梁代三家书论述略

梁代袁昂、萧衍、庾肩吾三家书论 ,互有异同。袁昂的《古今书评》与萧衍的《书评》内容相近而观点有异 ;萧衍的书论与庾肩吾的《书品》形式不同而美学趣味相同。梁代三家书论的异同 ,说明梁代美学发展的特点或趋势 ,是“趋新”时尚下的“折中”或“折中”趋势下的“趋新”,反映了南北朝后期中国的文艺美学已出现“古质”、“工夫”与“今妍”、“天然”相统一的时代要求

On the three calligraphic theories in the Liang Dynasty

Both similarities and differences exist in the three calligraphic theories represented by Yuan Ang,Xiao Yan and Yu Jianwu of the Liang Dynasty.Yuang Ang and Xiao Yan dwelt on the same content but held different opinions while Xian Yan shared the aesthetic taste with Yu Jianwu despite their different styles in academic works.This proved that a compromise with new fashion or a pursuit of new fashion with a compromise became the features or prospect of aesthetic evolution in the Liang Dynasty,which reflected the requiremaent of unifying "the original essence,the traditional skills and the free imagination" in the evolution of Chinese aesthetics in the late period of the Northern and Southern Dynaties.