玄妙之"象"与生命之"境"

古典文学界把意象当作意境的构成元素是值得商榷的.在实践上,意境理论不能概括所有的中国诗歌,存在大量有"象"无"境"之作;在理论上,意境与意象在适用范围、内涵、性质、形象的审美特征上各自有别.这说明,它们是并列关系.在文化变迁中,意境取代了意象,从玄妙难解走向生命体验,显示着意境对意象的超越,这也同样证明它们不是包含与被包含的关系.因此,进一步加强文艺理论研究与文学批评实践的结合是必要的.

Mysterious "Imagery" and Life's "Artistic Mood"

It is questionable to regard imagery as part of the artistic mood in the classical literary circle. In practice, the theory of artistic mood does not apply to all the Chinese poems, as many poems have images without moods. In theory, imagery and artistic mood differ from each other in the scope of application, connotation, quality and aesthetic features, which shows they are parallel. In the transformation of culture, the artistic mood has replaced the imagery, passed from the mysterious to life experience, and shown that the imagery was surpassed by the mood, which demonstrates that their relationship is not that of one containing the other. Therefore, it is necessary to reinforce the combination of the research in literary theory and the practice of literary criticism.