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谈《送冰的人来了》中圣经场景的投影与颠覆
引用本文:肖利民. 谈《送冰的人来了》中圣经场景的投影与颠覆[J]. 江南大学学报(人文社会科学版), 2010, 9(5): 99-101,120
作者姓名:肖利民
作者单位:江南大学,外国语学院,江苏,无锡,214122
摘    要:来自《圣经》经典场景的文化编码存在于西方许多作家的潜意识中,在他们笔下或被继承或被颠覆。在《送冰的人来了》中,通过对《圣经》场景的投影和颠覆,奥尼尔表达了他对基督教拯救人类能力的讽刺与否定,认为失去了宗教信仰的现代人必须在古希腊酒神狄俄尼索斯世界中寻求人生的依托。

关 键 词:《送冰的人来了》  圣经场景  原型  颠覆  狄俄尼索斯精神

The Biblical Scenes and the Overturn in The Iceman Cometh
XIAO Li-min. The Biblical Scenes and the Overturn in The Iceman Cometh[J]. Journal of Southern Yangtze University:Humanities & Social Sciences Edition, 2010, 9(5): 99-101,120
Authors:XIAO Li-min
Affiliation:XIAO Li-min(School of Foreign Studies,Jiangnan University,Wuxi 214122,China)
Abstract:Classical scenes from the Bible are considered the most ancient layer of cultural accumulation,which,existing in the unconsciousness of many western writers,are inherited or overturned by successive generations.In The Iceman Cometh,by applying and overturning the biblical scenes,O'Neill expresses his satire and negation of the saving ability of Christianity,and he believes that in the modern society people who have lost their religious beliefs have to seek their spiritual support of life in the Dionysiac world of the ancient Greece.
Keywords:The Iceman Cometh  Biblical Scene  Archetype  Overturn  Dionysiac Spirit
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