从《高兴》看贾平凹小说风格的新变

贾平凹的小说《高兴》讲述了一个离开土地的农民进入城市后的生存状态，小说的主旨在探讨离土的农民，如何在城市扎根。《高兴》是一部标志着贾平凹创作思路和叙事风格发生重大转变的小说，它没有像《废都》《怀念狼》甚至《秦腔》那样，继续他的颓废、挣扎和怀乡，而是掉转手眼，通过褪尽铅华、隐去技巧、简约而索朴的叙述，宽容而微笑地捧出他对城市和生活在其间的下层人的柔软和温暖；《高兴》体现了贾平凹从尘世挣扎和心灵搏斗，走向了顺乎自然的静观，脱去了纷乱变形的精神意象，走向了清澈而唯美的简约写实，实现了对他早期朴素创作风格的超越式的回归。

Jia Ping-wa's New Novel Style in Happiness

Jia Ping-wa＇s novel Happiness relates the survival condition of the farmers who left the land and entered into the city. The primary intention of the novel is to discuss how the farmers took root in the city. Happiness symbolizes the significant transformation that Jia Ping-wa creates in the writing mentality and the narrative style, Unlike A Deserted City. Fondly Remembers Wolf and even Shaanxi Opera which are characteristic of his decadent, struggles and homesick. Happiness turns to a brief and plain style rather than writing techniques and exaggeration. In his novel Jia shows generous tenderness and worm heart to the city and the lower-class living there. Happinese manifested Jia Ping-wa to struggle from this mortal world calm eye, shaking off chaotic and distorted with aestheticism and realism and fight with the mind. Confirming to the images, he returned to the plain style of his