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| 道儒相济的自由喧声--萨特的艺术与美学批评理论 | |
| 引用本文： | 井华,宋春香. 道儒相济的自由喧声--萨特的艺术与美学批评理论[J]. 北方论丛, 2004, 0(3): 54-57 |
| 作者姓名： | 井华 宋春香 |
| 作者单位： | 山东理工大学,音乐系,山东,淄博,255049;哈尔滨师范大学中文系,黑龙江,150080 |
| 摘 要： | 自由精神是萨特整个艺术与美学批评理论的核心.在艺术创作、艺术接受、艺术功能三个方面,展现了萨特在艺术世界中寻绎自由实现自由捍卫自由的美学思路及其从个人(作者、读者)走向群体(社会、人类)之道儒相济的审美视角.这对我们今日重新认识艺术的自由本质,仍有其不可忽视的意义. |
| 关 键 词： | 萨特 自由 创作 接受 功能 |
| 文章编号： | 1000-3541(2004)03-0054-04 |
| 修稿时间： | 2004-02-20 |
Free Confused Voices of Mutal Supplement of Taoists and Confucianists-Sartre's Cricticism Theory of Arts and Aestetics |
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| JING Hua SONG Chun-xiang. Free Confused Voices of Mutal Supplement of Taoists and Confucianists-Sartre's Cricticism Theory of Arts and Aestetics[J]. The Northern Forum, 2004, 0(3): 54-57 | |
| Authors: | JING Hua SONG Chun-xiang |
| Affiliation: | JING Hua~1 SONG Chun-xiang~2 |
| Abstract: | Free spirit is the core of Sartre's theory of arts and aesthetics.Therefore the explaination in the aspects of artistic creation ,artistic acceptation and artistic function,we can emerge his aesthetic thinking which was used to search for freedom,achieve freedom and protest freedom in artistic field.At the same time,we can find his aesthetic angle of view,a visual angle of mutal supplement of Taoists and confucianists , a visual angle of aelwaneing towards groups (human species and society) from individual (author and reader ).All these still play an important role and have unignored significance to an afresh understanding the free essence of arts today. |
| Keywords: | Sartre freedom creation acceptance function |
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