television, her aim to have a successful career and marriage conflict, and while she is willing to compromise scientific values to serve her own goals, her male colleagues temper that ambition in service of “objective” science.