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| 影视文化社会身份刍议 | |
| 引用本文： | 尤游,戴元光. 影视文化社会身份刍议[J]. 上海大学学报(社会科学版), 2005, 12(1): 62-66 |
| 作者姓名： | 尤游 戴元光 |
| 作者单位： | 上海大学,文学院,上海,200444;上海大学,影视艺术技术学院,上海,200072 |
| 摘 要： | 影视文化已经取代语言文化为代表的理性文化占据主导地位。这宏观根源于当下文化和社会结构的剧烈断裂,微观根源于这种传播方式的诸多先进性。它的合法地位不应该因为当下泛滥的消费社会而遭到质疑。 |
| 关 键 词： | 影视文化 社会身份 合法化 |
| 文章编号： | 1007-6522(2005)01-0062-05 |
| 修稿时间： | 2004-07-01 |
A Brief Comment on the Social Identity of Film-Television Culture |
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| YOU You,DAI Yuan-guang. A Brief Comment on the Social Identity of Film-Television Culture[J]. Journal of Shanghai University(Social Science Edition), 2005, 12(1): 62-66 | |
| Authors: | YOU You DAI Yuan-guang |
| Affiliation: | YOU You~1,DAI Yuan-guang~2 |
| Abstract: | The film-television culture has replaced the rational culture represented by linguistics and occupied a leading position in our society. This replacement, in macro-analysis, comes from the big breakdown between contemporary culture and the structure of the society, and, in micro-analysis, comes from the advancement of film-television technologies. So we should not hold a negative attitude toward film-television culture because of the overflowing of consumerism. |
| Keywords: | film and TV culture social identity legalization |
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