| 明代诗学论诗乐关系 |
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| 引用本文： | 陈文新. 明代诗学论诗乐关系[J]. 南昌大学学报(人文社会科学版), 2001, 32(4): 90-94 |
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| 作者姓名： | 陈文新 |
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| 作者单位： | 武汉大学 中文系,湖北 武汉 430072 |
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| 摘 要： | 诗的本质之一是其音乐性 ,明代主流诗学相当关注这一问题。如李东阳《麓堂诗话》视音乐性为诗的原生属性和根本属性 ,谢榛留意于声律的辨析。“唯乐不可以为伪”。重视诗的音乐性 ,即重视诗的抒情性
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| 关 键 词： | 明代诗学 诗乐关系 |
| 文章编号： | 1006-0448(2001)04-0090-05 |
| 修稿时间： | 2001-04-23 |
Ming Dynasty Poetry Theory on Relations between Poetry and Music |
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| CHEN Wen-xin. Ming Dynasty Poetry Theory on Relations between Poetry and Music[J]. Journal of Nanchang University(Humanities and Social Sciences), 2001, 32(4): 90-94 |
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| Authors: | CHEN Wen-xin |
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| Abstract: | One of poetry's essences is music.The main current of the poetry theory of the Ming comparatively noticed poetry's music.For example,in his book "On Poetry in Mountain Foot Study",Li Dongyang regarded music as an original and basic feature of poetry.Xie Zhen paid attention to analysis of melody."Only music could not be forged."Paying special attention to poetry's music means attaching great importance to the expression of poetry. |
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| Keywords: | poetry theory in Ming Dynasty relations between poetry and music |
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