| 建设中国的新歌(舞)剧--论京剧改革的田汉模式 |
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| 引用本文： | 李伟.建设中国的新歌(舞)剧--论京剧改革的田汉模式[J].南京大学学报(哲学．人文科学．社会科学 ),2004,41(1). |
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| 作者姓名： | 李伟 |
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| 作者单位： | 上海戏剧学院<戏剧艺术>编辑部,上海,200040 |
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| 摘 要： | 在上个世纪的戏剧发展史上,以田汉为代表的新文化人对以京剧为代表的传统戏剧进行了卓有成效的改革,其特色在于注重以现代文化眼光对传统京剧的思想内容进行改造,同时注意尊重、利用传统京剧的技艺形式,走出了一条文化创新之路。这条道路可称为“田汉模式”。通过对田汉个人的思想、创作的发展过程的研究,可以对这一模式予以总结。
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| 关 键 词： | 京剧改革 田汉模式 新歌舞剧 现代文化 |
Constructing the New Opera-Pantomime of China --On Tian Han's Mode of Beijing Opera Reforms |
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| LI Wei.Constructing the New Opera-Pantomime of China --On Tian Han's Mode of Beijing Opera Reforms[J].Journal of Nanjing University(Philosophy, Humanities and Social Sciences),2004,41(1). |
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| Authors: | LI Wei |
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| Abstract: | Modern intellectuals, represented by Tian Han, reformed Beijing Opera effectively in the 20th-century theater. They insisted on reforming the content of Beijing Opera by drawing upon a perspective of modern culture, and taking advantage of traditional acting skills to create a new culture. This paper calls the innovating way as "Tian Han's Mode" as it was closely related to the e-volution of Tian Hans idea and writing. |
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| Keywords: | Beijing Opera reforms Tian Hans mode New Opera-Pantomime modern culture |
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