| 论"归来者"诗与"朦胧诗"抒情方式的差异 |
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| 引用本文： | 丛鑫.论"归来者"诗与"朦胧诗"抒情方式的差异[J].燕山大学学报(哲学社会科学版),2007,8(2):81-85. |
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| 作者姓名： | 丛鑫 |
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| 作者单位： | 燕山大学,文法学院,河北,秦皇岛,066004 |
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| 摘 要： | 劫后余生的“归来者”诗人和“朦胧诗”人在各自的创作中都把“文革”作为他们写作的文化资源;基于不同的诗学观念、相异的生命体验,他们在诗歌创作中采用了不同的抒情方式——直白抒情和意象抒情。不同的抒情方式源于二者对客观与主观的不同认知,而更深层次的原因则是二者思维方式的分歧。
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| 关 键 词： | "归来者"诗 "腺胧诗" 抒情方式 |
| 文章编号： | 1009-2692(2007)02-0081-05 |
| 修稿时间： | 2007年1月20日 |
Contrast in the Manner of Monody between Poems of "Guilaizhe" and "Menglongshi" |
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| CONG Xin.Contrast in the Manner of Monody between Poems of "Guilaizhe" and "Menglongshi"[J].Journal of Yanshan University:Philosophy and Social Sciences Edition,2007,8(2):81-85. |
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| Authors: | CONG Xin |
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| Abstract: | The poets of "Guilaizhe" and "Menglongshi" both take"the culture revolution" as the cultural re-source of their writing.Because of their difference experiences,believes,they use different manners in monody: direct monody and image lyricism.Differnt manners originate from the different cognition of the subjective and objective,and the further reason is the difference between the manner of thinking. |
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| Keywords: | poems of "Guilaizhe" "Menglongshi" the manner of monody difference |
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