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感人心者 莫先乎情-古典文论探微
引用本文:石复生. 感人心者 莫先乎情-古典文论探微[J]. 江苏大学学报(高教研究版), 2001, 23(4): 13-16
作者姓名:石复生
作者单位:镇江师范专科学校中文系 江苏镇江212003
摘    要:文学表现情感的提法,在西方出现很晚,在我国则发轫很早。在我国古典文论中,十分强调文学创作是因为作家受外物所感,而激起强烈的思想感情所致。在整个创作过程中,情感的性能是多元化的。在创作的不同阶段,它的表现形式和作用也是各不相同的。

关 键 词:情感 “灵感“ 想象 意境 媒介 文学 古典文化 文学创作 表现形式 艺术想象

An Inquiry into the Chinese Classical Literary Theory
SHI Fu-sheng. An Inquiry into the Chinese Classical Literary Theory[J]. Journal of Zhenjiang Teachers College(Philosophy & Social Science Edition), 2001, 23(4): 13-16
Authors:SHI Fu-sheng
Abstract:The statement that literature is an expression of emotions is made very late in the West but very early in China. Chinese classical literary theorists emphasize literary productions result from their authors' response to the outside stimuli; that in the whole process of literary productions, emotions are multi-functional; and that in different periods of production, emotions present themselves different forms and perform different functions.
Keywords:emotion  inspiration  imagination  mood of a literary work  medium  
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