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新感觉派作为30年代上海的一个具有独特风格的唯美—颓废主义流派,其作品具有浓厚的唯美、颓废特征,尤其在对城市空间的刻画上,与当时的左翼、京派作家形成明显的差异。新感觉派作家将客观的城市空间主观化、感觉化,并把自己独特的审美体验融入到对城市的体验当中,使得上海成为一个具有唯美—颓废气息的都市,生活在其中的人们也因此染上了唯美的视觉色彩和颓废的精神色彩,即使借助宗教崇高的空间、乡村淳朴的空间也无法完成对这唯美—颓废城市空间的救赎,从而陷入了毫无希望的生活幻想当中,无法自拔。  相似文献   
2.
中国新感觉派在形成过程中有一条接受西方现代主义的线索 ,其作品以泛性学说表现现代人心理 ,并有浓重的绝望、危机色调 ,表现出鲜明的现代主义特质 ,对心理分析、新感觉与意识流等手法的使用也有明显的西方现代主义思想基础  相似文献   
3.
An experiment was conducted to observe the influence of autonomic arousal on subsequent gambling behavior. Thirty-seven male and 32 female regular Electronic Gaming Machine (EGM) players were recruited through newspaper advertisements. Participants were randomly assigned to either: (1) a control condition, or (2) an experimental condition that introduced a loud white-noise event (80 db) at fixed 120 s intervals throughout the 5-min EGM gambling session. Galvanic Skin Response (GSR) measurements showed that the manipulation was successful in elevating autonomic arousal. The results showed differences in behavioral response to the manipulation based on prior experience with gambling problems. Persons with many gambling problems had lower average bet-sizes in the white-noise condition compared to the control, while those with few or no problems had higher average bet-sizes. The results suggest that arousal may provide different signals to gamblers with few versus many problems. Gamblers with many problems may interpret their arousal as a sign that they will soon lose money, while gamblers with few or no problems may associate feelings of arousal exclusively with winning.  相似文献   
4.
李有亮 《社会科学》2007,(6):185-189
人体感觉是一个复杂而又具有整体性的动力结构系统,而视觉正是这一系统进行运作的"特殊中介".视觉具有工具性特征,其它知觉都须借助视觉意象的参与,才能确立起自己的感觉形象;视觉还具有主动选择功能,这就使任何感觉都具有了某种倾向性.这即是"视觉意象"在诸种感觉活动中所起的特殊作用."通感"的发生,终究是诸种感官活动在某种特定情态下,向视觉这一最重要、最能接近事物本质联系的感觉形态转移的结果.  相似文献   
5.
Contemporary individuals are forced to deal with excessive stimulation, which causes an overload in the cognitive and emotional areas. The purpose of this paper is to investigate the possible factors differentiating the perceived level of work and shopping overflow experienced by individuals and consequences of these states. Two psychological variables: cognitive control and sensation seeking, are chosen as potential factors differentiating the perceived levels of overflow. We assume that individuals with high cognitive control and sensation seeking will report lower levels of both types of examined overflows. Experiencing low overflow levels may manifest in the search for additional stimuli, rather than in the desire to limit them. Two indexes of behavior connected to seeking extra stimulation are selected: one belonging to the area of consumer behavior (readiness to participate in the experience economy) and one belonging to vocational behavior (choosing a boundaryless career). The quantitative study is conducted on a sample of 297 management students who are currently employed. The research results support the relation between cognitive control and perceived level of work and shopping overflow. Individuals who can cognitively control the situation and the incoming stimuli report lower levels of overflow. No significant relationship between sensation seeking and the level of overflow is found. The demographic variables that influence the perceived overflow are age and salary for work overflow and age for shopping overflow. As far as consequences of overflow are concerned, a low level of shopping overflow is related to readiness to participate in the experience economy. However, there is no link between work overflow and preferred career pattern. The managerial implications for human resource management and marketing strategy design are discussed.  相似文献   
6.
香港作家刘以鬯在横和纵的借鉴下,写出了大量具有现代性的实验小说。但是很多研究者只注意到他在横的借鉴方面,即对西方现代技巧的借鉴,却忽略了他在纵的借鉴方面,本文特指与中国大陆二三十年代新感觉派的联系,即使有少量的学者论述到,但笔者认为仍有拓展的空间。因此本文将从对都市的生存体验、文本的介入以及文本与都市生活的同构等分析两者的一致性。  相似文献   
7.
翻译理解的心理探析   总被引:5,自引:0,他引:5  
翻译理解是翻译的基础 ,但翻译活动的双语性以及其他特性使得翻译理解与一般的语言理解既相同又有差别。透彻准确的翻译理解必须经历一系列交错的心理路程 ,其中包括感觉、知觉、思维等。  相似文献   
8.
勾勒了“魔都”上海面影的新感觉派,不仅为中国都市文学贡献了诸多创作实绩和摹写范例,也为表达“现代性”在中国都市人群内心造成的影响提供了典型标本。作为异己力量的“现代性”造成的城市外观和市民体验结构的双重“遽变”,塑造了新感觉派作家独特的创作语境及心态。他们的文字正是自身作为亲历者的心灵速写。  相似文献   
9.
作为30年代城市文学的代表,新感觉派小说中出现了一个游荡者群体,他们游荡于碎片化的空间与加速行进的时间中,体验着城市之流中的沉醉、自由与悲观怀疑,但仍然义无返顾地投入并追逐着都市消费文化。作为30年代上海现代性的直接观察者与体验者,这些游荡者们并没有对城市文化本身作过多的反思,半殖民地的社会与文化处境先在地设定了西方文化的优先地位,都市及其“颓废”,在游荡者们看来,都是“时代列车”前进的方向。  相似文献   
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