京剧“样板戏”唱腔体系之探析

京剧"样板戏"相对传统的京剧板式来说,其最大的艺术成就就是它在唱腔的现代化方面进行了空前的变革和创新:在传统的板式之外新创了许多新板式,极大地丰富了京剧的板腔体系和唱腔本身;在声腔体系中创新了乐句句式和套腔布局,空前地丰富了京剧唱腔的艺术表现功能;在唱腔设计中创造性地融入了特性音调,空前地强化了京剧唱腔的人物个性;在行腔技巧上一反传统戏"曲高和寡"的技巧化倾向,空前地强化了京剧唱腔的通俗化和亲和力,为京剧唱腔的创新提供了无可争辩的宝贵价值和不可多得的"样板"。

A Brief Study on the Aria System of Peking Opera Models

Compared with the traditional Peking Opera, the artistic contributions of Peking Opera Models lie in the fact the latter makes innovations over the former, thus greatly modernizing the arias of the former. Besides, it creates many new forms of opera singing models, thus largely enriching the reservoir of models and arias. Examples are taken in this paper to illustrate the innovations of Peking Opera Models o-ver the traditional Peking Opera, including its introduction of new measure ways, innovations on the structure of single phrase and the whole set of aria, its introduction of special music tones, and the changes in singing skills.