| 隐逸文化对中国古代环境美学的贡献 |
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| 引用本文： | 赵冬初,李连英.隐逸文化对中国古代环境美学的贡献[J].湖南大学学报(社会科学版),2003,17(6):35-37. |
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| 作者姓名： | 赵冬初 李连英 |
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| 作者单位： | 湖南大学,马克思主义学院,湖南,长沙,410082 |
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| 摘 要： | 隐逸文化以"天人合一"为哲学基础,在审美理想上追求人与环境的和谐.由于魏晋时期人格的解放及自由的获得,归隐、羡隐的士人及士大夫得以发掘、鉴赏环境美,并经由审美超越的途径构建一种至美至乐的环境美境界,极大地促进了中国古代环境美学的发展.
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| 关 键 词： | 环境美学 天人合一 境界 |
| 文章编号： | 1008-1763(2003)06-0035-03 |
| 修稿时间： | 2003年8月13日 |
Contributions to China's Ancient Environmental Aesthetics Made by Reclusive Culture |
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| ZHAO Dong-chu,LI Lian-ying.Contributions to China's Ancient Environmental Aesthetics Made by Reclusive Culture[J].Journal of Hunan University(Social Sciences),2003,17(6):35-37. |
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| Authors: | ZHAO Dong-chu LI Lian-ying |
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| Abstract: | On the philosophic basis of nature and man combining into one, the reclusive culture concentrated on the harmony between man and environment. In the Weijin period, as a result of emancipation of personality and achievement of freedom, the literati and officialdom who returned to or envied recluse could seek and appreciate the beautiful of the environment. They constructed a realm that was most beautiful and pleasant. And that brought about a maximum advance to China's ancient environmental aesthetics. |
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| Keywords: | environmental aesthetics nature and man combining into one realm |
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