| 清代词学批评视野中的词情论 |
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| 引用本文： | 胡建次,闫斯扬. 清代词学批评视野中的词情论[J]. 佛山科学技术学院学报(社会科学版), 2009, 27(1): 10-15 |
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| 作者姓名： | 胡建次 闫斯扬 |
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| 作者单位： | 南昌大学,中文系,江西,南昌,330031 |
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| 基金项目： | 国家社会科学基金，山东省博士后创新项目 |
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| 摘 要： | 清代词学批评视野中的词情论，主要体现在三个维面：一是对“情”作为词作生发之本的标树。二是对词情表现特征与要求的探讨，三是对“情”与其他创作因素关系的考察。上述三方面，从主体上展开了词情之论，使古典词情论在多维面上得到了拓展、充实与深化。
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| 关 键 词： | 清代词学 词情论 本质标树 特征探讨 创作考察 |
The Feeling Criticism of the Ci-poetry Critical Eyesight in the Qing Dynasty |
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| HU Jian-ci,YAN Si-yang. The Feeling Criticism of the Ci-poetry Critical Eyesight in the Qing Dynasty[J]. Journal of Foshan University(Social Science), 2009, 27(1): 10-15 |
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| Authors: | HU Jian-ci YAN Si-yang |
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| Affiliation: | Department of Chinese;Nanchang University;Nanchang 330031;China |
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| Abstract: | The feeling criticism of the Ci-poetry critical eyesight in the Qing Dynasty fell mainly into three aspects: the praise of feeling as the origin of Ci-poetry writing,the exploration of its expressive character and requisition,and the analysis of its relation to other writing factors.These three aspects broadened and deepened the classical theory of feeling criticism multi-dimensionally. |
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| Keywords: | the Ci-poetry critical theory in the Qing Dynasty the feeling criticism of Ci-poetry the praise of feeling as the origin of Ci-poetry writing exploration of expressive character analysis of writing factors |
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